There's no doubt about it: Circle Players' Tim Larson is fearless. Perhaps no director in Nashville is more ambitious than Larson who, time after time, takes on the seemingly impossible and reimagines it as something well within the reach of his creative collective of actors, designers, technicians and musicians. Larson's staging of Titanic, a project he's taken on twice to great and justifiable acclaim, proves that even that musical is something which seasoned and capable community theater groups can tackle.
Opening just in time for the Halloween season, Circle Players continues its 2010-11 season with a production of Frank Wildhorn and Leslie Bricusse's rarely performed musical thriller Jekyll and Hyde, running October 15-31 at Donelson's Keeton Theatre. Jekyll and Hyde is described as 'an evocative tale of the epic battle between good and evil,' based on Robert Louis Stevenson's classic story about a brilliant doctor whose experiments with human personality create a murderous counterpart.
Opening just in time for the Halloween season, Circle Players continues its 2010-11 season with a production of Frank Wildhorn and Leslie Bricusse's rarely performed musical thriller Jekyll and Hyde, running October 15-31 at Donelson's Keeton Theatre. Jekyll and Hyde is described as 'an evocative tale of the epic battle between good and evil,' based on Robert Louis Stevenson's classic story about a brilliant doctor whose experiments with human personality create a murderous counterpart.
A revival of Circle Players' 2008 production, which was staged at the company's then-home at the Z. Alexander Looby Theatre, this 'new and improved' mounting (a collaboration between Circle and SCA) is astounding in its sheer chutzpah. Who'd have ever thought a community theatre could take on such a daunting task and be so imminently successful in doing so? Frankly, it boggles the mind.
But the week before the show, cast members from the production of Titanic, the Musical took part in the opening ceremonies for the Titanic Museum Attraction in Pigeon Forge, Tennessee. The cast performed the opening number from the show which introduces many of the people who were on the ill-fated voyage of the Titanic and ends with the stirring anthem 'Godspeed, Titanic.'
Jason Robert Brown's musical about a young Jewish boy making the move from New York to Indiana, 13, is among the highlights of Circle Players' 61st Season as one of Tennessee's oldest community theatre companies. Circle board president Jim Manning made the announcement of the new season's offerings prior to curtain of the 60th Season's To Kill a Mockingbird last week.
The weekend-long Titanic Museum Attraction Grand Opening Celebration, hosted by Regis Philbin, will also feature a free concert by country music artist Neal McCoy. The event, open to the public, also will be attended by descendants and family members of those onboard the Titanic and includes a christening of the ship.
Swing!, the Broadway musical that celebrates the music and dance phenomenon will play its final show at The Senior Center for the Arts' Nashville Dinner Theatre on February 28.
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcomings. Williams and Eberwine are sublimely off-kilter as the oddest of couples in the Alan Menken-Howard Ashman musical, with an onstage chemistry that makes them completely believable and altogether lovable in their cartoonish roles.
AUDREY II, the people-eating plant who stars in Little Shop Of Horrors, the frightfully freaky rock musical, has invaded Donelson's Senior Center for the Arts (SCA), for a run through November 15 at Nashville Dinner Theatre. Directed by veteran Nashville director Tim Larson, Little Shop introduces audiences to Seymour, an ill-fated florist shop worker who pines for fortune, fame and his flame, comely co-worker, Audrey. He later discovers an alien plant with a hankering for human blood and a dastardly desire to overtake the world. A perilous pact is made between the two, and mayhem ensues.
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcomings. Williams and Eberwine are sublimely off-kilter as the oddest of couples in the Alan Menken-Howard Ashman musical, with an onstage chemistry that makes them completely believable and altogether lovable in their cartoonish roles.
AUDREY II, the people-eating plant who stars in Little Shop Of Horrors, the frightfully freaky rock musical, has invaded Donelson's Senior Center for the Arts (SCA), for a run through November 15 at Nashville Dinner Theatre. Directed by veteran Nashville director Tim Larson, Little Shop introduces audiences to Seymour, an ill-fated florist shop worker who pines for fortune, fame and his flame, comely co-worker, Audrey. He later discovers an alien plant with a hankering for human blood and a dastardly desire to overtake the world. A perilous pact is made between the two, and mayhem ensues.
Perhaps the most remarkable element of Circle Players' Fame, the Musical is its talented cast--an amazing amalgam of age-appropriate actors assaying the roles in this now-iconic tale of the last four years of New York's High School of Performing Arts. Credit director Tim Larson's casting abilities for this feat which, combined with strong production values, inventive staging and laudable choreography by Kate Adams-Johnson, makes the show an excellent choice to open Circle's 60th anniversary season.
July continues to be a busy month for Nashville-area theatre companies as five new productions are slated to open by week's end, including the world premiere of a new musical, the Nashville premiere of a new comedy by Sarah Ruhl and a production of Fame, the Musical, from Middle Tennessee's oldest community theatre organization.
