Stephen Hanks News

BroadwayWorld Award winner Robyn Spangler brings her show 'Why I Love Linda Ronstadt' to the Rancho Mirage Library on Tuesday, May 7 at 7:00 pm.

Two-time Backstage Bistro Award-winning performer Meg Flather will be presenting her latest cabaret show, Meg Flather/Women's Writes, at Don't Tell Mama (343 West 46th Street) tonight, April 12 at 7:30 pm (call 212-757-0788 for reservations).

Two-time Backstage Bistro Award-winning performer Meg Flather will be presenting her latest cabaret show, Meg Flather/Women's Writes, at Don't Tell Mama (343 West 46th Street) on Friday, April 12 at 7:30 pm (call 212-757-0788 for reservations). Flather, who is often compared vocally, lyrically and stylistically to legendary singer/songwriters Joni Mitchell, Carly Simon, Annie Lennox, and Suzanne Vega, will celebrate female singer/songwriters not typically featured in New York cabaret shows. The set will also include a few of Flather's original songs that reflect the style and subject matter of the show. Everyone paying the $12 show cover charge will get a complimentary copy of Flather's latest album, On The Second Floor. She will accompanied in the show by her guitarist John Mettam.

If you haven't had the chance to catch up on your theater news, look no further than today's recap of all things theater - exclusive features, interviews, reviews and more! - around the Broadway World for the week of April 1!

It's April 1st. Do you know when your Spring is coming? During another longggggg New York winter, the good news is that there were a ton of warming cabaret shows. The bad news is that there were so many, even during this seemingly endless winter our intrepid reviewer Stephen Hanks didn't have enough time to review them all right after the performances. So in what is becoming a seasonal ritual, here he offers yet another compilation of 13 'catch-up' cabaret show reviews.

Well, it took me almost a year and a half and a long car ride deep into New Jersey to do it, but when last Saturday night (March 23) I finally got a chance to see and hear Lauren Fox's Joni Mitchell/Leonard Cohen Tribute Show ('The painter and the poet who mesmerized the world with their songs,' as Fox put it), it was well worth the wait--and the trip. Actually, the show itself was a trip, as Fox not only embodied the look, spirit, and vocal timbre of Mitchell and her songs (if not completely reaching her soaring soprano), she also managed to channel the persona of the intense and mysterious machoness of Cohen simply by donning a fedora and maximizing her deeper register voice. It's not at all a surprise that Fox not only received rave media reviews and the 2012 MAC Award for 'Best Debut' for this show, but that a 750-seat theater like the recently-renovated, Art Deco style Landis in Vineland, NJ, would want to bring this stunning, 16-song cabaret set and Fox's transcendent performance to their stage

When Dana Lorge's run as a Variety Show hosted ended at the Iguana Restaurant last July-and after winning two 2012 MAC Awards for 'Best Variety Show' and 'Best Variety Show Host'-who knew she'd be reduced to being a cabaret audience member searching for a new showcase? But a Metropolitan Room Mentch has come to the rescue in the form of Bernie Furshpan (the Met Room's General Partner and Manager), who has provided Dana with a monthly forum for her unique brand of cabaret shtick beginning Friday, April 5 at 7-8:15 pm. While the new show won't be the two-hour plus extravaganza of yore featuring more than a dozen performers, Dana's new 'Variety Show' promises to feature a solid group of experienced and well-known cabaret and musical theater pros. For the April 5 opener, the Lorge Lineup features Richard Skipper, her former Award-winning Co-host from the Iguana days; film and stage actor Jim Brochu (of Zero Mostel One-Man Show fame), singers LaTanya Hall (from the CBS show 'Blue Bloods) and Peggy Herman Klat, Rick Crom (Creator of Newsical the Musical), and Mr. Furshpan, who will show off his stand-up comedy chops. But the real star of the show will always be the hilarious, unpredictable, darling Dana, who will both crack you up with her infectious humor and surprise you with her engaging singing performances.

Observing the evolution of young Marissa Mulder's cabaret career is like watching a high jumper going for the gold at the Olympic Games. With every show or performance, she and the creative teams around her set the bar just a little bit higher and she keeps clearing the dang thing. But with her new Tom Waits Tribute Show, which opened last night at the Metropolitan Room (and continues through Saturday night, all at 7pm), the bar was raised multiple notches, and damn if she didn't clear it with inches to spare. With Tom . . . In His Own Words/The Songs of Tom Waits, Mulder has vaulted herself into major cabaret performer territory and even managed to stick the landing.

Wednesday night was the second of Marilyn Maye's first 54 Below run (which will continue until March 16) and she sashayed around the stage in front of an almost full house like a woman of 35. Like most of her shows, Maye's performance was a 'live' cabaret Master Class for budding cabaret performers and seasoned professionals alike, and this 'Maye-den Voyage' never went adrift (thanks in part to solid and unobtrusive support from Tedd Frith on piano, Tom Hubbard on bass, and Jim Eklof on drums).

The cabaret gods must be smiling on this reviewer because this past Saturday evening my wife and I celebrated her birthday with an intimate dinner in between a couple of totally engaging shows from two lovely ladies of cabaret; the beautiful Jillian Laurain paying homage to classic Broadway show tunes at the Metropolitan Room, and the beguiling Stacy Sullivan in her MAC and BroadwayWorld.com Award-nominated tribute to Peggy Lee, 'It's a Good Day,' at the Cafe Carlyle. For me and the Birthday Girl, it was definitely a good night.

The first-ever BroadwayWorld.com New York Cabaret Awards show was held at the Metropolitan Room on Thursday, February 21. The evening featured a star-studded lineup, including Marilyn Maye, Ben Vereen, Jim Caruso, composer Jason Robert Brown and cabaret stars Billy Stritch, KT Sullivan, Karen Kohler, Colleen McHugh, Jane Monheit and more. Watch BroadwayWorld's exclusive highlights from the awards show below!

Performing legends Ben Vereen and Marilyn Maye, celebrated composer Jason Robert Brown, as well as cabaret stars Billy Stritch, KT Sullivan, Karen Kohler, Jim Caruso, and Colleen McHugh are among the winners of the first-ever BroadwayWorld.com New York Cabaret Awards, and who will appear in a star-studded show at the Metropolitan Room today, February 21 (6:30-9 pm). These entertainers and many others became award-winners after almost two months of voting and the casting of an astounding 10,000 votes over 20 categories on the Cabaret section of the BroadwayWorld.com website. The 2012 BroadwayWorld.com New York Cabaret Awards Show will be hosted by BroadwayWorld.com's lead Cabaret Reviewer/Columnist Stephen Hanks, while the show's Musical Director will be MAC Award-winning MD and composer Bill Zeffiro.

At last year's Manhattan Association of Cabarets and Clubs (MAC) Awards, two of the big winners were T. Oliver Reid (photo left) for Male Debut and Eric Michael Gillett for Major Artist, Male (and both could very likely be MAC nominees again this year). Almost a year later, two of New York cabaret's leading men performed new shows one night apart at 54 Below; Reid on February 6 with Drop Me Off in Harlem, and Gillett the next night with Careless Rhapsody: An Evening Dedicated to the Lyrics of Lorenz Hart. Ironically, what the shows had in common--besides being a fairly good fit of material to singer--was that the majority of their sets featured songs written in the 1930s but in very different styles. With Reid it was the jazz, swing and blues of Harlem; with Gillette it was the romantic Broadway musical sensibility of Hart's lyrics (paired with the timeless melodies of Richard Rodgers). While neither Reid's 'Harlem,' nor Gillett's 'Hart' were stirring or spectacular shows, they were both solid and entertaining enough that both could be nominated for BroadwayWorld.com Awards in 2013.

If you couldn't get to the Ziegfeld Theatre at the end of January to attend the year-late 40th Anniversary Blu-Ray DVD Screening of the 1972 film “Cabaret,” here's how you can do the next best thing. Head over to Stage 72 (formerly The Triad, on 158 W. 72nd Street) and watch KT Sullivan and Karen Kohler in their 2012 BroadwayWorld.com Award-winning revue 'Vienna to Weimar,' which will transport you into the politically infused and sexually steamy period of pre-World War II Austria and Germany, when life and art really was a cabaret. The only things missing will be a decadent MC and scantily-clad dancers.

NiCori Studios and Productions in association with Oakeside Bloomfield Cultural Center announces a new installment of the monthly concert series, 'Music at the Mansion', on Sunday, February 24, at 3pm. Performers include Musical Director Andrew David Sotomayor, Singer/Songwriter Meg Flather, Cabaret Duo Rich Flanders and Ceila Berk. The featured performer in the 'Young Musician Moment' will be Clifton's Angelia Mocera.

It's hard to believe that Amanda McBroom--who many consider to be one of the country's leading cabaret performers--had never played the elegant Cafe Carlyle before the current run of her new show A Valentine Rose. But better late than never because few things could warm the cockles of a romance-craved heart more on a frigid early February evening than McBroom sweeping into the Carlyle and singing songs about the vagaries of love that fit her special definition: 'Like a double expresso--a slice of life ground under pressure with a little bit of steam.'

Acclaimed jazz recording star Jane Monheit is the latest 2012 BroadwayWorld.com Cabaret Award winner to join a star-studded performing lineup featuring fellow winners Ben Vereen and Marilyn Maye, composer Jason Robert Brown, as well as cabaret stars Billy Stritch, KT Sullivan, Karen Kohler, Jim Caruso, and Colleen McHugh. All of these great entertainers and many other Award-winners will appear at the first-ever BroadwayWorld.com New York Cabaret Awards show at the Metropolitan Room on Thursday, February 21 (6:30-9 pm). These entertainers and many others became award-winners after almost two months of voting and the casting of an astounding 10,000 votes over 20 categories on the Cabaret section of the BroadwayWorld.com website. The 2012 BroadwayWorld.com New York Cabaret Awards Show will be hosted by BroadwayWorld.com's lead Cabaret Reviewer/Columnist Stephen Hanks, while the show's Musical Director will be MAC Award-winning MD and composer Bill Zeffiro.

Even her biggest fans among the opening night crowd were likely befuddled, slightly bothered, and even a tad bewildered when they heard that Christine Andreas' first cabaret show at 54 Below was called "Bemused," and not exactly sure what that meant. But they would ultimately end up being thoroughly bewitched by a wonderfully engaging show by this totally entertaining pro. While most current or former Broadway stars who are staging shows at 54 Below are performing what amounts to mini-concerts, the lady who first became a Broadway audience favorite as Eliza Doolittle in the 20th anniversary production of My Fair Lady (and is two-time Tony Award nominee) knows her way around cabaret and developed a charmingly creative conceit for this run (continuing on Jan. 29, Feb. 1, 2 at 8:30 pm and Jan. 30, 31 at 7 pm), which included songs from Broadway, pop, the Great American Songbook, and even Edith Piaf.

If you're a cabaret performer thinking about staging a musical comedy theme show, or even if you're just a cabaret fan who appreciates a thoroughly entertaining show on multiple levels, you should try to squeeze yourself into The Duplex on Wednesday night at 7 pm to see Adam Shapiro's encore performance of his Guide to the Perfect Breakup, which is also a textbook on how to create the almost perfect musical comedy cabaret show. With the guidance and support of Director Peter Napolitano and Musical Director Barry Levitt, Shapiro has crafted a structurally intricate yet seamless show about the evolution of romantic relationships-no matter what your gender-which is also funny without being sarcastic, biting without being bitchy, and tender without being cloying. And it showcases the talents of a cuddly teddy bear of a performer, who possesses the kind of solid singing, acting, and comedic chops that make him a young, rising cabaret star.

With her tribute show to the music of Harold Arlen and Duke Allington, 'When Harry Met The Duke' is Rosemary Loar's creative foray back into the caressing arms of the Great American Songbook. If you consider that the contemporary cabaret scene in New York is 30 years on (since the opening of Don't Tell Mama in 1982 and the start of MAC in 1983), there have been likely been thousands of cabaret shows with GAS themes and the interesting new ideas may be down to a precious few. And Loar, who has been performing cabaret shows during that same time frame, has managed to come up with yet another variation and her erudite and accessibly sophisticated show goes down like a delicious vodka martini topped with a skewer of blue cheese stuffed olives.