Sondra Radvanovsky to Play Title Role in Met Opera's ANNA BOLENA
by Tyler Peterson
- Sep 24, 2015
This Saturday, September 26, American soprano Sondra Radvanovsky will begin her season-long quest to sing all three of the principal heroines in Donizetti's 'Tudor trilogy,' being presented in its entirety for the first time at the Met this season. In the first opera, Anna Bolena, Radvanovsky stars as the young queen Anne Boleyn, grasping to hold onto the throne of England. Later this season, Radvanovsky will also star as the devout and doomed Mary, Queen of Scots in Maria Stuarda and as the conflicted Elizabeth I in the first-ever Met performances of Roberto Devereux. Radvanovsky will be the first soprano since Beverly Sills in the 1970s to sing the lead roles in all three operas in the course of a single New York season.
Steven LaBrie and Ben Heppner Sign on for George London Foundation for Singers' 2015-16 Season
by BWW News Desk
- Aug 20, 2015
?The 2015-16 season marks two milestones for the George London Foundation for Singers, which has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971: the 45th annual George London Foundation Awards Competition, which gives George London Awards to young singers each year; and the 20th year of its acclaimed recital series, which presents pairs of singers, both established stars and recent George London Award winners, at The Morgan Library & Museum.
Stephen Costello to Make Met Debut in THE MERRY WIDOW, 4/24-5/7
by Tyler Peterson
- Apr 14, 2015
Tucker Award-winning tenor Stephen Costello returns to New York's Metropolitan Opera on April 24, to make his house role debut in the first of four performances as Camille in The Merry Widow. In a new production from five-time Tony Award-winner Susan Stroman, also making her company debut, Lehár's beloved operetta stars Susan Graham in the title role, with Rod Gilfry as Danilo, Alan Opie as Baron Zeta, Andriana Chuchman as Valencienne, and Met Principal Conductor Fabio Luisi leading from the pit (April 24-May 7).
Brava Philadelphia! Set for Verizon Hall, 3/27
by Tyler Peterson
- Mar 10, 2015
Philadelphia's Academy of Vocal Arts is regarded as one of the premiere opera training schools in the world. Every year over 200 singers audition to become one of the school's roster of Resident Artists – 28 of the most talented and promising opera singers from around the world. This year, AVA features Resident Artists from Armenia, Austria, Australia, Canada, China, Mexico, Serbia, and the United States.
San Francisco Opera Announces Audited Financial Season
by Christina Mancuso
- Mar 3, 2015
The audited financial results for San Francisco Opera's 2013–14 season (FY14) were announced today by San Francisco Opera Association President Keith Geeslin: a deficit of $348,244 on an operating budget of $74,119,493. The Company's 91st season presented eight main stage works at the War Memorial Opera House in addition to numerous concerts, recitals, workshops and community engagement events attracting more than 271,954 individuals.
BWW Reviews: Austin Opera's Star-Crossed Lovers Shine in ROMEO & JULIET
by Michelle Hache
- Jan 31, 2015
Without a doubt, Gounod's ROMEO & JULIET is one of Austin Opera's finest productions, and they have assembled a cast of the highest caliber. Paired with a gorgeous set, costumes and staging, this is not a production that one would want to miss. 'If music be the food of love, play on.'
Stephen Costello Makes Austin Opera Debut This Weekend in ROMEO AND JULIET
by BWW News Desk
- Jan 24, 2015
Stephen Costello scored a knockout in the title role of Romeo et Juliette at San Diego Opera five years ago. Now the Tucker Award-winner makes his Austin Opera house debut starting this Today with a reprise of his “electrifying” portrayal (San Diego News Network) in the same Doug Scholz-Carlson production of Gounod's Shakespearean masterpiece. Austin's three-performance run also stars Canadian soprano Joyce El-Khoury as Juliette and bass Peter Volpe as Friar Laurence, with Austin's Artistic Director and Principal Conductor Richard Buckley on the podium (Jan 24 & 29; Feb 1).
Stephen Costello to Make Austin Opera Debut This Weekend in ROMEO AND JULIET
by BWW News Desk
- Jan 23, 2015
Stephen Costello scored a knockout in the title role of Romeo et Juliette at San Diego Opera five years ago. Now the Tucker Award-winner makes his Austin Opera house debut starting this Saturday with a reprise of his “electrifying” portrayal (San Diego News Network) in the same Doug Scholz-Carlson production of Gounod's Shakespearean masterpiece. Austin's three-performance run also stars Canadian soprano Joyce El-Khoury as Juliette and bass Peter Volpe as Friar Laurence, with Austin's Artistic Director and Principal Conductor Richard Buckley on the podium (Jan 24 & 29; Feb 1).
Dallas Opera Announces New Season - TOSCA, SHOW BOAT and More!
by Matt Smith
- Jan 13, 2015
DALLAS — The Dallas Opera is proud to announce the five phenomenal mainstage productions of the 2015-2016 Season, “Seeking the Human Element,” to be presented in the magnificent Margot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District.
Renee Fleming Stars in the Met's New Production of THE MERRY WIDOW, Beginning Tonight
by BWW News Desk
- Dec 31, 2014
Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
Renee Fleming to Star in the Met's New Production of THE MERRY WIDOW, Beginning 12/31
by BWW News Desk
- Dec 11, 2014
Renée Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehár's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
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