Wolf Trap Opera's THE GHOSTS OF VERSAILLES Begins 7/10
by Tyler Peterson
- Jul 8, 2015
Following a sold-out run of Mozart's The Marriage of Figaro in June 2015, Wolf Trap Opera continues the Figaro storyline with the Washington, D.C. premiere of acclaimed composer John Corigliano and librettist William M. Hoffman's contemporary opera The Ghosts of Versailles. The new production plays for four performances, July 10, 12, 15 and 18, at The Barns at Wolf Trap. See below for production and ticketing information; production photos are available upon request beginning July 10.
Houston Grand Opera to Present DIE WALKURE and SWEENEY TODD This April
by Matt Smith
- Mar 13, 2015
Houston, March 12, 2015—Houston Grand Opera (HGO) will present its highly anticipated La Fura dels Baus staging of Wagner's Die Walküre with an all-star cast and Stephen Sondheim's thrilling Sweeney Todd in April, after notching critical and sales successes with its winter productions of Puccini's Madame Butterfly and Mozart's The Magic Flute. Butterfly's six performances averaged a total capacity of 102% (including resale of returned seats) while Flute's five performances averaged 104% capacity.
Houston Grand Opera Releases Schedule of Events for 2015-16 Season
by Matt Smith
- Jan 31, 2015
Houston, January 29, 2015-Houston Grand Opera's (HGO) 2015-16 season showcases the vibrant and diverse artistic mix that marks HGO as a leading 21st-century American opera company: Wagner's Siegfried, the third installment of La Fura dels Baus's imaginative Ring cycle featuring a new generation of Wagnerians; the world premiere of Carlisle Floyd's Prince of Players; Dvo?ak's fairy tale rarity Rusalka; a holiday revival of family favorite The Little Prince from the award-winning composer Rachel Portman and librettist Nicholas Wright; a new production of The Marriage of Figaro and a new-to-Houston Eugene Onegin; a beloved core production, Tosca; and the Houston debut of Broadway sensation Rob Ashford's take on the classic musical Carousel. Through its community collaboration program HGOco, the company will present two additional world premieres: O Columbia, a chamber opera by composer Gregory Spears and librettist Royce Vavrek that examines the past, present, and future of the American spirit of exploration; and another chamber opera, by composer David Hanlon and librettist Stephanie Fleischmann, about the impact of hurricanes on the Texas Gulf coast.
Houston Grand Opera Names Brian Speck Director of HGO Studio
by Tyler Peterson
- Jan 21, 2015
Houston Grand Opera (HGO) Managing Director Perryn Leech and Artistic and Music Director Patrick Summers today announced the appointment of Brian Speck as director of the Houston Grand Opera Studio, the company's renowned young artist program, effective February 1. A trained singer who transitioned into administration, Speck for the past two years has been HGO's company manager, responsible for coordinating all day-to-day rehearsal activities of the company and for supporting its guest artists.
Houston Grand Opera Launches New Season With MADAME BUTTERFLY, THE MAGIC FLUTE and 60th Anniversary Celebration
by Christina Mancuso
- Jan 7, 2015
After a resoundingly successful fall season and the launch of its new holiday opera series with the world premiere of Iain Bell and Simon Callow's A Christmas Carol, Houston Grand Opera (HGO) rings in 2015 with two beloved productions: a reprise of Michael Grandage's knockout staging of Puccini's Madame Butterfly, which triumphed at its 2010 Houston debut, and the American premiere of Sir Nicholas Hytner's iconic English National Opera staging of Mozart's The Magic Flute in a revival directed by Ian Rutherford.
The Houston Grand Opera Announces 60th Anniversary Season, Featuring World Premiere of A CHRISTMAS CAROL by Iain Bell and More
by BWW News Desk
- Aug 27, 2014
Houston Grand Opera's 2014–15 season, the company's 60th anniversary season, includes the world premiere of A Christmas Carol by Iain Bell—the company's 55th new commission —from award-winning Dickens authority Simon Callow; the continuation of HGO's first Ring cycle, with the American premiere of La Fura dels Baus's groundbreaking take on Die Walküre; the American premieres of Sir Nicholas Hytner's The Magic Flute and Lee Blakeley's Sweeney Todd; a 60th Anniversary Gala Concert featuring mezzo-soprano (and HGO Studio alumna) Joyce DiDonato; and a host of career-shaping role debuts that speak to Patrick Summers's gift for casting. Together with the company's first presentation of John Cox'sOtello, and the returns of Göran Järvefelt's beloved Così fan tutte and Michael Grandage's hit staging of Madame Butterfly, these rich offerings serve once again to illustrate some of the ways that HGO—still the only opera company with two Grammys, two Emmys, and a Tony—epitomizes “one model of what a forward-looking opera company could be” (Greg Sandow, Arts Journal).
The Houston Grand Opera Closes Its 2013-2014 Season with THE PASSENGER
by BWW News Desk
- Jul 31, 2014
Houston Grand Opera capped a financially and artistically successful 2013–14 season by presenting Mieczyslaw Weinberg's The Passenger —the Polish-Jewish composer's long-suppressed Holocaust opera—to wide acclaim at New York's Park Avenue Armory as part of the Lincoln Center Festival, July 10–13. Earlier this year, HGO gave the American premiere of the work in Houston with the same cast. There was special praise for the production and performances, conducted by HGO Artistic and Music Director Patrick Summers. New York magazine described David Pountney's staging as “a multi-story set so vivid you can practically smell the machine oil and coal smoke,” while the Financial Times said: “The production, imported from Houston, is imposing in every way.” The New York Times called the cast “flawless,” adding: “The conductor, Patrick Summers, drew a surging, textured, richly detailed performance of this challenging score (lasting three hours) from the inspired musicians of the Houston Grand Opera.” WQXR's Operavore summed up the import of the performances: “The Passenger shows how a Holocaust opera can hold the stage while examining important, complex issues—and could certainly point the way for future composers to deal with such important but delicate subject matter.”
Pierre Vallet to Conduct Metropolitan Opera's MADAMA BUTTERFLY Tonight
by Tyler Peterson
- Jan 20, 2014
Pierre Vallet will conduct this evening's performance of Puccini's Madama Butterfly, replacing Philippe Auguin, who is ill. Auguin's illness also forced him to withdraw from the January 16 performance of Madama Butterfly, which was conducted by Marco Armiliato.
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