The Royal Shakespeare Theatre News

On announcing the RSC's Winter 2020 season Gregory Doran, RSC Artistic Director, said: a?oeWhen I became Artistic Director, I wanted to stage every Shakespeare play in the canon once. We are more than two thirds of the way through that journey, which will conclude at the end of 2021.

Casting details have been announced for the Royal Shakespeare Company's (RSC) 2020 Summer production of The Winter's Tale, which plays in the Royal Shakespeare Theatre from 28 March 2020. Directed by RSC Deputy Artistic Director, Erica Whyman, the production will be cross-cast with The Comedy of Errors (from 25 April 2020) and Pericles (from 15 August 2020). All three plays are sponsored by Darwin Escapes.

This year's line-up for Christmas with the Stars - the charity Christmas musical theatre concert in Covent Garden in the heart of the West End - is another star-studded musical feast of festive fun.

Royal Shakespeare Company's (RSC) present a new musical, The Boy in the Dress. Based on the best-selling novel by David Walliams, The Boy in the Dress features sixteen original compositions by Robbie Williams and his long-term writing partner Guy Chambers.

Last night (Thursday 28 November 2019), the Royal Shakespeare Company celebrated the opening night of the new musical, The Boy in the Dress, based on the novel by David Walliams, adapted by Mark Ravenhill, with music and lyrics by Robbie Williams and Guy Chambers and directed by RSC Artistic Director Gregory Doran.

Production images for the Royal Shakespeare Company's (RSC) new musical The Boy in the Dresshave now been released.

Catching up with actor Rufus Hound, he takes us through the development of The Boy in the Dress: from tears early on at hearing the songs for the first time, to tech week and getting into the theatre.

On announcing the season Gregory Doran, RSC Artistic Director, said: a?oeCreated in Stratford-upon-Avon, shared around the world, crossing borders of creativity, community, culture and technology, our new season celebrates Shakespeare's unique contribution to world culture, whilst at the same time asking us to consider our own place within society, our families and community. Whether experiencing our work on stage in Stratford-upon-Avon, on nationwide tours, in schools and local communities, through live cinema screenings or via the latest digital innovations, the shared experiences and emotional connections forged through live theatre feel as urgent and necessary today as they ever havea??.

Prolific playwright David Edgar is directed in his professional performance debut by triple Fringe First Award-winner Christopher Haydon in a solo show considering the legacy of the events of 1968. In 1968, playwright David Edgar was 20 years old. It was also the year of some of the most important and formative events in modern history, including the Paris student revolt, the assassination of Martin Luther King, Enoch Powell's a?oerivers of blooda?? speech, and the ongoing war in Vietnam. Trying It On is a new play written and performed by David Edgar, which reflects on the legacy of this momentous year, drawing on first-person interviews with some of the leading political figures of the time, as well as contemporary activists. The performance also marks David's first professional stage performance in this autobiographical one-man play.

Full casting is announced for The Boy in the Dress, the Royal Shakespeare Company's (RSC) new musical, which runs in the Royal Shakespeare Theatre from 8 November.

Casting kicks off with the first announcement for The Boy in the Dress, the Royal Shakespeare Company's (RSC) new musical which runs in the Royal Shakespeare Theatre from 8 November.

Talking about The Provoked Wife, Alexandra Gilbreath takes us through her experience at the RSC from straight out of drama school to 'Shakespearean ninja!'

Director of Design Stephen Brimson-Lewis has over twenty years of experience designing for the RSC. Stephen takes us through the collaborative process of designing Measure for Measure.

Award-winning comedian Adam Kay will now share entries from his diaries as a junior doctor across two "electrifying" shows of stand-up and music at the Royal Shakespeare Company's Live at the RSC: Comedy Festival.

Prolific playwright David Edgar is directed in his professional performance debut by triple Fringe First Award-winner Christopher Haydon in a solo show considering the legacy of the events of 1968. In 1968, playwright David Edgar was 20 years old. It was also the year of some of the most important and formative events in modern history, including the Paris student revolt, the assassination of Martin Luther King, Enoch Powell's "rivers of blood" speech, and the ongoing war in Vietnam. Trying It On is a new play written and performed by David Edgar, which reflects on the legacy of this momentous year, drawing on first-person interviews with some of the leading political figures of the time, as well as contemporary activists. The performance also marks David's first professional stage performance in this autobiographical one-man play.

Acts are now announced for a brand-new Comedy Festival from the Royal Shakespeare Company, in association with Underbelly, including award-winning doctor-turned comedian Adam Kay, Edinburgh Comedy Award winner Bridget Christie, 'one-man opposition party' satirical impressionist Rory Bremner, surrealist master of the one-liner Milton Jones, internationally-acclaimed live act Phil Wang and 'cusp of stardom' up-and-comer Suzi Ruffell.

Turning the 1590's patriarchy into a matriarchy, Justin Audibert breaks down why he chose to gender reverse The Taming of the Shrew for the Royal Shakespeare Company, and what effects the decision has had on the actors and audience alike.

Othello remains as relevant today as ever it were, Phil Willmott's adaptation setting it in the Raj of 1919, but it's as much in the White House and Palace of Westminster of 2019.

A bold and often beautifully staged production that makes women men and men women to throw light on the often brutal text. What emerges is plenty of new insight, but the nagging doubt persists that the play just isn't very good.

For the first time the Royal Shakespeare Company will tour three productions in repertoire to six regional theatres, playing for two weeks in each venue. As You Like It, The Taming of the Shrew and Measure for Measure will visit Salford in September 2019, and then Canterbury, Plymouth, Nottingham, Newcastle upon Tyne and Blackpool in early 2020. Performance dates at the end of the release.