Whether it is Floyd’s Barber Shop in THE ANDY GRIFFITH SHOW, Truvy’s Beauty Salon in STEEL MAGNOLIAS or even the Suburban Salon in EDWARD SCISSORHANDS, hair care is the center of society. Gossip is distributed like shampoo, lies are covered up like hair dye, and life’s tangled knots are cut away in small talk among friends.
Jaja’s African Hair Braiding will be presented by The Contemporary Theatre of Ohio as part of its current season. The Tony-nominated play by Jocelyn Bioh follows a group of West African immigrant hair braiders navigating work, community, and identity in Harlem.
GOOD GRIEF is a wild surfboard ride of emotions, from the giddiness of being on the crest of love to the undertow of the wave-crushing despair of loss.
The Contemporary Theatre of Ohio will present the Ohio premiere of the play 'Good Grief' by Ngozi Anyanwu. Follow Nkechi's journey as she navigates grief and seeks healing after the loss of her best friend.
Get ready for a fast-paced comedy filled with hilarious one-liners and outrageous situations! The Contemporary Theatre of Ohio presents POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying To Keep Him Alive.
Last week, the Ohio Artists Gathering celebrated the finale of its inaugural year with presentations of two original shows. The first, Summer of '63 written by York Walker (LA), directed by Alan Bomar Jones (Dayton), and featuring Kendra Lucas (CBus), Shanelle Marie (CBus), Tobie Windham (LA), Asher Grodman (NYC), Lateefah Holder (LA), Taylor Moss (CBus), and John Stewart (NYC). The second, Cubicle Farm written and directed by Broadway actor Asa Somers and featuring Broadway actor Mike Faist. The continued support of the public made this event possible and we thank all of our donors and supporters for everything they have done. Updates on the future of this festival will be posted on social media @ohioartistsgathering or on our website, www.ohioartistsgathering.com
Our version of The Tempest attacks the assumption of American exceptionalism. We live in an era where America's supposed to be 'great again,' but that greatness is based on subjugation of disadvantaged people and exploitation of national fears. Prospero's blindness to his own sense of entitlement - over a state he abandoned and an island he exploited - is at the crux of the problems within the entire play. This production will involve incidental acoustic music and song. Performances are August 10 - September 3, 2017. Thursdays through Sundays @ 8pm. Schiller Park (German Village), Amphitheatre Stage, Columbus, Ohio. For information on donations and seat reservations, visit http://theactorstheatre.org
This version of The Tempest attacks the assumption of American exceptionalism. We live in an era where America's supposed to be 'great again,' but that greatness is based on subjugation of disadvantaged people and exploitation of national fears. Prospero's blindness to his own sense of entitlement - over a state he abandoned and an island he exploited - is at the crux of the problems within the entire play. This production will involve incidental acoustic music and song.