Theatre for a New Audience has announced two post-show TFANA Talks surrounding performances of the Royal Lyceum Theatre Edinburgh's production of Macbeth (an undoing) written and directed by Zinnie Harris and presented by TFANA in association with Rose Theatre, London.
RED BULL THEATER has announced the complete cast for the next offering of a new season of OBIE Award-winning Revelation Readings: Antony & Cleopatra.
RED BULL THEATER has revealed updated casting for the next offering of a new season of OBIE Award-winning Revelation Readings: Antony & Cleopatra by William Shakespeare.
RED BULL THEATER is presenting the first of its two Off-Broadway productions, Arden of Faversham, at the newly renovated Lucille Lortel Theatre.
RED BULL THEATER begins performances tonight for the first of its two Off-Broadway productions, Arden of Faversham, at the newly renovated Lucille Lortel Theatre.
RED BULL THEATER has announced the cast for the first of its two Off-Broadway productions, Arden of Faversham, opening this Spring at the newly renovated Lucille Lortel Theatre.
RED BULL THEATER has announced details of its two Off-Broadway productions, Arden of Faversham and The Knight of the Burning Pestle opening this Spring at the newly renovated Lucille Lortel Theatre.
RED BULL THEATER today announced the complete cast for its online benefit reading of The Wonder of Women (The Tragedy of Sophonisba) by John Marston.
RED BULL THEATER will begin performances Sunday for the World Premiere of a brand new adaptation of Ben Jonson’s classic comedy, The Alchemist, adapted by Jeffrey Hatcher and directed by Jesse Berger, the team that created the hit comedy The Government Inspector.
RED BULL THEATER today announced the cast for the World Premiere of a brand new adaptation of Ben Jonson’s classic comedy, The Alchemist, adapted by Jeffrey Hatcher and directed by Jesse Berger, the team that created the hit comedy The Government Inspector.
The Public Theater and Onassis USA today announced additional FREE programming and participants for the ONASSIS FESTIVAL 2019: DEMOCRACY IS COMING, running April 10-28 at The Public Theater and also La MaMa.
The Public Theater and Onassis USA today announced the wide-ranging line-up for the ONASSIS FESTIVAL 2019: DEMOCRACY IS COMING running April 10-28, 2019 at The Public Theater and also La MaMa.
Theatre for a New Audience presents About Alice, the world premiere of a new play by Calvin Trillin, inspired by his 2007 memoir of the same name.
Theatre for a New Audience presents About Alice, the world premiere of a new play by Calvin Trillin, inspired by his 2007 memoir of the same name.
Green Space has announced a diverse roster of artists for its signature programs this December.
The 2017 Fall line-up of PUBLIC SHAKESPEARE INITIATIVE continued last night, November 27th, with PUBLIC SHAKESPEARE TALKS: EYELESS RAGE-ANGER IN KING LEAR, a conversation about anger-noble, destructive, cleansing, and clarifying-in Shakespeare's tragedy of ungoverned rage and its consequences, King
Rehearsals began Tuesday, October 11th, at Polonsky Shakespeare Center, 262 Ashland Place, for Theatre for a New Audience's New York premiere of Servant of Two Masters by Carlo Goldoni, adapted by Constance Congdon from a translation by Christina Sibul and featuring Steven Epp.
Theatre for a New Audience and The New York Public Library will mark the 400th anniversary of William Shakespeare's death with a viewing of a First Folio followed by a conversation among scholars and conservators on the Folio's innovative origins, its history as a wildly coveted (and carefully conse
The Public Theater recently continued its 2016 Fall Public Forum line-up, featuring an exciting series of one-night-only events and expanded audience engagement programming to explore the ideas and themes presented on The Public Theater's stages, with a reading of Shakespeare's Coriolanus last ni
Theatre for a New Audience and The New York Public Library will mark the 400th anniversary of William Shakespeare's death with a viewing of a First Folio followed by a conversation among scholars and conservators on the Folio's innovative origins, its history as a wildly coveted (and carefully conse
