Review: A MOON FOR THE MISBEGOTTEN Drops Jaws, Bombshells at Quantum Theatre
Swerving between low comedy and high tragedy, this outdoor O'Neill drama stuns and swelters, even on cool nights.
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Swerving between low comedy and high tragedy, this outdoor O'Neill drama stuns and swelters, even on cool nights.
The summer season ends with this kid-friendly spectacular.
Sometimes, smaller, dumber and cheaper is a compliment, not a put-down, as in this miniaturized Mel Brooks classic.
Irving Berlin's songs are both timeless, and also thoroughly of their own time and place.
José Pérez IV's new tragicomedy feels like it's always been around, but still remains refreshing and new.
I'll admit, I had a huge smile on my face all the way through The Music Man that had little to nothing to do with the production itself.
The funny thing about farce as a genre is it seems to be perpetually stuck in the past; the constant misunderstandings, cross-dressing and door-slamming seem tied to a time before the internet, before cell phones.
As a literature major, part of me has always found it unbelievable that tight, two-hour adaptations of Alice Walker's The Color Purple have been so successful.
There is no greater musical theatre staging preservationist than Baayork Lee, who has devoted much of her career to preserving and restaging the original direction and choreography to A Chorus Line.
It's a tale as old as time: the downward spiral of a once-brilliant talent into substance abuse and early death.
Folks, this is a first.
It's an oldie but a goodie, and packed with oldies-but-goodies.
It's the best episode of 90s SNL that you never saw.
I've posted many times about how much of an institution Saint Vincent Summer Theatre has become: you know you're going to get a slapstick farce, a Golden Age or earlier revue, and usually a musical comedy with pop oldies.
Oscar Wilde's comedy of manners, lightly reconceived as a screwball farce, is a refreshing summer treat.
James Ijames's Pulitzer-winning comedy Fat Ham is less an adaptation or reimagining of Hamlet, and more a play ABOUT Hamlet, a response to Hamlet.
The rediscovered orchestrations of John Williams make a beloved musical just that much better.
Sara Porkalob's solo show is a captivating mix of musical, monologue and alternative vibes.
CLO's Spark program has a large-sized hit with the latest small-scale musical it commissioned.
If you asked me about important works of twentieth century literature, I'll rattle off all the obvious ones like The Great Gatsby and Death of a Salesman, but I'll also make a case for the first ten years of The Simpsons as an essential piece of American literature.
Leave it to a musical based on George Bernard Shaw to have audiences debating in the aisles after bows.
I'm still not quite sure how I feel about this show, but it sounded like heaven.
It's back! Just last year I made the prediction that Philip Grecian's A Christmas Story: The Play would become a yearly staple, becoming the Christmas equivalent of Rocky Horror.
The CLO Cabaret's holiday special is delightfully raunchy, thanks to a go-for-broke performance by Lara Hayhurst.
Pittsburgh's boutique professional musical theatre company loves taking chances, and this cabaret is full of them.
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Miracle on 34th Street the Musical The Strand Theater (11/13-11/22) |
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Nunsense The Strand Theater (3/12-3/21) |
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Doubt, A Parable Paragon Theatre (10/02-10/10) |
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And A Buoy New Hazlett Theater (11/30-11/30) |
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Little Shop of Horrors Paragon Theatre (11/12-11/21) |
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Refugee Rhapsody Pittsburgh International Classic Theatre (10/09-10/25) |
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A Funny Thing Happened on the Way to the Forum The Strand Theater (4/30-5/09) |
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Late, Late At Night (The Rick Springfield Story) The Oaks Theater, Oakmont, PA (11/19-11/19) |
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A Night at the Symphony Byham Theater (3/26-3/26) |
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The Dinner Detective Pittsburgh True Crime Murder Mystery Show The Dinner Detective Pittsburgh (11/21-11/21) |