With the 87th annual Academy Awards just two days away, Hollywood stars seem to be on everyone's mind. Who will win? Who will beat Meryl Streep? Will host Neil Patrick Harris take a star-studded selfie? And most importantly, which Broadway stars will take home a statue? Many stars through the years have earned both a Tony and an Oscar, and as we know from Robert Lopez's win last year, there are some industry professionals with the coveted EGOT- Emmy, Grammy, Oscar, Tony. But did you know nine stars in history have won two awards for the same role? That is, they won a Tony for their Broadway portrayal and an Oscar for the film version. Below, take a look back at the actors who have earned this rare honor!
Tonight, February 20 the Palm Beach Opera will present the first world premiere in its 53-year history with Ben Moore's Enemies, A Love Story. Hailed as “one of the most eagerly anticipated premieres of the season” (WQXR), the unprecedented new production is one of several original projects designed to bring opera to a wider audience at the Florida house, which remains one of American opera's most inspirational recent success stories. Highlighting the company's creative audience engagement initiatives, ticket prices have been substantially lowered on more than 600 seats per performance this season, and tickets for family concerts reduced to a single flat fee of just $5, giving an unprecedented level of accessibility to Palm Beach Opera's current offerings.
The Laguna Playhouse Executive and Artistic Directors, Karen Wood and Ann E. Wareham are thrilled to present one of the most beloved comedies of all time, Neil Simon's THE ODD COUPLE, starring Maxwell Caulfield and Kip Gilman and directed by Andrew Barnicle.
On Friday, February 20 the Palm Beach Opera will present the first world premiere in its 53-year history with Ben Moore's Enemies, A Love Story. Hailed as “one of the most eagerly anticipated premieres of the season” (WQXR), the unprecedented new production is one of several original projects designed to bring opera to a wider audience at the Florida house, which remains one of American opera's most inspirational recent success stories. Highlighting the company's creative audience engagement initiatives, ticket prices have been substantially lowered on more than 600 seats per performance this season, and tickets for family concerts reduced to a single flat fee of just $5, giving an unprecedented level of accessibility to Palm Beach Opera's current offerings.
Nothing seems to scare the valiant little troupe Threepenny Theatre Company. What has it got to lose? So what if the budget allows for no more than a perfunctory set? So what if its selection of classics (i.e., MACBETH) hardly has the appeal of a crowd-pleasing musical? Relying on a commitment to quality of writing and performance, it has pulled off a real coup: A stunning production of Eugene O'Neill's warhorse of a classic, the autobiographical LONG DAY'S JOURNEY INTO NIGHT, produced posthumously and, in 1962, given classic cinema status by Director Sidney Lumet and brilliant performers Ralph Richardson, Katharine Hepburn, Dean Stockwell, and Jason Robards, Jr. (to whom O'Neill was as essential as Tennessee Williams was to Elizabeth Taylor). This particular warhorse, however, is of the Trojan variety, and Director Matt Crewse has tamed the beast with the aid of four performances that are nothing short of brilliant.
BLOOD BROTHERS is primarily about secrets, and the lives of good people beholden to their very worst choices.You want to get that across in a musical theatre production without falling into melodrama or caricature? Then you need a bloody good cast - and thankfully this new Australian production from Enda Markey and Hayes Theatre Co has just that.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Nashville Repertory Theatre will present its newest production Death of a Salesman, the classic, Tony Award and Pulitzer Prize-winning drama. Death of a Salesman runs March 12-28, 2015 at Andrew Johnson Theater at Tennessee Performing Arts Center.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
The Spaniels, Willie Rogers of The Soul Stirrers and Stormy Weather come together at City Winery for the Chicago premiere of The Signal. Direct from standing-room only sellouts in the Midwest, this new musical revue is a true story told in narrative and song by a star-studded cast at 45 rpm. The Signal: A Doo Wop Rhapsody 'transmits' Monday, March 9, 8 p.m. at City Winery Chicago, 1200 W. Randolph.
The first play of ACT's 50th Anniversary Season will be packed with talent. Broadway alums and Seattle favorites Laura Griffith and Brandon O'Neill will play Maggie the Cat and Brick, one of the most iconic couples in the theatrical canon. John Aylward, a Seattle treasure who went on to make a name for himself in Hollywood with recurring roles on ER, The West Wing, and Mad Men, will play the family patriarch Big Daddy. Rounding out the cast of leading roles will be elite Seattle acting veteran Marianne Owen as Big Mama. Kurt Beattie, in his final year as Artistic Director will direct this powerhouse cast.
Prescott Center for the Arts presents GRAPES OF WRATH, adapted by Frank Galati and directed by Jon Meyer, running Feb 26, 27, 28, Mar 5, 6, & 7 at 7:30 Mar 1 & 7 at 2:00
South Bend Civic Theatre presents a musical journey through 'Pure Imagination' with Roald Dahl's Willy Wonka JR., today, February 6-15, 2015 in the Wilson Theatre, 403 N Main Street in South Bend.
Strindberg's 'Kristina' (1903) is the unacknowledged basis for the Garbo film 'Queen Christina.' In this skillful study of a neurotic and complex woman, Strindberg reveals the power of his dramatic conceptions and the mastery he had acquired of his craft. The play was the last of a series of Strindberg's later historical dramas that are among the most powerful plays of the kind produced in modern times. August Strindberg Repertory Theatre will present the masterpiece at the Gene Frankel Theatre March 13 to 29 translated from the Swedish by Wendy Weckwerth, directed by Whitney Aronson.
City Theatre continues its 40th anniversary season with a witty "have and have-nots" comedy. Elemeno Pea, by Molly Smith Metzler, directed by City Theatre Artistic Director Tracy Brigden, will run on the Mainstage February 28 - March 22, 2015.
Bay Street Theater & Sag Harbor Center for the Arts is pleased to announce a hot night of music with ALFREDO & EUROPA, MR. NO SHAME & MAMBO LOCO. The evening features Latin-Rock-Salsa-Dance with the three hottest Latin bands in the Hamptons on Saturday, March 7 at 8 pm.
