Shannon Warne News

Cabrillo Music Theatre proudly announces its fourth consecutive year of providing holiday entertainment to military service families. A star-studded gathering of Cabrillo stars past and present will join stars Shirley Jones and Patrick Cassidy in The CABRILLO 2010 HOLIDAY SPECTACULAR, directed by Cheryl Baxter at the 1,800-seat Fred Kavli Theatre at the Thousand Oaks Civic Arts Plaza, located at 2100 Thousand Oaks Boulevard in Thousand Oaks.

There's this old showbiz cliche that says one should never work with kids and/or animals. Well, either species probably never really scared producers from creating ANNIE, the much-beloved musical classic now in production for Musical Theatre West in Long Beach, California through November 14. Here, the kids steal every scene, and the dog... well, how can you not love a musical with a lovable (trained) dog? With famous populist origins and quite a hummable, familiar score, this long-standing musical's saccharine sweet portrayal of pre-Depression era New York City amps up the long-lost American idea of optimism. And, in a bit of inspired stunt casting, Andrea McArdle--who made her Tony-nominated debut in the original 1977 Broadway production as the title role--steps into the role of the wicked Ms. Hannigan for this production.

The phenomenally successful 1977 Broadway musical Annie took America by storm and has been filmed twice. After 33 years, and especially now during our country's long bout of economic recession, its Depression era optimism holds up better than ever, and in MTW's current glowing production everything is in place to savor.

Musical Theatre West is proud to announce the complete cast for its upcoming production of ANNIE at the beautiful 1070-seat Carpenter Performing Arts Center in Long Beach.

Musical Theatre West is proud to announce the complete cast for its upcoming production of ANNIE at the beautiful 1070-seat Carpenter Performing Arts Center in Long Beach.

Richard Israel directs a staged reading of the new musical HAVING IT ALMOST which will be performed at the El Portal Forum Theatre on June 29 and 30 at 7:30. The cast features Jennifer Leigh Warren, Michelle Duffy, Andi Gibson, Shannon Warne and Kim Huber.

Richard Israel directs a staged reading of the new musical HAVING IT ALMOST which will be performed at the El Portal Forum Theatre on June 29 and 30 at 7:30. The cast features Jennifer Leigh Warren, Michelle Duffy, Andi Gibson, Shannon Warne and Kim Huber.

Pasadena Playhouse will host a benefit concert for Haiti on Monday, February 1 at 7:30PM.

Camelot/book and lyrics by Alan Jay Lerner/music by Frederick Loewe/choreographed by Mark Esposito/directed by David Lee/Pasadena Playhouse/through February 7

In response to the devastating events in Haiti over the last 10 days, Pasadena Playhouse has announced a one-night-only benefit concert in support of three relief funds: Save the Children, UNICEF, and the Clinton Bush Haiti Relief Fund.

Pasadena Playhouse presents CAMELOT, featuring book and lyrics by Alan Jay Lerner and music by Frederick Loewe.

Pasadena Playhouse announced casting today for their upcoming production of Lerner and Loewe's CAMELOT, featuring book and lyrics by Alan Jay Lerner and music by Frederick Loewe. Nine-time Emmy Award-winning director/writer/producer David Lee (co-creator of 'Frasier' and director of the Ovation Award-winning production of Can-Can at Pasadena Playhouse) directs a cast of eight in this timeless tale of passion, desire and betrayal. Based on 'The Once and Future King' by T.H. White, CAMELOT was originally directed and staged by Moss Hart on Broadway in 1960. The musical, which is the first production of the Playhouse's 2010 Season, will play January 8 - February 7, 2010 with the official press opening on Friday, January 15 at Pasadena Playhouse.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

A touring production that gives a gem of a show a shine that doesn't quite capture all the endearing facets or character of Camelot.

British stage and film legend Michael York kicks off Seattle's spring theater season starring as King Arthur in a new touring production of Lerner & Loewe's Camelot.