It isn't just her New Year's Eve Party that launched the start of a great new New York City Cabaret year. Marilyn Maye is also keeping the musical festivities going at the Metropolitan Room on Jan. 6,7,11,12,13, and 14th. It's become one of the hottest tickets in town. Her song selection may be a little different than New Years but the excitement and excellence of her performance are the same. The Metropolitan Room is also launching their new menu selections for 2017.
Performance Space 122's annual performance festival, Coil, returns for its twelfth edition with 13 individual events. The festival explores the constant vitality of live performance in New York City through contemporary artists from diverse genres, cultures and perspectives. Featuring work created locally, across the U.S., and around the world, Coil is known for its groundbreaking contemporary performance across interdisciplinary art, working with new technologies and forms. Through installations, live and virtual practices, PS122 is committed to redefining how, where, and when performance is experienced.
Opera Australia's hugely popular Mazda Opera in the Bowl returns in 2016 with a stellar line up of Australia's finest opera singers and musical talent.
The spirit of Christmas comes alive with Adelaide's all-time favourite, Christmas Proms at Her Majesty's Theatre from 15 - 17 December. Soak up the festive spirit and be transported back to the roaring 20s featuring two of Australia's much loved performers Emma Pask and Stephen Mahy in a Great Gatsby themed Christmas celebration. Stephen will channel the young and mysterious millionaire Jay Gatsby, whilst Emma takes centre stage as his quixotic passion the beautiful former debutante Daisy Buchanan.
The spirit of Christmas comes alive with Adelaide's all-time favourite, Christmas Proms at Her Majesty's Theatre from 15 - 17 December. Soak up the festive spirit and be transported back to the roaring 20s featuring two of Australia's much loved performers Emma Pask and Stephen Mahy in a Great Gatsby themed Christmas celebration. Stephen will channel the young and mysterious millionaire Jay Gatsby, whilst Emma takes centre stage as his quixotic passion the beautiful former debutante Daisy Buchanan.
Opera Australia's largest and most ambitious production returns to Melbourne in 2016. Directed by Neil Armfield, Wagner's Ring Cycle will play at Arts Centre Melbourne from 21 November to 16 December 2016. Melbourne Ring Cycle 2016 comprises four operas - Das Rheingold, Die Walkure, Siegfried and Gotterdammerung - totalling around 16 hours of music. As in 2013, the cycle of four operas will be performed three times.
The John F. Kennedy Center for the Performing Arts presents Where Words Once Were, a wordplay-filled world premiere commission from playwright Finegan Kruckemeyer, directed by Colin Hovde. The production, most appropriate for patrons age nine and up, is part of the Kennedy Center's Theater for Young Audiences 2016-2017 season, and will run November 5 through November 27, 2016.
The John F. Kennedy Center for the Performing Arts presents Where Words Once Were, a wordplay-filled world premiere commission from playwright Finegan Kruckemeyer, directed by Colin Hovde. The production, most appropriate for patrons age nine and up, is part of the Kennedy Center's Theater for Young Audiences 2016-2017 season, and will run November 5 through November 27, 2016.
Opera Australia's largest and most ambitious production returns to Melbourne in 2016. Directed by Neil Armfield, Wagner's Ring Cycle will play at Arts Centre Melbourne from 21 November to 16 December 2016.
Hold your hats and hallelujah.
After an electrifying opening night, the Mabel Mercer Foundation's 27th Annual Cabaret Convention continued Wednesday night in a packed Rose Theater at Jazz at Lincoln Center. Hosted by Jeff Harnar and Andrea Marcovicci, the cabaret community gathered to salute the music of Stephen Sondheim, the EGOT-winning composer/lyricist whose oeuvre has been simultaneously catapulting and tripping up artists for decades.
Despite 30 performances on the evening, you'd be hard-pressed to find a weak spot in Wednesday night's lineup, hosting what is arguably the best rotation of the four nights, featuring cabaret giants, up-and-comers, expert arrangers (plus the talents of Jered Egan on bass and Dan Gross on drums), and Sondheim role originators.
Twelve years after his last full show and a full 36 since he performed at the venerable Laurie Beechman Theatre, entertainer (and Don't Tell Mama booker) Sidney Myer commanded the stage as if he'd been there yesterday. I attended the second of three sold-out presentations marked as fundraisers for The Mabel Mercer Foundation, likely the only organization for which Sidney would take on such a project. The concerts are a 'thank you' to the art's standard bearer and its creator Donald Smith, who gave Sidney wide exposure and exceptional latitude at every Cabaret Convention from the third on, a tradition maintained today.
Anaheim's official resident theater company, Chance Theater is pleased to present the exciting and wondrous The Boy at the Edge of Everything. Written by Finegan Kruckemeyer, and directed by Darryl B. Hovis, The Boy at the Edge of Everything will begin October 13 and continue through October 23, on the Fyda-Mar Stage at Chance Theater @ Bette Aitken theater arts Center.
The full program for the inaugural Asia TOPA: Asia-Pacific Triennial of Performing Arts was today announced by Martin Foley MP, Minister for Creative Industries, who described the newest event on Victoria's cultural and creative calendar as a game-changer.
