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CHRP Alumni Take Tap Skills to Drury Lane's 42ND STREET

For 28 years, Chicago Human Rhythm Project (CHRP) has exposed young participants and scholarship students to the teaching and experience of masters in the field like Savion Glover, Jimmy Slyde, Dianne 'Lady Di' Walker and more. CHRP alumni include many of the world's leading tap dance performers, choreographers and directors - making their mark around the world and Chicago.

RDT Presents A Full Show Of William 'Bill' Evans Choreography To Kick Off Holiday Season

Repertory Dance Theatre celebrates the prolific work of world-renowned choreographer, and alumni dancer, William 'Bill' Evans on the second concert of their 52nd season of dance, TOP BILL, November 16-18, 2017. Since dancing with RDT from 1967-1974, Evans has choreographed over 90 works, and RDT will present 6 of them on this pre-holiday concert.

New Immersive 1930s Sideshow CURIOSITIES Arrives in NYC Tonight

Joining the explosion of fully immersive theater, Green Lite Productions presents CURIOSITIES, an intimate multi-sensory theatrical experience in which visitors traverse the tunnels of an illegal 1930s sideshow world full of bootleggers, deviants, performers, and misfits.

BWW Interview: Theatre Life with Baakari Wilder

Today's subject Baakari Wilder will be living his theatre life this Saturday evening onstage at the Kennedy Center as part of LOTUS, a tribute to the art of tap dancing.

Michael Feinstein, James Monroe Iglehart, Savion Glover, Alvin Ailey and More Set for NJPAC@20: FRIENDS IN CONCERT!

Symphonic music, tap, R&B, modern dance, American Song and all that jazz, performed by an array of artists beloved by audiences around the world, will be experienced for one night only in "NJPAC@20: Friends in Concert!" today, Sept. 23 at the New Jersey Performing Arts Center (NJPAC). This special occasion at 7 p.m. in Prudential Hall celebrates the Arts Center's 20th anniversary season (2017-18).

See Alvin Ailey, Michael Feinstein, and More in 'NJPAC@20: Friends in Concert!'

Symphonic music, tap, R&B, modern dance, American Song and all that jazz, performed by an array of artists beloved by audiences around the world, will be experienced for one night only in NJPAC@20: Friends in Concert! on Saturday, Sept. 23 at the New Jersey Performing Arts Center (NJPAC).

BWW Review: The Pure Joy of MUSE-IQUE's Summer of Sound: GLOW/TOWN

It's official. I have a new favorite thing, and it is called MUSE/IQUE. You would too if you'd been in the audience for GLOW/TOWN, the third in a 3-part series celebrating Motown and its roots Saturday night at Caltech. From the structure of the program to the sophistication of the environment, Artistic Director Rachael Worby and company have created a musical experience in a class by itself.

40 Local Students to Join Savion Glover for 'A COLTRANE STORY'

For the second consecutive summer, Newark's own Savion Glover, the Tony Award-winning dancer and choreographer, assembled a cast of 40 talented New Jersey students for an original musical production based on the life of John ("Trane") Coltrane, the famed jazz saxophonist and composer.

The John F. Kennedy Center for the Performing Arts Presents LOTUS: Tap Stars Reunite to Celebrate the Art Form

For one night only, October 7, 2017, six award-winning tap artists, connected through their Broadway background in Bring in 'da Noise, Bring in 'da Funk, reunite to celebrate their art form in the newly renovated Kennedy Center Terrace Theater. Featuring D.C. natives Joseph Webb and Baakari Wilder along with Omar Edwards, Dormeshia Sumbry-Edwards, Derick K. Grant, and Jason Samuels Smith, this unique performance is choreographed to honor the roots of tap dance, their predecessors, and each other, all to live jazz music by the Lafayette Harris Jr. Quintet.

New Immersive 1930s Sideshow CURIOSITIES Coming to NYC This October

Joining the explosion of fully immersive theater, Green Lite Productions presents CURIOSITIES, an intimate multi-sensory theatrical experience in which visitors traverse the tunnels of an illegal 1930s sideshow world full of bootleggers, deviants, performers, and misfits.

Michael Feinstein, James Monroe Iglehart, Savion Glover, Alvin Ailey and More Set for NJPAC@20: FRIENDS IN CONCERT!

Symphonic music, tap, R&B, modern dance, American Song and all that jazz, performed by an array of artists beloved by audiences around the world, will be experienced for one night only in "NJPAC@20: Friends in Concert!" on Saturday, Sept. 23 at the New Jersey Performing Arts Center (NJPAC). This special occasion at 7 p.m. in Prudential Hall celebrates the Arts Center's 20th anniversary season (2017-18).

Centenary Stage Co. Announces 2017 FALL DANCE CONSERVATORY REGISTRATION

The professional Centenary Stage Company (CSC) is accepting enrollment into their Dance Conservatory courses for the 2017 fall semester. With professional instructors and schedules fit for working adults and teens, these programs are suitable for amateurs and professionals. The Conservatory of Dance provides the community with affordable, high-quality dance classes and is designed to introduce dancers to professionals who are currently working as choreographers, dancers and educators in dance and theatre at a collegiate level. Classes will run from September 5 - December 18. 

Trisha Brown Dance Company & Compañía Irene Rodríguez Come to Jacob's Pillow

Trisha Brown Dance Company (TBDC) performs at Jacob's Pillow Dance Festival in the Ted Shawn Theatre, August 16-20, representing the work of one of the seminal choreographers of the 20th century. Since Brown's passing this past March, witnessing TBDC in an evening-length program is an increasingly rare experience. Echoing Brown's choreographic innovation, timeless aesthetic, and 1960s postmodern approach to dance making, TBDC will perform a version of Opal Loop (1980) prepared especially for Jacob's Pillow, featuring former dancers of the company and an original cast member. Acknowledging Brown's more recent choreography, TBDC will also perform Groove and Countermove (2000) and L'Amour au théâtre (2009). As the company ventures into a new era, viewing Brown's work in a proscenium venue “feel[s] increasingly essential” (The New Yorker).

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