Bard College announces the appointment of world-renowned composer, conductor, and artist Tan Dun as Dean of the Bard College Conservatory of Music. As dean, Tan Dun will guide the Conservatory in fulfilling its mission of teaching young musicians both new music and music history, while deepening an understanding of its connection to history, art and culture, and society. He will also help to build the synergy between Eastern and Western studies at the Conservatory, including its recently founded US-China Music Institute.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
On December 6, 2018, Kahchun Wong, Chief Conductor of the Nuremberg Symphony, will make his Royal Liverpool Philharmonic Orchestra debut leading the orchestra in a varied program repertoire that showcases his versatility as an artist with works by Dukas, Bartok, Barber, and Stravinsky. Joining Wong and the Royal Liverpool Philharmonic Orchestra will be pianist Denis Kozhukhin. Wong makes another major debut in February 2019, when he joins the New York Philharmonic for the first time ever in his New York debut, conducting their annual Lunar New Year Concert.
The New York Philharmonic will celebrate the Lunar New Year, welcoming the Year of the Pig with a Gala and Concert led by Kahchun Wong in his Philharmonic debut on Wednesday, February 6, 2019, at 7:30 p.m.
Pipa virtuoso Wu Man takes the stage at Carnegie Hall to give the U.S. premieres of two concertos scored for traditional Chinese instruments, performing with the Taipei Chinese Orchestra (TCO) on Today, November 6 at 8:00 p.m.
The Orchestra Now (T?N) begins its third Rose Theater season at Jazz at Lincoln Center's Frederick P. Rose Hall on Sunday, November 11, 2018 at 3pm. Led by the renowned conductor, composer, visual artist, and UNESCO Goodwill Ambassador Tan Dun, the program will be highlighted by the U.S. premiere of his Cello Concerto: Intercourse of Fire and Water, performed by Chinese soloist Jing Zhao in her Lincoln Center debut. The concert also includes another Tan Dun work: Passacaglia: Secret of Wind and Birds, commissioned by Carnegie Hall in 2015 for the National Youth Orchestra of the United States. The music draws on forms from East and West, ancient and modern, and incorporates birdsong produced by smartphone.
Bang on a Can All-Stars-joined by the Grammy Award-nominated Choir of Trinity Wall Street, led by Julian Wachner-will perform Julia Wolfe's Pulitzer Prize-winning Anthracite Fields on Saturday, December 1 at 9:00 p.m. in Zankel Hall.
The Orchestra Now (TON) begins its third Rose Theater season at Jazz at Lincoln Center's Frederick P. Rose Hall on Sunday, November 11, 2018 at 3pm. Led by the renowned conductor, composer, visual artist, and UNESCO Goodwill Ambassador Tan Dun, the program will be highlighted by the U.S. premiere of his Cello Concerto: Intercourse of Fire and Water, performed by Chinese soloist Jing Zhao in her Lincoln Center debut.
Nai-Ni Chen opened her 2019 season with a theme of collaboration and outreach, especially with other diverse, immigrant women choreographers from all over the world. On October 22, Nai-Ni Chen Dance Company will conduct a weeklong residency and choreographic exchange with Germany's HannahMaDance headed by Luxembourg/Trier based choreographer Hannah Ma. During the residency, Nai-Ni Chen will be developing a new work using the music of Chinese Bamboo Rap (Kuaiban), Chinese Martial Art and Hip-Hop. A final performance of the work-in-progress, currently titled Speaking in Tongues, will be shown to the public in Germany on Sunday, October 28, 2018. Information of the performance can be found online at https://www.tufa-trier.de/kurse-workshops.html#c1036.
Nai-Ni Chen opened her 2019 season with a theme of collaboration and outreach, especially with other diverse, immigrant women choreographers from all over the world. On October 22, Nai-Ni Chen Dance Company will conduct a weeklong residency and choreographic exchange with Germany's HannahMaDance headed by Luxembourg/Trier based choreographer Hannah Ma. During the residency, Nai-Ni Chen will be developing a new work using the music of Chinese Bamboo Rap (Kuaiban), Chinese Martial Art and Hip-Hop. A final performance of the work-in-progress, currently titled Speaking in Tongues, will be shown to the public in Germany on Sunday, October 28, 2018.
Pipa virtuoso Wu Man takes the stage at Carnegie Hall to give the U.S. premieres of two concertos scored for traditional Chinese instruments, performing with the Taipei Chinese Orchestra (TCO) on Tuesday, November 6 at 8:00 p.m.
Carnegie Hall today announced that British conductor Daniel Harding will return to Stern Auditorium / Perelman Stage to lead Amsterdam's renowned Royal Concertgebouw Orchestra in two back-to-back concerts in February, as part of the orchestra's spring 2019 US tour. Maestro Harding, who last appeared at Carnegie Hall in 2008, replaces Daniele Gatti for these February performances.
This fall, cello soloist Maya Beiser and composer/conductor Evan Ziporyn embark on a U.S. tour with Ziporyn's Ambient Orchestra, bringing Bowie Symphonic: Blackstar to the Moss Arts Center at Virginia Tech in Blacksburg, VA (Friday, October 12); the Flynn Center for the Performing Arts in Burlington, VT (Saturday, October 13), Bass Concert Hall presented by Texas Performing Arts in Austin, TX (Thursday, November 1), and Bing Concert Hall presented by Stanford Live in Stanford, CA (Wednesday, November 7). Bowie Symphonic: Blackstar is a startling and soaring new version of David Bowie's entire last album Blackstar for solo cello and orchestra. Arranged for Beiser by Ziporyn, who will also conduct Ambient Orchestra, Bowie Symphonic: Blackstar has been performed to capacity audiences in Boston, Barcelona, and New York City's Central Park SummerStage. For the fall tour, Ambient Orchestra is joined by musicians from Boston Conservatory at Berklee.
The Orchestra Now (T?N) will launch its 2018 fall season with two concerts in its popular Sight & Sound series at the Metropolitan Museum of Art. The opening performance on September 30 is Mahler and the Feminine Ideal, juxtaposing the works of Klimt, Schiele, and Picasso with Mahler's Kindertotenlier sung by baritone Michael Anthony McGee. On November 18, the second program features Avery Fisher Career Grant winner pianist Orion Weiss in an afternoon of Chopin, Delacroix, and theRomantic Impulse.
The Chamber Music Society of Detroit's 75th anniversary season will celebrate its history with special concerts in venues that were home to its series over the years, including Orchestra Hall and the DIA, while expanding its reach with a new Regional Partnership series offering four weekends of performances in Grosse Pointe, Canton and Rochester Hills. The stellar line-up of world renowned artists and ensembles across four series includes pianists Leon Fleisher, Olga Kern and Richard Goode, London's Academy of St. Martin in the Fields, and the Juilliard, Pacifica, Dover and Miro Quartets, among others.
Peak Performances kicks off its 2018-19 season with the world premiere of Hatuey: Memory of Fire, a rousing Afro-Cuban-Yiddish opera performed in English, Yiddish and Spanish, with music by Frank London, libretto by Elise Thoron, direction by Mary Birnbaum, and choreography by Maija Garcia.
To celebrate Father's Day, the Hong Kong Philharmonic Orchestra (HK Phil)'s Music Director Jaap van Zweden conducted an amazing free Father's Day concert at the Hong Kong Cultural Centre Concert Hall on 17 June (Sunday). With a programme comprising all-time favourite classics, we invited the Hong Kong community and around 100 organisations and schools that help people with special needs, to share the joy of classical music with their families and friends.
The Orchestra Now (TON), the visionary orchestra and master's degree program founded in 2015 by Bard College president and conductor, educator, and music historian Leon Botstein, will open its fourth season on September 15, 2018. Five individual series and two special events will present 17 different programs offering innovative combinations of familiar and lesser-known repertoire through May 19, 2019. To date, the young members of TON have performed close to 100 concerts for more than 35,000 New Yorkers.
