Review: CATCH ME IF YOU CAN Sings and Swings at Lincoln Park Performing Arts Center
Director Justin Fortunato and cast keep the midcentury sheen nice and glossy on this Shaiman/Wittman musical.
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Director Justin Fortunato and cast keep the midcentury sheen nice and glossy on this Shaiman/Wittman musical.
The splash zone at the PMT West End Canopy is not messing around.
The new biomusical elevates one of popular music's cult figures to the forefront with wondrous results.
Pittsburgh CLO took a huge risk with this one, but the rewards are almost immeasurable.
Sondheim's backwards tragicomedy may be notoriously prickly, but Daina Michelle Griffith's production shines by emphasizing the humor over the nihilism.
The time period may be ambiguous in the classic Damon Runyon musical, but the laughs are undeniable.
The CLO production proves once and for all that this is the best musical you've never heard of.
After two pandemic years, life has returned, sometimes better than ever, at Pittsburgh's theme park staple.
The summer institution shakes up its image with a lightly sophisticated musical revue.
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Forty years of productions and a Disney movie have made the show cuddly, but this CLO production restores the weirdness and wackiness at the show's edges.
Almost every time you see a major production of Anything Goes, it'll vary in some way from the last one you saw.
The summer institution's season opener effortlessly blends the two genres the venue is most famous for.
William Finn's neurotic queer musical epic isn't necessarily user-friendly, but Pittsburgh's best local playhouse still manages to find the warmth amidst the dysfunction.
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There's a reason Patinkin is a legend, and it's because he is so permanently himself and no one else.
This jukebox rocker may not be 'simply the best' in the genre, but its energy and surreal touches make it stand out from the pack.
Go see Beetlejuice.
Justin Emeka's riotous reimagining is the best Shakespeare in Pittsburgh since 'Othello' at the Public.
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This super-sixties musical continues to feel fresh, while also seeming like it's been around forever.
The smartest, stupidest, most beloved Christmas tale of the twentieth century comes to life, and then some, in Michael Berresse's farcical production.
Front Porch announces a season of Finn and Sondheim, in an evening of song and stories.
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