Boston Ballet is proud to announce an exciting schedule of three debut appearances starting this summer with special performances with the New York Philharmonic at Lincoln Center in June 2018, followed by the Boston Symphony Orchestra at Tanglewood in August 2018. The Company then embarks on its first tour to Paris to perform at the iconic Theatre des Champs-Elysees in April 2019.
The New Orleans Ballet Association (NOBA) presents one of America's most prestigious companies, Hubbard Street Dance Chicago (HSDC), for one performance only on Saturday, April 7 at 8 p.m. at the Mahalia Jackson Theater of the Performing Arts. An audience favorite back by popular demand and celebrating 40 years as a driving force of American contemporary dance, the company returns with a special anniversary program of master works from four decades of the company's illustrious history.
The Shed's Artistic Director and CEO Alex Poots today unveiled the first group of commissions for the 2019 inaugural season in its future home on Manhattan's west side, and provided major updates about the organization's leadership, program, and capital campaign. New York City's first arts center dedicated to commissioning, producing, and presenting new work across the performing arts, visual arts, and popular culture, The Shed will open to the public in spring 2019 with commissioned programs filling its iconic and expansive multi-use hall, two floors of column-free galleries, and versatile and intimate theater.
Houston Ballet Artistic Director Stanton Welch AM and Houston Ballet Academy Director Vicki Attard are pleased to announce that the Academy's own Lower School Principal Melissa Bowman has been named as Houston Ballet Academy's next Director, overseeing a variety of programs designed to take students from their first introduction to movement through a full course of ballet study. Mrs. Bowman will immediately step into her new role within Houston Ballet Academy as Deputy Director, while working hand in hand with Director Vicki Attard. The transition will continue through the summer and on June 4, 2018 Mrs. Bowman will assume the title of Academy Director.
Juilliard Dance, led by acting artistic director Taryn Kaschock Russell, continues its season with Spring Dances, a repertory program featuring Merce Cunningham's Sounddance, set to Untitled 1975/1994 by David Tudor and staged by Jean Freebury; Crystal Pite's Grace Engine, set to music by Owen Belton and staged by Alexandra Damiani; and Twyla Tharp's Deuce Coupe, set to music by the Beach Boys and staged by Richard Colton.
After 25 years as director of the Wexner Center for the Arts at The Ohio State University, Sherri Geldin has announced she will leave the helm at the end of December 2018.
Continuing the Hometown Tour March 1-4 at the George R. Brown Convention Center's Resilience Theater, Rock, Roll & Tutus features four captivating pieces including three Houston Ballet Premieres. The first of Houston Ballet's 'Unconventional Ballets at the Convention Center,' the evening will include Filigree and Shadow, In Dreams, La Cathedrale Engloutie, and Cacti.
Visceral Dance Chicago will continue its season with a presentation of SPRINGFIVE on April 7, 2018 at the Harris Theater for Music and Dance in Millennium Park, the second mainstage Chicago performance of the company's fifth year. It will include Artistic Director, Nick Pupillo's two original works; Impetere (2013), which introduced the company's strong technique and athleticism and Senza Di Te (2013), a romantic pas des deux revived this time with live music by cellist, Desire Miller. The first half of the program will end with a signature piece, Changes (2014), Monica Cervantes named by Dance Magazine as one of "25 to Watch" for 2013. Changes is an exploration of fast paced relationships in our modern day. It imbeds snapshots and vignettes from daily life within driving and abstract ensemble movement.
The New Orleans Ballet Association (NOBA) is thrilled to present for the first time in more than a decade the internationally renowned Les Ballets de Monte-Carlo in the spectacular, full-evening Romeo et Juliette on Saturday, February 24 at 8 pm at the Mahalia Jackson Theater. Shakespeare's tale of the famous star-crossed lovers gets an exotic French twist in this 'gorgeously original' (The London Telegraph), stunningly imaginative interpretation by renowned choreographer and director Jean-Christophe Maillot.
Boston Ballet presents John Cranko's Romeo & Juliet inspired by William Shakespeare's timeless tale of young love and family rivalry March 15-April 8, at the Boston Opera House.
Boston Ballet Artistic Director Mikko Nissinen announces programming for the 2018-2019 season at the Boston Opera House. The season opens with Genius at Play, a celebration of Jerome Robbins' and Leonard Bernstein's 100th birthdays. Nissinen's The Nutcracker returns to enchant audiences with its beloved characters and brilliant dancing. The spring season includes an array of classical favorites and highly anticipated premieres, starting with the first world premiere by world-renowned choreographer William Forsythe created on an American company since 1992. Returning favorites include George Balanchine's Coppelia and Sir Frederick Ashton's Cinderella. The Company's 55th season runs September 6, 2018 through June 9, 2019.
Committed, presented by New York Theater's Winterfest, begins performances tonight at 6.15pm at The Hudson Guild Theater (441 West 26th Street), with additional performances on Saturday, February 10th at 8.30pm and Sunday, February 11th at 1.00pm. Written by award winning director, Tricia Brouk (Romance and Cigarettes, "Sublets," This Dinner is Full), Committed features 10 original songs by lyricist/composer Andrew David Sotomayor (50 Shades of F***d Up).
Houston Ballet is proud to announce their first ever tour to Dubai, United Arab Emirates. From October 24-27, 2018, Houston Ballet will perform Artistic Director Stanton Welch's Swan Lake. Audiences in Dubai will have the opportunity to enjoy this timeless tale by Mr. Welch that has cemented him as one of the most innovative and in-demand choreographers in the world.
Julia Erickson, one of Pittsburgh Ballet Theatre's (PBT) longest-tenured principal dancers, has announced her plans to close her 17-year career with PBT following the company's 2018-2019 Season opener in October.
Works & Process, the performing arts series at the Guggenheim, presents The Washington Ballet: Julie Kent and Gemma Bond on Sunday and Monday, February 25 and 26, 2018 at 7:30pm.
Sadler's Wells today announced 20 landmark commissions to mark the 20th anniversary of its iconic London theatre. Natalia Osipova, Mark Morris, William Forsythe, Sharon Eyal and Akram Khan are among the internationally acclaimed artists presenting new work, which will be produced or co-produced by Sadler's Wells in 2018.
Boston Ballet's spring season opens with Parts In Suite, a program of works by three of today's most prolific choreographers: William Forsythe, Justin Peck, and Jorma Elo. The program opens with Elo's Bach Cello Suites with live musical accompaniment by cellist Sergey Antonov. In Creases marks the Company's debut in a work by New York City Ballet Resident Choreographer Justin Peck. Embarking on the second year of a five-year partnership with Forsythe, Boston Ballet presents the Company premiere of his Pas/Parts 2016. Parts In Suite runs March 9-April 7, at the Boston Opera House.
Committed, presented by The New York Theater's Winterfest, will premiere at The Hudson Guild Theater (441 West 26th Street) on Tuesday, February 6th at 6.15pm, with additional performances on Saturday, February 10th at 8.30pm and Sunday, February 11th at 1.00pm. Written by award winning director, Tricia Brouk (Romance and Cigarettes, "Sublets," This Dinner is Full), Committed features 11 original songs by lyricist/composer, Andrew David Sotomayor, (The Curvy Widow, Newsies).
The Eli and Edythe Broad Stage present Kidd Pivot and Electric Company Theatre: Betroffenheit choreographed and directed by Crystal Pite and written by Jonathon Young, for three performances only February 14 through 16. The Standard calls Pite, the most exciting choreographer in the world right now.