The opening night performance of Don Carlo on November 22 "earned an enthusiastic ovation" (The New York Times) from critics and audiences: "You've heard about total theater? This is it." (Variety); "A clear-cut hit... rarely have I seen an opera audience so unanimously satisfied" (Philadelphia Inquirer).
The Metropolitan Opera will premiere its first new production of Verdi's Don Carlo since 1979 on Monday, November 22, with a cast that includes Roberto Alagna, Marina Poplavskaya, Simon Keenlyside, and Ferruccio Furlanetto. The new production of Verdi's monumental work, in which love, war, politics, and religion combine to tell a story that is epic in scale, will be directed by Nicholas Hytner, the artistic director of London's National Theatre, in a staging that 'reminds you it is one of the very greatest of all operas' (Guardian). All performances of Don Carlo will be conducted by Philadelphia Orchestra Music Director Designate Yannick Nézet-Séguin, who made a well-regarded Met debut last season with Carmen.
The Metropolitan Opera will premiere its first new production of Verdi's Don Carlo since 1979 on Monday, November 22, with a cast that includes Roberto Alagna, Marina Poplavskaya, Simon Keenlyside, and Ferruccio Furlanetto. The new production of Verdi's monumental work, in which love, war, politics, and religion combine to tell a story that is epic in scale, will be directed by Nicholas Hytner, the artistic director of London's National Theatre, in a staging that 'reminds you it is one of the very greatest of all operas' (Guardian). All performances of Don Carlo will be conducted by Philadelphia Orchestra Music Director Designate Yannick Nézet-Séguin, who made a well-regarded Met debut last season with Carmen.
The Metropolitan Opera celebrates its 80th season of Saturday Afternoon Radio Broadcasts-the longest-running classical music series in American broadcast history-with a 22-week season featuring many of the world's greatest operatic artists, beginning December 18.
MetTalks, a series of panel discussions with the casts and creative teams of the Metropolitan Opera's new productions, will begin on September 22 with a conversation about Das Rheingold, the first installment of the Met's new Ring cycle.
The Met: Live in HD, the Metropolitan Opera's Emmy and Peabody Award-winning series of live performance transmissions into movie theaters around the world, will expand in its fifth season to 1500 theaters (an increase of 300 theaters), while adding Egypt, Portugal, and Spain to its network of now 46 participating countries.
MetTalks, a series of panel discussions with the casts and creative teams of the Metropolitan Opera's new productions, will begin on September 22 with a conversation about Das Rheingold, the first installment of the Met's new Ring cycle.
Baritone Simon Keenlyside, whose performance as Hamlet received rave reviews when this production by Patrice Caurier and Moshe Leiser was introduced at the Metropolitan Opera, commands the stage in the opera's premiere on THIRTEEN's Great Performances at the Met, in primetime on Thursday, July 15 at 8 p.m. on THIRTEEN and on Sunday, July 18 at 12 noon on PBS (check local listings).
Baritone Simon Keenlyside, whose performance as Hamlet received rave reviews when this production by Patrice Caurier and Moshe Leiser was introduced at the Metropolitan Opera, commands the stage in the opera's premiere on THIRTEEN's Great Performances at the Met, in primetime on Thursday, July 15 at 8 p.m. on THIRTEEN and on Sunday, July 18 at 12 noon on PBS (check local listings).
Richard Eyre, the renowned British director of theater and film, explores the passionate drama of Bizet's Carmen and the power of her desires in his new production at the Metropolitan Opera, which premieres on THIRTEEN'S Great Performances at the Met series. 'Her sexuality is a life force, it's a defining force,' he explains.
Alban Berg's modernist masterpiece Lulu returns to the Met, starring Marlis Petersen as the scandalous femme fatale and conducted by the Met's newly appointed Principal Guest Conductor Fabio Luisi.
Alban Berg's modernist masterpiece Lulu returns to the Met, starring Marlis Petersen as the scandalous femme fatale and conducted by the Met's newly appointed Principal Guest Conductor Fabio Luisi.
Strauss's comic masterpiece of love and intrigue in 18th-century Vienna stars Renée Fleming as the aristocratic Marschallin and Susan Graham in the trouser role of her young lover Octavian. Edo De Waart conducts a cast that includes Christine Schäfer as Sophie, Eric Cutler as the Italian singer, Thomas Allen as Faninal, and Kristinn Sigmundsson as Baron Ochs.
Verdi's La Traviata returns to the Met with Angela Gheorghiu reprising her acclaimed interpretation of Violetta, a role the New York Times called a 'supercharged star turn' when she performed it in 2006.
Richard Eyre, the renowned British director of theater and film, explores the passionate drama of Bizet's Carmen and the power of her desires in his new production at the Metropolitan Opera, which premieres on THIRTEEN'S Great Performances at the Met series. 'Her sexuality is a life force, it's a defining force,' he explains.
Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.
James Levine has withdrawn from the four performances of Tosca and three performances of Lulu he was scheduled to conduct in April and May. He is to undergo corrective surgery for an ongoing lower back problem. Fabio Luisi will replace Levine for both Tosca (April 14, 17, 20, and 24 mat.) and Lulu (May 8, 12, 15 mat.).
Strauss's comic masterpiece of love and intrigue in 18th-century Vienna stars Renée Fleming as the aristocratic Marschallin and Susan Graham in the trouser role of her young lover Octavian. Edo De Waart conducts a cast that includes Christine Schäfer as Sophie, Eric Cutler as the Italian singer, Thomas Allen as Faninal, and Kristinn Sigmundsson as Baron Ochs.
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