Wole Soyinka News

Take Wing And Soar Productions presents Steve Carter's PECONG starring Phyllis Yvonne Stickney, directed by Arthur French, for a Limited Engagement at the National Black Theatre | March 12th - 28th

Take Wing And Soar Productions presents Steve Carter's PECONG starring Phyllis Yvonne Stickney, directed by Arthur French, for a Limited Engagement at the National Black Theatre | March 12th - 28th

Take Wing And Soar Productions proudly presents Steve Carter's PECONG, at the National Black Theatre, for a limited engagement, from March 12th - March 28th. Directed by award winning actor and director Arthur French, PECONG stars celebrated film, television and stage actress Phyllis Yvonne Stickney*.

Casting is complete for Goodman Theatre's Chicago-premiere production of Tracey Scott Wilson's The Good Negro, directed by Resident Director Chuck Smith. Wilson and Smith have tapped nine actors to bring this historical drama to the Albert stage, including Karen Aldridge (Goodman's The Cook; Proof); Teagle F. Bougere (Broadway's A Raisin in the Sun; The Tempest); Tory O. Davis (Goodman's Magnolia); John Hoogenakker (Goodman's Rock 'n' Roll; Chicago Shakespeare's Othello); Billy Eugene Jones (Broadway's Passing Strange; Radio Golf); Nambi Kelley (Goodman's Crumbs from the Table of Joy; Victory Gardens' The Lost Boys of Sudan); Demetrios Troy (Northlight's Awake and Sing; Chicago Shakespeare's Richard III); Dan Waller (Goodman's Ghostwritten; Talking Pictures) and Mick Weber (Goodman's Rock 'n' Roll; Chicago Theatre's Shear Madness). The production will run from May 1 - June 6, 2010.

Take Wing And Soar Productions presents Steve Carter's PECONG starring Phyllis Yvonne Stickney, directed by Arthur French, for a Limited Engagement at the National Black Theatre | March 12th - 28th

At a gathering of global arts leaders last night in London, six artistic masters were announced as mentors in the 2010-2011 Rolex Mentor and Protégé Arts Initiative.

To mark AMERICAN THEATRE magazine's 25th Anniversary in April 2009, Theatre Communications Groups (TCG) honored the publication by publishing The American Theatre Reader, a 640-page compilation of significant and insightful articles, essays and interviews from the magazine's first quarter century.

In what the Oregon Shakespeare Festival's Artistic Director Bill Rauch and Executive Director Paul Nicholson can only describe as amazing, OSF's 2009 season results have exceeded all expectations. Initially anticipating a slump in the 2009 season attendance and revenue, the Festival closed with record attendance of 410,034 (89% of capacity), and record revenues of $17,098,115.

Broadway comes to Ambler, as Act II Playhouse opens its 11th season in September with the Tony Award-winning hit play Boeing-Boeing. Act II Associate Artistic Director Harriet Power directs the post-Broadway world premiere of the smash-hit revival of Marc Camoletti's 1960s effervescent farce.

Brian Dennehy, a leading figure in American theater, renowned for his roles in the plays of Eugene O'Neill, will highlight the Eugene O'Neill Theater Center's 10th Annual Eugene O'Neill Celebration, presented this year in collaboration with the Eugene O'Neill Society and Connecticut College and with the support of the Frank Loomis Palmer Fund. Mr. Dennehy is an active member of the Center's Board of Trustees.

Broadway comes to Ambler, as Act II Playhouse opens its 11th season in September with the Tony Award-winning hit play Boeing-Boeing. Act II Associate Artistic Director Harriet Power directs the post-Broadway world premiere of the smash-hit revival of Marc Camoletti's 1960s effervescent farce.

Broadway comes to Ambler, as Act II Playhouse opens its 11th season in September with the Tony Award-winning hit play Boeing-Boeing. Act II Associate Artistic Director Harriet Power directs the post-Broadway world premiere of the smash-hit revival of Marc Camoletti's 1960s effervescent farce.

Too True To Be Good by Bernard Shaw, perhaps one of the first absurd comedies in English, and one of Shaw's least performed works, opens for a four week limited season on 1 September 2009 (Press Night: Thursday, 3 September) at London's Finborough Theatre.

The Oregon Shakespeare Festival will open its summer season with one of Shakespeare's rarely produced history plays, Henry VIII. Last produced at OSF in 1984, the play will be staged with all the spectacle of the Field of the Cloth of Gold. Some tickets remain available for previews and openings. To purchase tickets go to www.osfashland.org or call the Box Office at (541) 482-4331.

The Oregon Shakespeare Festival will open its summer season with one of Shakespeare's rarely produced history plays, Henry VIII. Last produced at OSF in 1984, the play will be staged with all the spectacle of the Field of the Cloth of Gold. Some tickets remain available for previews and openings. To purchase tickets go to www.osfashland.org or call the Box Office at (541) 482-4331.

To mark the occasion of AMERICAN THEATRE magazine's 25th anniversary, Theatre Communications Groups (TCG) will honor the publication by publishing The American Theatre Reader, a 620-page compilation of significant and insightful articles, essays and interviews from the magazine's first quarter century.

Long considered the essential magazine for professional not-for-profit theatre, AMERICAN THEATRE magazine (AT), published ten times annually by Theatre Communications Group (TCG), has been providing theatre professionals, students, advocates and audiences a comprehensive journal since April, 1984. At a time when coverage of the arts may be at an all-time low, the substantive and continuing contributions of AMERICAN THEATRE put it in a class of its own.

The Tony Award-winning Oregon Shakespeare Festival opens its 74th year the weekend of February 20-22 and celebrates the 50th anniversary of the Elizabethan Stage. In honor of that milestone, OSF is dedicating the 2009 season to principal theatre and scenic designer, Richard L. Hay, acknowledging his creative work that spans more than 50 years at OSF and includes the design of all three theatre spaces, beginning with the current Elizabethan Stage in 1959, half a century ago.

The 2009 Susan Smith Blackburn Prize has been awarded to British playwright and Liverpool native, Chloe Moss for her critically acclaimed play This Wide Night.

The Tony Award-winning Oregon Shakespeare Festival opens its 74th year the weekend of February 20-22 and celebrates the 50th anniversary of the Elizabethan Stage. In honor of that milestone, OSF is dedicating the 2009 season to principal theatre and scenic designer, Richard L. Hay, acknowledging his creative work that spans more than 50 years at OSF and includes the design of all three theatre spaces, beginning with the current Elizabethan Stage in 1959, half a century ago. 'I am deeply moved as I reflect on the achievement and commitment of our extraordinary theater artist, Richard Hay,' OSF Artistic Director Bill Rauch said, 'whose dedication to our artform and to OSF is an inspiration to all of us. The remarkable spaces he designed allow for a connection between actors and audiences that make OSF's theater experience unique and richly satisfying. And he remains an unstoppable creative force, designing scenery for two world premiere adaptations this season: The Servant of Two Masters and Don Quixote.' The 2009 season opens at 8:00 p.m. Friday, February 20, in the Angus Bowmer Theatre on the battlefields of Scotland with William Shakespeare's tragic play, Macbeth, directed by guest artist Gale Edwards. On Saturday, February 21 at 1:30 p.m. in the Angus Bowmer Theatre, theatergoers will have the opportunity to see the rarely produced Death and the King's Horseman,, written by Nigeria's Nobel Laureate playwright Wole Soyinka and directed by Goodman Theatre resident artist Chuck Smith. At 8:00 p.m. that evening, audiences will be treated to Meredith Willson's classic American musical The Music Man, directed by Rauch.