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Review - Orlando: She Enjoyed Being A Boy

While Sarah Ruhl and director Rebecca Taichman haven't exactly made children's theatre out of Virginia Woolf's transgendering 1928 novel, Orlando (unless you approve of full adult nudity in your kiddie matinees), there are generous doses of playful whimsy in this well-mounted CSC production; though the playwright's approach seems to dilute the material's effectiveness a bit.

Classic Stage Co. Presents Kundera's JACQUES AND HIS MASTER, Opens 9/27

Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen , will present its popular Books On Stage Reading Series this Fall, featuring the first major forays into theater by acclaimed authors Milan Kudera and Salman Rushdie.

Photo Coverage: First Night Nashville Theatre Honors, THE SHOW

A cast of more than 125 performers took to the stage of the Troutt Theatre at Belmont University to fete the eight members of the 2010 Class of First Night Honorees in a production that featured the best of the best of Nashville theater and included a surprise appearance by Joseph Mahowald, winner of a 1989 First Night Award, now playing the role of Franklin Hart Jr. in the national tour of 9 to 5: The Musical, which opened in Nashville at the Tennessee Performing Arts Center on Tuesday, September 21.

Kathleen Turner Set for Interview at NY Public Library 10/4

On Monday, October 4th, Broadway producer Elizabeth I. McCann will interview screen icon and celebrated stage actress Kathleen Turner. The event is free, and first come, first served. The program begins at 6:00 p.m. in the Bruno Walter Auditorium at the New York Public Library for the Performing Arts, entrance on 65th Street and Amsterdam Avenue.

BECKY'S NEW CAR Opens at Nort Coast Rep, 9/4-26

BECKY'S NEW CAR will play at North Coast Rep beginning September 4 and running through September 26. The play was written by Steven Dietz and directed by David Ellenstein.

Publik Theatre Closes Stoppard's THE REAL INSPECTOR HOUND, Sept. 25

Publick Theatre Boston (http://www.publicktheatre.com), a resident company of the Boston Center for the Arts (BCA), will present Tom Stoppard's The Real Inspector Hound September 2 - 25, 2010 (Previews are September 2 - 5) at the BCA Plaza Theatre, 539 Tremont Street, South End Boston.

THE PRISONER OF SECOND AVENUE Extends Run At The Vaudeville Theater Thru 9/25

Due to popular demand, Neil Simon's award-winning comedy The Prisoner of Second Avenue has extended its run at the Vaudeville Theatre until 25 September 2010. Directed by Terry Johnson and starring Jeff Gold blum and Mercedes Ruehl, The Prisoner Of Second Avenue is the first West End production to be staged by The Old Vic Theatre Company.

Photo Coverage: Ruhl's ORLANDO Opens at CSC

Last night, September 23, Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, began its 44th season with the New York premiere of ORLANDO, written by Pulitzer & Tony nominated playwright Sarah Ruhl (In the Next Room, Clean House), adapted from the work of Virginia Woolf, directed by Rebecca Taichman, with choreography by Annie-B Parson. ORLANDO will play a limited engagement at CSC (136 East 13th Street) through Sunday, October 17. BroadwayWorld was on hand for the opening and brings you photo coverage below.

Seattle Rep Presents THREE TALL WOMEN

The second show in the Seattle Rep 2010-2011 season-and the first in the intimate Leo K. Theatre-is Edward Albee's Pultizer-Prize winning drama Three Tall Women, brought to life by a trio of powerhouse Northwest actresses and Seattle director Allison Narver. Tickets are available now through the Seattle Rep Box Office at 206-443-2222 as well as online at www.seattlerep.org.

The Academy Hosts A Centennial Salute to Composer Alex North 9/24

The Academy of Motion Pictures Arts and Sciences will celebrate the career of Alex North (1910-1991), the 15-time Oscar®-nominated composer, with a centennial salute featuring a screening of "The Misfits" (1961) on Friday, September 24, at 7:30 p.m. at the Academy's Samuel Goldwyn Theater in Beverly Hills.

Chance Theater Presents THE GOAT, OR WHO IS SYLVIA? 9/24-10/24

Chance Theater is pleased to present the Orange County premiere of the Tony, Drama Desk, New York Critics, and Outer Critics Circle Award-Winning black comedy/drama The Goat, or Who is Sylvia? by three-time Pulitzer Prize-winning playwright Edward Albee, September 24 - October 24, 2010.

LEND ME A TENOR To Open In Plymouth Sept 24- Oct 6 Prior To West End Run

Ian Talbot will direct Peter Sham and Brad Carroll's new musical comedy, Lend Me A Tenor The Musical, based on the award-winning West End and Broadway hit comedy by Ken Ludwig. A riotous, unpredictable explosion of mistaken identities and unexpected romance, Lend Me A Tenor The Musical will run at the Theatre Royal Plymouth from 24 September - 6 October 2010, prior to an anticipated West End run in the Autumn which will be produced by Martin Platt and David Elliott in association with Eileen and Allen Anes.

Signature Theatre Extends WALTER CRONKITE IS DEAD Through 12/26

Virginia's Tony Award®-winning Signature Theatre today announced that, due to popular demand, the world premiere comedy, starring Helen Hayes Award winners Sherri L. Edelen (Signature's Sweeney Todd and Les Miserables) and Nancy Robinette, written and directed by Helen Hayes Awardee Joe Calarco (Signature's Side Show and Assassins), will now run from October 26 through December 26, 2010.

Rabe, Jennings, Martin et al. Back for MERCHANT on Broadway

Michael Riedel reports in the New York Post this morning that Al Pacino's star power has earned The Merchant of Venice the winners spot for the fall's highest advance generating show. The production, which opens at the Broadhurst Theatre on November 7, 2010, has reportedly taken in approximately $4M, beating out all incoming fall plays and musicals.

Classic Stage Co. Presents Works of Rushdie, Kundera w/ Abraham & Mac this Fall

Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen , will present its popular Books On Stage Reading Series this Fall, featuring the first major forays into theater by acclaimed authors Milan Kudera and Salman Rushdie.

Excitement Grows for First Night Nashville Theatre Honors, 9/19

As Nashville's summer theater season continues to heat up, anticipation continues to grow for September's First Night Nashville Theatre Honors, the revival of the Music City theater gala that will benefit Reading is Fundamental (RIF) and sponsored by Macy's and BroadwayWorld.com. Set for Sunday, September 19, at Belmont University's Troutt Theatre, First Night 2010 will honor eight individuals for their sustained and continued commitment to theater in Nashville.

Piven Theatre Presents THREE SISTERS 10/16-11/21

Piven Theatre Workshop extends its 2009-10 season with the Chicago premiere of Sarah Ruhl's adaptation of Chekov's Three Sisters, directed by Artistic Director Emeritus Joyce Piven. The production will run October 16 - November 21, 2010 at Piven Theatre Workshop, 927 Noyes Street

Stritch, Tisch To Receive Town Hall's Friend of the Arts Award 10/17

The Town Hall, New York City's landmark concert venue (123 West 43rd Street), will honor Tony ® and Emmy ® Award winning theatre legend Elaine Stritch, (who is currently starring in A Little Night Music) and Merryl H. Tisch, (Chancellor of the New York State Board of Regents) with The Town Hall 'Friend of the Arts' Award on Sunday, October 17th, 2010.

Review - Me, Myself & I: George and Martha Retire to Absurdia

There's a strong essence of familiarity to be whiffed at Edward Albee's latest, Me, Myself & I, especially if you have fond memories of his far superior absurdist effort, The Play About The Baby.  Once again there's a bickering couple bearing a strong resemblance to an older version of ...Virginia Woolf?'s George and Martha, especially in their dominating relationship to a younger couple and the matter of a child who may or may not exist.  This isn't necessarily a flaw in the piece, but when farce isn't funny, when wordplay lacks crackle and when a play about identity can't seem to claim its own, the mind tends to wander to sunnier days.

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