My True Colors Festival (MTCF) is pleased to present its lineup for 2018, including Saturday Church (June 14, 7 PM), a mini musical about a shy 14-year-old-boy struggling with gender identity and religion. He escapes the burden of his new responsibilities as "man of the house" after the death of his father and finds his passion in the process through voguing and the NYC ball scene, with the help of a vibrant transgender community where he is enlisted into Saturday Church, a program for at-risk L.G.B.T.Q. youth.
New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening today, May 17 at 7:00pm.
Following their innovative production of TITUS: A Visual-Physical Adaptation of Shakespeare's Titus Andronicus, New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official press opening on Thursday, May 17 at 7:00pm.
New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.
New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.
New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening on Thursday, May 17 at 7:00pm.
F*It Club, the New York Innovative Award-winning film and theatre company, continues its annual series of short, commissioned world-premiere plays at the IRT Theater as part of their 3B Development Series in Manhattan's West Village with The Spring Fling: Chemistry, seven new short plays by Mario Correa (Tail! Spin!), Jahna Ferron-Smith (Ensemble Studio Theatre's Youngblood), Jon Kern (Modern Terrorism), Dan McCabe (Christina Martinez), Mara Nelson-Greenberg (Do You Feel Anger?), Erica Saleh (Channel Zero, Wisdom of the Crowd) and Amy Staats (Eddie and Dave).
Written and directed by Matthew Freeman (writer of the acclaimed The Listeners and That Which Isn't), The Hollow is an evening of expressionist short plays that, in Freeman's inimitable style, dive into landscape of our vast interior lives.
The Brick Theater, Inc. and Doghouse Ensemble Theatre present AS YOU LIKE IT, adapted and directed by Catherine Andre (originally by William Shakespeare). As part of The Festival of Lies, AS YOU LIKE IT will play at The Brick (579 Metropolitan Ave, Brooklyn) June 23 at 1pm, June 25 at 7pm, and July 1 at 1pm.
The event will feature a free performance by EK Theater of Niobe, a video game puppetry piece that uses the first-person shooter Halo: Reach to show how Niobe is punished by the gods for her arrogance in this story from Ovid's Metamorphoses, followed by a panel discussion about real world violence and its relationship to video games.
The Brick is located at 579 Metropolitan Avenue (between Union Avenue and Lorimer Street) in Williamsburg, Brooklyn on the L & G subway lines (L: Lorimer stop; G: Metropolitan stop). For more detailed directions, & further information, visit www.bricktheater.com.
Partial Comfort Productions (Samuel D. Hunter's A Bright New Boise, Robert O'Hara's Booty Candy, Thomas Bradshaw's The Bereaved) presents the New York Premiere of DUTCH MASTERS by Greg Keller (Wit with Cynthia Nixon, Michael Mayer's Uncle Vanya on Broadway). The production marks the directorial debut of Andre Holland (Academy Award-winner Moonlight, Jitney on Broadway). This limited Off-Broadway engagement runs through April 21 at The Wild Project.
F*It Club, the New York Innovative Award-winning film and theatre company, continues its annual series of short, commissioned world-premiere plays at the IRT Theater as part of their 3B Development Series in Manhattan's West Village with The Spring Fling: Chemistry, seven new short plays by Mario Correa (Tail! Spin!), Jahna Ferron-Smith (Ensemble Studio Theatre's Youngblood), Jon Kern (Modern Terrorism), Dan McCabe (Christina Martinez), Mara Nelson-Greenberg (Do You Feel Anger?), Erica Saleh (Channel Zero, Wisdom of the Crowd) and Amy Staats (Eddie and Dave).
The Flea Theater continues its partnership with Brown University's Writing for Performance program for the second annual playwriting Project Residency, taking place from March 31 - April 3, 2018.
Immersive and surreal LETTERS IN THE DIRT places its audience face-to-face with the insightful Aiyana Jones- a seven-year-old girl fatally shot by police in 2010 during a botched raid in Detroit, now a symbol within the Movement for Black Lives. Structured like a game and a ritual, the show lands it audience in a mysterious purgatory the night after Aiyana's killing, where they are greeted by a chorus of black children, invited to play a game, and provided objects that were once a part of Aiyana's life. To 'play,' the audience must use their objects to guide her through her memories to an understanding of her death. Participants learn her favorite playground games, and dream aloud with her about if 'we was all free.' All while celebrating black imagination and vulnerability, LETTERS IN THE DIRT creates a vibrant, intimate audience experience personal to all who participate.
2017 Northwestern Graduate, Chicago playwright Sharon Krome presents the World Premiere of her play, ThroatPunch in association with Nothing Without a Company, running from May 8th to June 3rd.
Immersive and surreal, LETTERS IN THE DIRT places its audience face-to-face with the insightful Aiyana Jones- a seven-year-old girl fatally shot by police in 2010 during a botched raid in Detroit, now a symbol within the Movement for Black Lives. Structured like a game-ritual, the show lands it audience in a mysterious purgatory the night after Aiyana's killing, where they are greeted by a chorus of black children, invited to play a game, and provided objects that were once a part of Aiyana's life. To "play," the audience must use their objects to guide her through her memories to an understanding of her death. Participants learn her favorite playground games, and dream aloud with her about if "we was all free." All while celebrating black imagination and vulnerability, LETTERS IN THE DIRT creates a vibrant, intimate audience experience personal to all who participate.
The reviews are in for the world-premiere of PLANTATION! at Lookingglass Theatre, written by Kevin Douglas and directed by David Schwimmer. PLANTATION! opened on February 21st, and will run through April 22nd.
Partial Comfort Productions (Samuel D. Hunter's A Bright New Boise, Robert O'Hara's Booty Candy, Thomas Bradshaw's The Bereaved) will present the New York Premiere of DUTCH MASTERS by Greg Keller (Wit with Cynthia Nixon, Michael Mayer's Uncle Vanya on Broadway). Directed by Andre Holland (Academy Award-winner Moonlight, Jitney on Broadway), previews begin April 4 at The Wild Project with opening night slated for Thursday, April 12.
