A man featured in literature since the 20s and on stage and film since the 70s, Joseph Merrick, otherwise known as The Elephant Man, has had his story told in a myriad of ways - but none quite like this.
Aria Entertainment's From Page To Stage (FPTS) will have one of the largest companies in the West End this summer: a Cast of 56, working alongside 18 Creatives, plus Musicians and over 50 Composers and Writers presenting new musicals!
Theatre Royal Stratford East's annual Musical Theatre Workshop will take place 17-28 July as 12 artists take over the building to develop 6 new musicals under the guidance of TRSE's artistic team including MT New Writing Manager Sevan Tavoukdjian and MTW facilitators Fred Carl and Robert Lee, specialist tutors from NYU's prestigious Tisch's School of the Arts which runs the world's only graduate programme focused on musical theatre writing.
The Stephen Sondheim Society and Mercury Musical Developments today announce the winners of the Stephen Sondheim Society Student Performer of the Year and Stiles + Drewe Prize. The winners were revealed at the West End Gala held at the No?l Coward Theatre which was hosted by Olivier Award winner Clive Rowe.
The Stephen Sondheim Society and Mercury Musical Developments today announce the 12 finalists for the annual West End Gala for The Stephen Sondheim Society Student Performer of the Year and The Stiles + Drewe Prize.
From Skipton Building Society Camerata and Freedom Studios in association with Spin Arts comes the world premiere of Ice Cream: The Opera, Ian McMillan's new opera about two warring ice cream vendor families from Yorkshire who come together through song, ice cream and love.
Aria Entertainment's From Page To Stage (FPTS) are delighted to announce their exciting musical concerts and the eleven new musicals selected to be showcased during their Summer Festival at The Other Palace.
Incredible interactive art sensation House of Mirrors, US singer-songwriter Kurt Vile, US godfather of chillwave Toro Y Moi and Aussie music legends The Bamboos are all set to rock the Adelaide Festival's newest and most exciting venue, the Riverbank Palais and surrounding Parc Palais, as part of its exciting first program, unveiled today.
The countdown is on to the 2017 Adelaide Festival's opening weekend, with a whole host of events starting tomorrow to ring in the debut festival for Artistic Directors Neil Armfield and Rachel Healy.
Just seven days out from its opening weekend the 2017 Adelaide Festival has already made history by breaking the $3 million mark in box office sales, the largest sales for Adelaide Festival in over 20 years.
The 2017 Adelaide Festival is now more accessible than ever, with teenagers able to see shows for as little as $5, and concession card holders able to name their own price for deeply discounted tickets to selected performances.
Incredible interactive art sensation House of Mirrors, US singer-songwriter Kurt Vile, US godfather of chillwave Toro Y Moi and Aussie music legends The Bamboos are all set to rock the Adelaide Festival's newest and most exciting venue, the Riverbank Palais and surrounding Parc Palais, as part of its exciting first program, unveiled today.
Michael Gow's Away is widely regarded as one of the classic plays of the Australian theatrical canon. In Sydney Theatre Company and Malthouse Theatre's new production, beginning 18 February 2017 at Sydney Opera House followed by a Melbourne season, director Matthew Lutton will heighten the theatrical breadth and spectacle inherent in this sharply observed and emotionally-charged drama.
Don't Look Away is returning to the Old Fitz Theatre from 13 December to revive the time-honoured tradition of an end of season pantomime. Babes in the Woods is a brand new pantomime developed especially for the Old Fitz Theatre in which fiscal temptation and the Australian dream collide.
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BWW Sydney will be attending the 16th Annual HELPMAN AWARDS being presented by Live Performance Australia (LPA) at Sydney Lyric Theatre on Monday 25th July.
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Writer Tom Wright and director Matthew Lutton seem to have an acute awareness of their audience here, and what that audience brings to this picnic. This version is a retelling of the events that Valentine's Day in 1900, an explicit mythologising of them.