Rocco Landesman, Oskar Eustis, Diane Paulus and Robert Brustein Set for Panel Discussion following the October 5th Performance of Robert Brustein's THE ENGLISH CHANNEL at Abingdon Theatre Arts Complex (312 West 36th St.). The panel discussion is free and open to the public.
Abingdon Theatre Company will present the New York premiere of Robert Brustein's comedy, THE ENGLISH CHANNEL, with previews beginning on Saturday, September 13, 2008.
Abingdon Theatre Company has announced that its production of THE ENGLISH CHANNEL will see a cast change. Lori Gardner will replace Rosal Colon, in the role of Emilia Lanier.
Abingdon Theatre Company will present the New York premiere of Robert Brustein's comedy, THE ENGLISH CHANNEL, with previews beginning on Saturday, September 13, 2008.
The Essentials' production of 'PERFECT HARMONY,' a hit of the 2006 New York International Fringe Festival and now a hit on Theatre Row, will extend for two additional weeks starting on Monday, July 28 through Saturday, August 9.
Anthony Rapp (Rent) and Robert Cuccioli (Jekyll & Hyde) headed the cast of a one-night-only performance of The King Stag, written and directed by Jeremy Dobrish (adapted from the original Carlo Gozzi play) on Monday, March 24 with a 6PM reception and 7:30PM performance at Theatre Row (410 West 42nd Street) to benefit Resonance Ensemble's 2008 season.
Anthony Rapp (Rent) and Robert Cuccioli (Jekyll & Hyde) will head the cast of a one-night-only performance of The King Stag, written and directed by Jeremy Dobrish (adapted from the original Carlo Gozzi play) on Monday, March 24 with a 6PM reception and 7:30PM performance at Theatre Row (410 West 42nd Street) to benefit Resonance Ensemble's 2008 season.
The first annual Joel and Phyllis Ehrlich Award for a promising new play that deals with socially relevant subject matter was presented Wednesday to The Jesus Hickey by Luke Yankee
Stephanie J. Block, Harvey Evans and Sean Dugan will join thirty students from the California Conservatory of the Arts in a staged reading of the new musical How the Nurse Feels on May 9th at New World Stages
You can love a Chekhov play or hate it, but like a fine wine or a particularly poor 'American Idol' contestant, you just can't tear yourself away. The addictive properties of a Chekhov are such that once you begin, there's no turning back, and for better or for worse, this is clearly the case with the American Repertory Theatre's production of 'Three Sisters'...
