Tim Larson News

David De Silva, the creator and producer of the motion picture Fame, and also the stage adaptation, discusses his latest endeavor: Fame Forever, a sequel to the hit musical, with director-producer Evan Seplow

Celebrating their company's 61st season - which makes them the oldest community theater in Middle Tennessee - Nashville's Circle Players recognized outstanding achievement during the 2010-2011 season with the presentation of the Circle Awards on Sunday, June 19.

There comes a moment, very early on in Kate Adams-Johnson's A Chorus Line (which opened last night at The Keeton Theatre) in which, one by one, each of the actors is caught in the spotlight, with some portentous musical underscoring that heightens the emotional impact of the moment. But what's really telling about that sequence of illumination is how evocatively it telegraphs the stories of each of the actors in the cast. You can tell, almost imperceptibly, what it is that separates the pretenders from the contenders...

Over the past few years, I've often referred to Kate Adams-Johnson as the busiest director/choreographer in Nashville and, clearly, she has the resume and press clippings to claim that title without reservation. In January, she was recognized at Midwinter's First Night as one of the best theatrical choreographers in 2010, for her work on both Swing! and Titanic.

Director Kate Adams-Johnson, aka Nashville's busiest choreographer, is putting yet another cast through its paces in preparation for yet another opening night. Only this time, she's serious. Very serious. The show she's helming this time, you see, is every dancer's holy grail: A Chorus Line. In the cast, you'll find a blending of familiar faces and newcomers. During the run-up to the show's June 9 opening night, we'll introduce you to Kate's cast - and next up is her longtime collaborator, the fearless actor/director/choreographer/raconteur Tim Larson, with whom she's worked on numerous musicals of the past few years, including the critically acclaimed Titanic, in which Larson and company sunk a ship.

If you find yourself venturing outside of New York, and you want to see some really good musical theater, what should you do? Allow me to suggest a visit to my neck o' the woods: A trip to Nashville might provide you with exactly what you seek. After all, in a city perhaps best known throughout the world as Music City USA, what else could you expect but some exceedingly well-cast, well-produced, well-played and well-sung musical theater? We're lousy with exceptional singers and musicians and, as a result, musical theater is alive and well - and thriving - in Nashville. And here's my list of the Best Musicals of 2010...

There's no doubt about it: Circle Players' Tim Larson is fearless. Perhaps no director in Nashville is more ambitious than Larson who, time after time, takes on the seemingly impossible and reimagines it as something well within the reach of his creative collective of actors, designers, technicians and musicians. Larson's staging of Titanic, a project he's taken on twice to great and justifiable acclaim, proves that even that musical is something which seasoned and capable community theater groups can tackle.

Opening just in time for the Halloween season, Circle Players continues its 2010-11 season with a production of Frank Wildhorn and Leslie Bricusse's rarely performed musical thriller Jekyll and Hyde, running October 15-31 at Donelson's Keeton Theatre. Jekyll and Hyde is described as 'an evocative tale of the epic battle between good and evil,' based on Robert Louis Stevenson's classic story about a brilliant doctor whose experiments with human personality create a murderous counterpart.

Opening just in time for the Halloween season, Circle Players continues its 2010-11 season with a production of Frank Wildhorn and Leslie Bricusse's rarely performed musical thriller Jekyll and Hyde, running October 15-31 at Donelson's Keeton Theatre. Jekyll and Hyde is described as 'an evocative tale of the epic battle between good and evil,' based on Robert Louis Stevenson's classic story about a brilliant doctor whose experiments with human personality create a murderous counterpart.

A revival of Circle Players' 2008 production, which was staged at the company's then-home at the Z. Alexander Looby Theatre, this 'new and improved' mounting (a collaboration between Circle and SCA) is astounding in its sheer chutzpah. Who'd have ever thought a community theatre could take on such a daunting task and be so imminently successful in doing so? Frankly, it boggles the mind.

But the week before the show, cast members from the production of Titanic, the Musical took part in the opening ceremonies for the Titanic Museum Attraction in Pigeon Forge, Tennessee. The cast performed the opening number from the show which introduces many of the people who were on the ill-fated voyage of the Titanic and ends with the stirring anthem 'Godspeed, Titanic.'

Jason Robert Brown's musical about a young Jewish boy making the move from New York to Indiana, 13, is among the highlights of Circle Players' 61st Season as one of Tennessee's oldest community theatre companies. Circle board president Jim Manning made the announcement of the new season's offerings prior to curtain of the 60th Season's To Kill a Mockingbird last week.

The weekend-long Titanic Museum Attraction Grand Opening Celebration, hosted by Regis Philbin, will also feature a free concert by country music artist Neal McCoy. The event, open to the public, also will be attended by descendants and family members of those onboard the Titanic and includes a christening of the ship.

Swing!, the Broadway musical that celebrates the music and dance phenomenon will play its final show at The Senior Center for the Arts' Nashville Dinner Theatre on February 28.

Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.

Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.

Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.

Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.

David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcomings. Williams and Eberwine are sublimely off-kilter as the oddest of couples in the Alan Menken-Howard Ashman musical, with an onstage chemistry that makes them completely believable and altogether lovable in their cartoonish roles.

AUDREY II, the people-eating plant who stars in Little Shop Of Horrors, the frightfully freaky rock musical, has invaded Donelson's Senior Center for the Arts (SCA), for a run through November 15 at Nashville Dinner Theatre. Directed by veteran Nashville director Tim Larson, Little Shop introduces audiences to Seymour, an ill-fated florist shop worker who pines for fortune, fame and his flame, comely co-worker, Audrey. He later discovers an alien plant with a hankering for human blood and a dastardly desire to overtake the world. A perilous pact is made between the two, and mayhem ensues.