Review: FROZEN Thaws a Disney Classic at Pittsburgh CLO
A refreshingly non-replica production design breathes new life into the sometimes-overexposed property.
The latest reviews and critic recommendations from Pittsburgh.
A refreshingly non-replica production design breathes new life into the sometimes-overexposed property.
Stripped-down production values but a game cast make the Pythonesque musical fly.
If any company in the area can be said to have a formula for its seasons, that is a fair assessment of Saint Vincent Summer Theatre's usual years: a farce, a revue of pre-rock songs from stage and screen, and then a Roger Bean style nostalgic jukebox musical.
If you don't know the capsule plot of Back to the Future yet, close this review and go pull it up for streaming, or check TBS (Back to the Future is almost always running on TBS these days).
Marya Sea Kaminski ends her tenure at the Public with her most ambitious and open-hearted production yet
It's an oldie but a goodie, and Saint Vincent knows farce like nobody else.
I'm a millennial, and a nerd.
This new musical makes a case both for its own mainstream success and for its heroine as an under-appreciated icon.
Pittsburgh's most reliable indie company scores again with a little-seen concept musical.
It's a wonder Some Like It Hot, the Billy Wilder film, has held up as well as it does without seeming totally creaky and outdated.
Is Jesus the hero of Jesus Christ Superstar? It's a question people have debated for years, first spurred by lyricist Tim Rice quipping (possibly sarcastically) in the early seventies that Christ was the villain of the piece, not the hero.
The first thing I noticed in the theatre at City Theatre's Birthday Candles was the set.
One of the oddest dramedies in recent history is also one of the most satisfyingly heartfelt.
It's a very good play about a very bad play.
Frank Wildhorn's Jekyll & Hyde has long been a divisive show among theatre fans.
Remember Jones is funny, but he isn't a joke.
In some ways, Lolita Chakrabarti's Life of Pi, adapted from the novel by Yann Martel and directed by Max Webster, can feel like a grown-up version of the puppet-heavy visual multimedia spectacles often seen in high-end children's theatre.
It has long been posited that Sherlock Holmes is difficult to adapt well, because the nature of Arthur Conan Doyle's 'Sherlock Universe' is so fragmented.
CLO's seasonal favorites may not be new, but they have yet to wear out their welcome.
I keep saying it and it keeps being true: it doesn't really matter what Front Porch announces for their season, because 'Front Porch Presents' is a strong enough endorsement on its own.
Like the King of Pop himself, this adventurous jukebox psychodrama blends darkness with joy.
Out of nowhere, the silent film classic The Cabinet of Doctor Caligari rocketed back into the zeitgeist about five years ago.
Max Martin's songs have never made more sense than they do in this jukebox confection.
City Theatre's brand, the last decade or so, has often been less is more.
Front Porch's biggest show yet is also one of its best.
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