BWW Review: HOT MIKADO at Gateway Theatre
by Tim Sullivan
- Oct 1, 2019
Gilbert and Sullivan are brought into the jazz age in this charming, if uneven, production of Hot Mikado by 42nd Street Moon at the Gateway Theatre.
BWW Review: MEASURE FOR MEASURE at Marin Shakespeare Company
by Tim Sullivan
- Jul 8, 2019
One of Shakespeare's least performed works, Measure for Measure, is also one of his best. With some of his most stunning verse alongside his bawdiest humor, it teeters on the razor edge between comedy and tragedy so delicately that it is considered one of his three "problem plays." This vibrant production at Marin Shakespeare elucidates much of the play's wit while not quite reaching the emotional heights of its soaring poetry.
BWW Review: THE OLDEST LIVING CATER WAITER at Gateway Theatre
by Tim Sullivan
- Jun 28, 2019
Most theatremakers have to take on less creative professions to pay their bills, and in Michael Patrick Gaffney's one-man play The Oldest Living Cater Waiter, his side hustle is put front in center in relaying the story of his life as he balances his passion with practicality.
BWW Review: RHINOCEROS at American Conservatory Theatre
by Tim Sullivan
- Jun 11, 2019
Eugène Ionesco's Rhinoceros is brought boisterously into the Trump era in this hilarious production directed by Frank Galati at A.C.T.'s Geary Theatre. Existentialist themes are explored through absurdity and a great deal of wit—if you've avoided avant-garde theatre in the past, Galati's version is strong enough to make you rethink the genre.
BWW Review: THE VIEW UPSTAIRS at New Conservatory Theatre Centre
by Tim Sullivan
- May 28, 2019
Max Vernon's new musical The View UpStairs sees its Bay Area premiere in Ed Decker's appealing production at the New Conservatory Theatre. This is a time-traveling tale that allows multiple generations of the gay community to intermingle and confront the complexities of building queer communities throughout the ages in the charming UpStairs Lounge in New Orleans, the site of one of the most violent incidents in the gay liberation movement of the 1970s.
BWW Review: THIS RANDOM WORLD at Left Edge Theatre
by Tim Sullivan
- May 15, 2019
Dubbed 'the most ubiquitous contemporary American playwright whose name you may never have heard' by the Chicago Tribune, Steven Dietz's oeuvre contains nearly forty plays that are frequently produced across the country. With one of his most recent plays, This Random World, Dietz weaves coincidentally-related characters through serendipitous encounters across the globe in this charming, if modest, production by Left Edge Theatre.
BWW Review: WEIGHTLESS at Strand Theater
by Tim Sullivan
- May 8, 2019
Ovid's Metamorphoses has inspired countless adaptations in the two millennia since it was first published - Mary Zimmerman beautifully staged a revival of her version at Berkeley Repertory Theatre earlier this year. In Weightless, husband and wife composers The Kilbanes (Kate Kilbane and Dan Moses) hone in on one of the lesser known fables of Procne and Philomela to create a rich, carefully-crafted rock opera. Rather than juggle competing narratives like other adaptations, this piece provides focus and clarity that enables real empathy for the sisters at its center.
BWW Interview: Liz Neumark of GREAT PERFORMANCES, KATCHKIE FARM and THE SYLVIA CENTER
by Marina Kennedy
- Aug 18, 2017
Since launching Great Performances (GP) in 1980 as a staffing agency offering part-time employment for women in the arts, Liz Neumark has orchestrated its transformation into one of the country's foremost catering and food service companies, lauded for its commitment to seasonal ingredients, innovative culinary presentations and exceptional service.
Lifeline Theatre Presents Heart-Warming Adventure Tale A WRINKLE IN TIME
by Julie Musbach
- Jan 27, 2017
Lifeline Theatre presents A Wrinkle in Time, adapted by James Sie (Non-Equity Jeff Award: New Work, Island of Blue Dolphins), and directed by Lifeline Theatre ensemble member Elise Kauzlaric (Non-Equity Jeff nomination: Director-Play, Mariette in Ecstasy), based on the novel by Madeleine L'Engle. Ever since her father vanished under mysterious circumstances, Meg Murray's life has been spiraling out of control. But one dark and stormy night, Mrs. Whatsit, Mrs. Who, and Mrs. Which appear with a promise to help rescue him from the monstrous darkness that threatens the universe. Join Meg, her brother Charles Wallace, their pal Calvin, and a host of extraterrestrial friends and foes as they journey into the heart of a terrible evil in the hope of reuniting a fragmented family. A heartwarming adventure across the stars, in a newly-revised adaptation of the beloved 1963 favorite by Madeleine L'Engle, not seen on the Lifeline stage since 1999. The production runs approximately two hours with one intermission. The novel will be on sale in the lobby.
Lionsgate Will Release New Movie on THE SOUND OF MUSIC's Von Trapp Family Later this Year
by Tyler Peterson
- Jun 3, 2015
Just in time for the 50 th anniversary of the worldwide box office blockbuster The Sound of Music, Lionsgate (NYSE: LGF), a premier next generation global content leader, has acquired all U.S., Canadian and UK distribution rights to Tele Munchen Group's The von Trapp Family A Life of Music, the two companies announced today.
Neil Labute's AUTOBAHN Comes to the King's Head Theatre, Now thru Sept 20
by BWW News Desk
- Aug 27, 2014
Regarded as one of the most celebrated American playwrights, Neil LaBute has enthralled audiences all over the world with his layered characters, sharp dialogue and subtle social commentaries. Now, in a London premiere, acclaimed American theatre company Savio(u)r will present his play Autobahn, directed by Off-West End Award nominee Tim Sullivan.
Sharon Maughan to star in AUTOBAHN at King's Head
by Tyler Peterson
- Aug 15, 2014
Neil Labute's Autobahn, which opens at the King's Head this month, will star Sharon Maughan, probably most famous for her work in the iconic Nescafe Coffee ads with Anthony Head, as well as for her three year stint on Holby City.
« prev 2 next »
|
|