ules Aaron has directed shows at GRT including The Paris Letter (a major critical success) and That Lovin' Feelin' (the Righteous Brothers musical that was extended and broke all house records). Aaron is the winner of over 40 awards for direction around the country (including LA Drama Critics Award, Garland Award, Bay Area Critics Award, Philadelphia Critics Award, Utah Theatre Critics Award, etc. He is bi-coastal, working frequently in fifteen California theatres including South Coast Repertory, ICT, McCoy/Rigby, Pasadena Playhouse, Odyssey Theatre (most recently directed the acclaimed Two Fisted Love), TheatreWorks, Colony Theatre, Falcon Theatre and Theatre 40; In New York at The Public Theatre (personally developed plays with Joe Papp), Soho Rep, the Unit Theatre; regionally at the Humana Festival (Actors Theatre of Louisville), Philadelphia Theatre Co., Utah Shakespearean Theatre among many others. Aaron is currently in rehearsal for Deathtrap expected to open at Group rep Friday April 6.
REDCAT, CalArts' downtown center for contemporary arts, presents the legendary New York theater ensemble, The Wooster Group in A PINK CHAIR (In Place of a Fake Antique), April 5 to April 15, 2018.
Abrons Arts Center is pleased to present the world premiere of Aloha, Aloha, or When I Was a Queen (April 4-21), a solo play written and performed by Eliza Bent and directed by Knud Adams. In 1996, a young Eliza Bent, along with a friend, created, directed and starred in an amateur historical film for a school project. In it, Bent portrayed Hawaii's last reigning monarch, Queen Liliuokalani. 22 years later, Bent uses her home movie as a jumping off point to lead audiences on a journey that grapples with personal history, legacy, and cultural appropriation. In the tradition of Spalding Gray, Fran Lebowitz, and David Sedaris, Bent's humorous cringe-inducing stories chart a young Bostonian's education in race and appropriation.
The Wooster Group will open their newest piece, A PINK CHAIR (In Place of a Fake Antique) at The Performing Garage (33 Wooster Street) in New York City, with performances from April 28 through May 19, with press opening on Wednesday, May 9. The production will come to New York following a run in Los Angeles at The Roy and Edna Disney/CALARTS Theater from April 5-15, 2018.
St. Ann's Warehouse welcomes back the Donmar Warehouse to present the American screen premieres of their acclaimed, visceral all-female Shakespeare Trilogy-Julius Caesar, Henry IV, and The Tempest-directed by Phyllida Lloyd, May 31-June 3. In 2016, following a 13-week final repertory season, the plays were filmed in front of a live audience in London and edited for the screen to include separately shot, hand-held and GoPro footage breaking the formality of the traditional live camera "capture" of stage productions.
Kaneza Schaal's The Cotillion expands the investigation of ceremonial entrances into society. From re-entry into society after prison, to 'entering society' at debutante balls, her new work draws on traditions of mimicry and mirroring, as seen in early waltz notation and in balls sponsored by African American social clubs since the early 1900s.
REDCAT, CalArts' downtown center for contemporary arts, presents the legendary New York theater ensemble, The Wooster Group in A PINK CHAIR (In Place of a Fake Antique), April 5 to April 15, 2018.
SipFest, a new festival showcasing some of the coolest women theatremakers, has announced a lineup of multimedia works at different levels of development for an impromptu Wild Project takeover running March 7-14th.
The Tank (Meghan Finn and Rosalind Grush, Artistic Directors) will present the New York Premiere of LEISURE, LABOR, LUST, written and directed by Sara Farrington at The Tank (312 West 36th Street between 8th and 9th Avenues), March 28-April 22.
Classic Stage Company presents a new production of Tennessee Williams' SUMMER AND SMOKE, directed by Jack Cummings III, Artistic Director of The Transport Group, beginning performances Friday, April 13. The cast of SUMMER AND SMOKE will feature Glenna Brucken (Rosemary), Phillip Clark (Dr. Buchanan), and more.
Watch Frances McDormand's Oscar 2018 acceptance speech for Best Actress in THREE BILLBOARDS OUTSIDE EBBING, MISSOURI at the 90th Academy Awards. She delivered a powerful speech asking all female nominees to stand with her in solidarity.
Direct from sold-out preview performances at The Public Theater's 2018 Under The Radar Festival, Abrons Arts Center is pleased to present the world premiere of ¡Oye! For My Dear Brooklyn (March 15-31) by rising-star Modesto Flako Jimenez, "whose acerbic wit is as sharp as his performance style" (American Theatre). Directed by Artem Yatsunov, ¡Oye! For My Dear Brooklyn chronicles Jimenez's fractured immigrant journey from his native Dominican Republic to Bushwick to Bennington College and up to present day.
St. Ann's Warehouse and Onassis Cultural Centre-Athens present the American Premiere of Nikos Karathanos' The Birds, a modern, feast-for-the-senses adaptation of Aristophanes' offbeat and poetic comedy.
Zoetic Stage (@ZoeticStageMIA) and the Adrienne Arsht Center for the Performing Arts of Miami-Dade County (@ArshtCenter) are proud to present the South Florida premiere of DANCING LESSONS, Mark St. Germain's insightful, poignant, witty and hilarious romantic comedy. Playing March 8 - March 25, 2018 in the intimate Carnival Studio Theater (Ziff Ballet Opera House), DANCING LESSONS continues Zoetic Stage's 2017-2018 season at the Arsht Center as part of the Center's Theater Up Close Series.
What Makes Us Feel Good begins with a cow attempting to put the audience at ease. In reality, however, this is an actor looking for self validation. We cannot be certain how the audiences at The Tank will respond, but Johnny the Cow will most certainly ignore them. Especially once he has asked them a question. You see, he wants to get to the good stuff. A trauma involving his mother. A lifetime of self doubt. Forgiveness. Anyway, there's another actor on stage now. They are preparing to present an educational children's theatre show based on the life of murderer William Bradford Bishop. They are certain that it will be both marketing and compelling. The resulting performance is an amalgam of children's broadcast programming, live educational theatre, and William Bradford Bishop's violent acts in Bethesda, Maryland in 1976.
St. Ann's Warehouse presents Baxter Theatre Centre's The Fall, a vital new production devised collaboratively by a group of University of Cape Town graduates, re-enacting their revolt against a fraught symbol looming over their campus: a statue of 19th century colonialist Cecil Rhodes.
After 25 years as director of the Wexner Center for the Arts at The Ohio State University, Sherri Geldin has announced she will leave the helm at the end of December 2018.
Based on the short story by Isak Dinesen (and made famous by the 1987 Academy Award-winning film), Babette's Feast will begin performances Wednesday March 14th at the Theatre at Saint Clement's (423 West 46th Street, between Ninth & Tenth Avenues) for an open-ended Off-Broadway engagement. Opening Night is set for Sunday March 25th (5pm). The performance runs 90 minutes with no intermission.
Dixon Place (Ellie Covan, Founder and Artistic Director) is pleased to present the world premiere of SPEED QUEEN, written and performed by Pulitzer Prize-nominee Phoebe Legere, and directed by Lissa Moira at Dixon Place (161A Chrystie Street). The production will preview on March 7, 2018 with press opening on March 9, and performances on March 15, 16, 17, 23 and 24. All performances are at 7:30 PM.
BroadwayWorld has just learned that Oklahoma! is making its way back to New York. St. Ann's Warehouse and Eva Price will present a limited run of the Bard SummerScape production of Rodgers and Hammerstein's Oklahoma!, directed by Daniel Fish.
