PS122's Spring Gala 2016 celebrates three contemporary luminaries whose influence ripples across borders and through generations by honoring Annie-B Parson and Paul Lazar, the visionary team behind Big Dance Theater. In addition, Nicole Birmann Bloom, of the Cultural Services of the French Embassy, will receive the Shining Star Award for her unwavering dedication to New York City arts and French-American cultural exchange.
Vine of the Dead explores the place and meaning of ritual in the 21st century by attempting to communicate across the divide between life and death. In a series of 11 rituals, the performance channels personal experiences of death and transcendence while exploring the spirituality of skepticism.
Miller Theatre at Columbia University School of the Arts will conclude its 2015-2016 Composer Portraits series with Michael Gordon featuring Yarn / Wire Jim Findlay, director and designer. All four performances slated for May 11-12, 2016 at Miller Theatre are sold out.
To accompany the world premiere of their latest original work, I Will Look Forward to This Later, presented by New Ohio Theatre as part of the Archive Residency, a collaboration between the New Ohio and IRT Theater, The Assembly is curating a post-show conversation series. Talkbacks will feature artists from a multitude of disciplines sparking inter-generational dialogue on the topic of sustaining a life, and career, in the arts world.
Abrons Arts Center and New York City Players' American Playwrights Division present REALLY, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling.
Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
As part of its 2015-2016 Producing Season, HERE proudly presents Science Fair, a HERE Resident Artist production conceived and performed by Hai-Ting Chinn. This new opera-theater work, a live science show with lessons & lectures in song, Science Fair features Music Direction by Erika Switzer (piano), and Music by Matthew Schickele, Renee Favand-See, Stefan Weisman and Conrad Cummings. Lisa Rothe directs. This world premiere will have 8 performances only, April 13 - 24, at HERE (145 Sixth Avenue, just below Spring Street). Developed through the HERE Artist Residency Program (HARP), Science Fair marks the culmination of a residency for Hai-Ting Chinn with HARP.
To top off the Inaugural Season in its new Brooklyn waterfront home, St. Ann's Warehouse has invited NoFit State Circus, the UK's leading large-scale contemporary circus, to construct its 42'-high, 10,000 square-foot big top under the Brooklyn Bridge. Inside, the Wales-based international company will immerse audiences of all ages in Bianco,a gorgeous spectacle directed by Firenza Guidi. As a live rock band plays and audiences are shepherded through the space, promenade-style, the company of 35 performers and technicians creates awe-inspiring images of prowess and daring. 'This is circus as an event, aiming for grand physical/visual poetry, while at the same time exuding a huge, restless party vibe,' wrote London's The Times in a review of Bianco at the Edinburgh Festival. Continuing its commitment to introducing New York to great international artists, St. Ann's presents the work's American premiere-NoFit State Circus's North American debut-May 3-29.
Due to popular demand Abrons Arts Center and New York City Players are adding three additional performances of Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performed by Elaine Davis, Tavish Miller and Kaneza Schaal, Really is a play about grief, intimacy and the difference between goodness and greatness seen through the lens of photography. A black woman takes pictures of her artist boyfriend's mom. As they jockey for a claim to him, they try to redefine themselves in the wake of his legacy.
This American Blonde Actress and Mississippi Mud Productions announce the Florida 2016 tour of SHARON TATE IN HEAVEN, with additional tour dates to follow in New York City on April 22nd for Earth Day at 124 Bank St Theatre and in Long Island, NY, coinciding with the worldwide release of a film for new media version.
Playhouse Creatures Theatre Company will host a post-show discussion centered on the later work of Tennessee Williams following the March 5, 3pm performance of Tennessee Williams 1982. The participants include Tony-winning playwright John Guare, scholar and writer David Savran, scholar and current Tennessee Williams' editor Thomas Keith, and professor and writer Annette J. Saddik.
Broadwayworld.com interviewed John Kurzynowski about Theater Reconstruction Ensemble (TRE) and the World Premiere of 'Rhinbecca, NY' at The Brick in Williamsburg from March 4th to March 19th.
Abrons Arts Center and New York City Players' American Playwrights Division present Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performed by Elaine Davis, Tavish Miller and Kaneza Schaal, Really is a play about grief, intimacy and the difference between goodness and greatness seen through the lens of photography. A black woman takes pictures of her artist boyfriend's mom. As they jockey for a claim to him, they try to redefine themselves in the wake of his legacy.
Despite licensing agent Samuel French forbidding all promotion and reviews for The Wooster Group's production of Harold Pinter's THE ROOM in Los Angeles at REDCAT, critics have decided to weigh in on the show, which runs now through February 14, 2016. Let's see what they had to say!
Weathervane Productions and Rising Phoenix Repertory are pleased to present the world premiere of SELKIE, or When I Look at the Ocean, I Feel Like I Belong, a new play inspired by Selkie mythology, written by Sarah Shaefer.
This American Blonde Actress and Mississippi Mud Productions announce the first dates of the 2016 tour of SHARON TATE IN HEAVEN, beginning in Los Angeles for a return engagement, and with additional tour dates to follow in Florida, New York City and Long Island, NY, coinciding with the worldwide release of a film for new media version. It will play on the West Coast today and tomorrow, February 5th and 6th, for two shows only at the Lee Strasberg Theatre & Film Institute on the the James Dean Soundstage, an 'environmental' TV studio setting.