Internationally acclaimed theater ensemble Mabou Mines celebrates 40 years of creating groundbreaking theater with the world premiere of 'FINN', a digital and live-action adventure based on the ancient Celtic legend of Finn McCool opening on Thursday, March 4th (8PM) at Skirball Center for the Performing Arts (566 LaGuardia Place). Conceived & directed by Mabou Mines Co-Artistic Director Sharon Fogarty, and written by Jocelyn Clarke, this original theatrical work blends traditional storytelling and music with large-scale digital technology. Finn McCool, part mortal, part magical, battles his boyhood demons and emerges a young man ready to lead his band of men. Live performers interact with digital animation in a 21st century adaptation of a timeless legend. FINN is produced by Mabou Mines in association with Skirball Center for the Performing Arts, New York University.
Virginia Woolf News
MCC Theater (Robert LuPone, Bernard Telsey, Artistic Directors; William Cantler, Associate Artistic Director; Blake West, Executive Director) has announced that tickets will go on-sale today, March 3, 2010, at 12:00 p.m. (noon) for the company's third and final production of their 2009-2010 season: Beth Henley's Family Week, directed by Jonathan Demme. Performances of the four person play begin at the Lucille Lortel Theatre (121 Christopher Street, NYC) on April 9 and continue through May 23, 2010. Opening night is set for Monday, April 26 at 7:00 p.m.
Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.
The Ensemble Studio Theatre will present a world premiere dark comedy based on a true story, LENIN'S EMBALMERS, by Canadian playwright Vern Thiessen and directed by William Carden. LENIN'S EMBALMERS, part of the Ensemble Studio Theatre/Alfred P. Sloan Foundation Science & Technology Project, begins previews March 3 for an opening March 8 at the Ensemble Studio Theatre, 549 West 52nd Street.
CATS, the show that revolutionized musical theatre, makes its return to Boston April 13 - 18 for one week only at Boston's Colonial Theatre. Tickets go on sale Sunday, March 7 and will be available through an authorized ticket seller found only at Ticketmaster 1-800-982-2787, at all Ticketmaster outlets, by visiting BroadwayAcrossAmerica.com/Boston and directly at the box office of Boston's Colonial Theatre, 106 Boylston Street, Boston during normal business hours Monday through Saturday 10am - 6pm.
American Stage Theatre Company, the Tampa Bay area's only professional equity regional theatre, has announced the 2010-2011 season for its Mainstage Series and American Stage in the Park.
Inspired by hilarious memories of a childhood etiquette class, playwright Jeffrey Hatcher conjures up the world of a seven-year-old studying manners from the title character. Mrs. Mannerly is a demanding teacher, and no student in her 36 years of etiquette classes has achieved a perfect score. But when he discovers her secret past, Young Jeffrey is determined to be the first. This unique comic tale reveals truths about the face we present and real selves that lie inside. Recommended for general audiences.
The Costa Mesa Playhouse's 44th season continues with Tony® and Pulitzer Prize-winner Neil Simon's semi-autobiographical examination of dysfunctional relationships between the sexes, JAKE'S WOMEN.
The Falcon Theatre is thrilled to present the Broadway hit comedy Souvenir by Stephen Temperley, the fourth production in its 2009-2010 Subscription Season. This hilarious fantasia on the life of Florence Foster Jenkins stars acclaimed opera singer Constance Hauman as ‘Florence' and award-winning stage and screen actor Brent Schindele as her bewildered accompanist ‘Cosme McMoon'.
The Ensemble Studio Theatre will present a world premiere dark comedy based on a true story, LENIN'S EMBALMERS, by Canadian playwright Vern Thiessen and directed by William Carden. LENIN'S EMBALMERS, part of the Ensemble Studio Theatre/Alfred P. Sloan Foundation Science & Technology Project, begins previews March 3 for an opening March 8 at the Ensemble Studio Theatre, 549 West 52nd Street.
Art that revolutionized the 20th Century comes to life at THE LYCEUM THEATRE as distinguished actor/writer HERBERT SIGUENZA performs and paints on stage during SAN DIEGO REPERTORY THEATRE's workshop production of A WEEKEND WITH PABLO PICASSO. Though he is best known for his comedic work with the Latino performance troupe, Culture Clash, Siguenza was first a visual artist.
Immortalized onstage and screen by Anne Bancroft and Patty Duke, this classic tells the story of Annie Sullivan and her student, blind and mute Helen Keller.
Now working on the role of 'Martha' in Edward Albee's Who's Afraid of Virginia Woolf, one of those roles every actress longs for, her resume also includes First Night Award-winning turns as Sally Bowles in Cabaret and as Madame de Tourvel in Les Liaisons Dangereuses. Her list of directing credits is even more eclectic: Lady Frederick, Lady Windermere's Fan, O Jerusalem, Quilters, The Tempest, A Winter's Tale and Crimes of the Heart - and that's just a sampling of her multi-faceted list of assignments.
Good News! Jim Leonard, Jrs. depression-era epic of faith and truth ‘THE DIVINERS' receives a miraculous new imagining and power-house performances in The Production Company's second offering of 2010!
Rubicon Theatre Company's DOUBT, A PARABLE Plays Its Final Performance on 2/21.
Variety is reporting that veteran actress Kathleen Turner is in talks to return to the stage in the role of a recovering alcoholic nun in Matthew Lombardo's 'High'. .
Profiles Theatre announces the extension of its hit production Killer Joe by Pulitzer Prize-winning playwright Tracy Letts, directed by Steppenwolf ensemble member Rick Snyder. All cast members are continuing in their roles, including Profiles ensemble members Darrell W. Cox and Somer Benson along with Kevin Bigley, Howie Johnson and Claire Wellin. The critically-acclaimed production has been extended for an additional six weeks, through April 11, 2010, at Profiles Theatre, 4147 N. Broadway..
Humor, pathos, romance and suspense fill the rarified Syrian air as Northern Stage presents the first-ever U.S. production of the award-winning Damascus by David Greig, from February 17 through March 7 at the Briggs Opera House in downtown White River Junction, VT, directed by Northern Stage Artistic Director Brooke Ciardelli, featuring Broadway Tony nominee John Herrera.
Immortalized onstage and screen by Anne Bancroft and Patty Duke, this classic tells the story of Annie Sullivan and her student, blind and mute Helen Keller.
Arena Stage Artistic Director Molly Smith announces the D.C.-based pioneering theater company's 60th season filled with award-winning artists and projects to celebrate the grand opening of Arena Stage at the Mead Center for American Theater. The 2010/11 inaugural season includes eight full productions, seven presentations from the National Endowment for the Arts New Play Development Program and public readings from all 30 of Edward Albee's works, totaling at least 45 projects produced and presented by Arena Stage in the inaugural year at the Mead Center. With the opening next fall, Arena Stage will fully become a national center for production, presentation, development and study of American theater.
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