Today, the spotlight falls upon Angela Gimlin, who is appearing this weekend in the debut work from Nashville's Kirk-Burgess Productions: Prince Gomolvilas' play Mysterious Skin, based on the Scott Heim novel of the same name, that weaves together the interconnected stories of two young men, each st
Kirk-Burgess Productions makes an auspicious debut on the Nashville theatrical scene with a solid production of Prince Gomolvilas' play Mysterious Skin, based on the Scott Heim novel of the same name, that weaves together the interconnected stories of two young men, each struggling to overcome his h
Described as "bold, captivating and often shocking," Mysterious Skin, a play by Prince Gomolvilas based on the novel by Scott Heim, is being brought to the Darkhorse Theatre stage, thanks to producing/directing duo of L.
Apparently, it is Elvis Week in Nashville (at least according to the fine folks at Loveless Cafe), so before we head out to the theater for a full weekend of show openings and the like, a trip to West Nashville for a slice of the Loveless' Elvis pie is in order (for the uninitiated, that's peanut bu
Described as "bold, captivating and often shocking," Mysterious Skin, a play by Prince Gomolvilas based on the novel by Scott Heim, is being brought to the Darkhorse Theatre stage, thanks to producing/directing duo of L.
We've been doing our part to prepare ye the way, watching the action onstage, taking some furtive peeks backstage, listening to all the offstage gossip and venturing beyond the confines of the theater to gain the informed knowledge to see more shows in the Volunteer State than you ever thought possi
What better way to kick off Sunday-and to celebrate Father's Day!-than with the latest installment of Music City Confidential! Here's where you'll find all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating live theater industry.
Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot.
Granted, most of my research can be credited to two plays by J.
Make no mistake about it: Johnny Peppers loves directing shows by Broadway playwright Neil Simon, as evidenced by his two latest theatrical adventures.
Will Butler is pretty jazzed up about playing Eugene Morris Jerome in Circle Players' upcoming production of Neil Simon's Brighton Beach Memoirs which might be due, in part, to the fact that he's pretty certain he's got all the lines down pat.
Directed with care and attention to detail by Johnny Peppers, who is quickly becoming the go-to guy for Simon shows in Nashville (just prior to the opening of Circle's Brighton Beach Memoirs, his production of Barefoot in the Park for Franklin's Pull-Tight Players closed), the play features young Wi
Make no mistake about it: Johnny Peppers loves directing shows by Broadway playwright Neil Simon, as evidenced by his two latest theatrical adventures.
Will Butler is pretty jazzed up about playing Eugene Morris Jerome in Circle Players' upcoming production of Neil Simon's Brighton Beach Memoirs which might be due, in part, to the fact that he's pretty certain he's got all the lines down pat.
Will Butler is pretty jazzed up about playing Eugene Morris Jerome in Circle Players' upcoming production of Neil Simon's Brighton Beach Memoirs which might be due, in part, to the fact that he's pretty certain he's got all the lines down pat.
Nashville productions of Aida and The Color Purple highlight the 63rd season announced today by Circle Players, the community theatre that's been treating audiences to award-winning shows since 1949.
When the last performers had sung the final song and the late honoree had been feted, the crowds at Belmont University's Troutt Theatre for the presentation of First Night, the Nashville Theatre Honors' 2011 Gala Concert, headed downtown to Cummins Station for the After-Party at The Listening Room C
'There are no small parts, only small actors,' goes the old theatrical saw that's tossed about willy-nilly to encourage budding thespians to take on roles they suspect might be beneath them and their lofty stature.
You really must give credit to Kaine Riggan: the man has recreated one of downtown Nashville's best-known nightspots into a beautifully appointed live theater venue, somehow doing a thriving business in an economy that, at best, may be described as 'dire.
