W.S. Gilbert News

STARTING 5 PRODUCTIONS presents Terrence McNally's WHERE HAS TOMMY FLOWERS GONE?, directed by Laura Braza. WHERE HAS TOMMY FLOWERS GONE?, playing a three-week limited engagement at the Workshop Theater (312 W 36th St Fourth Floor New York, NY 10018).

A raucous, zany beach party, complete with swimming pools, Tiki Bar and beach balls, begins previews tonight, November 29, in a special, 80-minute holiday adaptation of Pirates of Penzance at NYU Skirball, running through December 10. BroadwayWorld has a first look at the cast in action below!

A raucous, zany beach party, complete with swimming pools, Tiki Bar and beach balls, awaits audiences in an 80-minute holiday adaptation of Pirates of Penzance having its New York premiere tonight, November 29, through December 10 at NYU Skirball.

New Line Theatre, the bad boy of musical theatre, continues its 27th season of adult, alternative musical theatre, with a public reading of the new/old musical THE ZOMBIES OF PENZANCE, 'Gilbert & Sullivan's original operatic abomination,' free and open to the public, on January 8 for one night only; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

The nationally regarded Fulton Theatre presents the holiday classic A Christmas Story, The Musical, now through December 31. Join Ralphie and friends as they bring the heartwarming nostalgia of this Christmas film to life on stage. WE TRIPLE DOG DARE YOU!

New Line Theatre, the bad boy of musical theatre, will present a public reading of the new/old musical THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's original 'operatic abomination,' free and open to the public, on Monday, January 8, 2018, at 8:00 pm at the Marcelle Theater, 3310 Samuel Shepard Drive, in the Grand Center Arts District. Admission is free.

A raucous, zany beach party, complete with swimming pools, Tiki Bar and beach balls, awaits audiences in an 80-minute holiday adaptation of Pirates of Penzance having its New York premiere November 29 - December 10 at NYU Skirball.

STARTING 5 PRODUCTIONS has just announced that Terrance McNally's WHERE HAS TOMMY FLOWERS GONE?, directed by Laura Braza will play a three-week limited engagement at Off-Broadway's Workshop Theater (312 W 36th St Fourth Floor New York, NY 10018).

STARTING 5 PRODUCTIONS has announced Terrance McNally's WHERE HAS TOMMY FLOWERS GONE?, directed by Laura Braza. WHERE HAS TOMMY FLOWERS GONE? will play a three-week limited engagement at Off-Broadway's Workshop Theater (312 W 36th St Fourth Floor New York, NY 10018).

Music Theater Works (formerly Light Opera Works) has announced its 2018 season, opening with THE PIRATES OF PENZANCE (June 9-17), followed by ANYTHING GOES (August 18-26), JUDY GARLAND: COME RAIN OR COME SHINE, STARRING ANGELA INGERSOLL (October 5-14), and INTO THE WOODS (December 22-31).

Park Square Theatre is gearing up for its next season with world, American and Midwest premieres in a season that will showcase the Twin Cities diversity and talent.

Swimming pools, twinkly lights, a well-stocked Tiki Bar and beach balls welcome the audience to a raucous and utterly zany beach party in The Hypocrites theater company of Chicago's adaptation of Pirates of Penzance, running November 29 December 10 at NYU Skirball.

Skylight Music Theatre opens the 2017-18 season with Hot Mikado, a swinging version of Gilbert & Sullivan's comic masterpiece The Mikado, running Friday, September 29 through Sunday, October 15, 2017 in the Cabot Theatre at the Broadway Theatre Center, 158 N. Broadway, Historic Third Ward, Milwaukee.

Director Chris McLaurin makes a particularly auspicious debut at the helm of his rollicking - and beautifully sung and winningly staged - production of Gilbert and Sullivan's classic The Pirates of Penzance, now playing at Murfreesboro's Center for the Arts through August 27. Charming and engaging, McLaurin's Pirates hews closely to the comic opera's original production (the only one of Gilbert and Sullivan's works to actually have its initial staging on Broadway - in 1879), testament to the libretto's timelessness and its refreshingly contemporary humor.

Franklin Performing Arts Company (FPAC) presents The Mikado at 8 p.m. today, July 27 and Friday, July 28 on Franklin Town Common.

Mesilla Valley Dance Collective is bringing a creative and collaborative dance festival to the Black Box Theater, 430 N Main Street in Las Cruces, on July 15th and 16th, 2017. The Las Cruces-based dance company is bringing pieces from their past, and future shows along with guest companies from El Paso, Las Cruces, and Alamogordo.

Franklin Performing Arts Company (FPAC) presents The Mikado at 8 p.m. on Thursday, July 27 and Friday, July 28 on Franklin Town Common.

Critically-acclaimed country music artist Kellie Picker, legendary jazz musicians Herb Alpert and Lani Hall, Grammy-winner Shawn Colvin, and two Legendary Ladies of Motown, Mary Wilson of The Supremes and Martha Wilson & The Vandellas, are just a few of the artists set to appear at the Lisa Smith Wengler Center for the Arts at Pepperdine University during its 2017-2018 season.

New Line Theatre, "the bad boy of musical theatre," announces its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.

Since 1976 the Gilbert and Sullivan Austin has dedicated itself to providing the city with the works of Gilbert and Sullivan not so much by reinvention but by recreating how a production might have been staged originally. There is a respect due this sort of commitment, and the audience in attendance this last Saturday when I viewed the production, showed theirs in a true sense of a special occasion. I can recall the respect I was expected to display, and the authentic excitement I felt anytime I attended a play or musical back in the day. Back in the Ice Age, when I simultaneously became a teenager and discovered theatre, it was considered an event just shy of your cousin's wedding to attend the theatre. People got dressed up, showed up on time and applauded civilly after each musical number back then. Why, no one stood for an ovation even unless the production was spot on literally flawless.