Can an opera's libretto be true to its literary source without being a carbon copy of it? It not only can—it has to be; otherwise, a work like Peter Eotvos's ANGELS IN AMERICA would end up being as long as the four operas of Wagner's Ring Cycle without saying anything new. I knew that Eotvos's work, which had its New York premiere at New York City Opera last weekend, directed by Sam Helfrich, clocked in at around 2 ½ hours, compared to the seven hours of Tony Kushner's two-part epic. How would it compress all those verbal parries, the humor, the politics, the theatricality, and still be ANGELS?
In its 2016 - 2017 season, New York City Opera presented the New York staged premiere of Rachmaninoff's Aleko, the New York premiere of Tobin Stokes's Fallujah, 10 sold-out performances of Bernstein's Candide, the modern-day revival of Respighi's La Campana Sommersa, and the American premiere of Antonio Literes's Baroque rarity Los Elementos. This June, New York City Opera concludes the season with the eagerly anticipated New York premiere of Peter Eotvos's Angels in America, based on the play by Tony Kushner.
Operas at the House, a showcase of three original operas inspired by the not-for-profit International House and each no longer than the traditional sit-com, will be performed Saturday, May 13 at 5 p.m. at NYU Tisch's Black Box Theater. Co-sponsored by the Tisch Graduate Musical Theater Writing Program (GMTWP), International House, the NYU Tisch Department of Design for Stage & Film and American Opera Projects (AOP), Operas at the House is free with advance registration and open to the public.
Pittsburgh Opera is proud and privileged to present the world premiere of Daniel Sonenberg's opera, The Summer King, the story of baseball legend Josh Gibson.
BroadwayWorld has a first look at THE SUMMER KING from Pittsburgh Opera! Check out the photos below! Pittsburgh Opera is proud and privileged to present the world premiere of Daniel Sonenberg's opera, The Summer King, the story of baseball legend Josh Gibson. This very first world premiere in Pittsburgh Opera's distinguished 78 year history hits close to home as Josh went from the sandlots of Pittsburgh's North Side to the pinnacle of greatness in the Negro Leagues, before ultimately being enshrined in the National Baseball Hall of Fame in Cooperstown, NY. Featuring AlFRed Walker in the title role, Denyce Graves, Sean Pannikar, Kenneth Kellogg, Norman Shankle, Jacqueline Echols and many more, led by Maestro AnTony Walker and directed by Sam Helfrich. Sonenberg collaborated on the libretto with Daniel Nester and Mark Campbell provided additional lyrics. The Summer King runs Saturday, April 29th (8pm), Tuesday, May 2nd (7pm), Friday, May 5th (7:30pm) and Sunday, May 7th (3pm) at the Benedum Center for the Performing Arts.
The Pittsburgh Symphony Orchestra announces the 2017-2018 season programming for its BNY Mellon Grand Classics and PNC Pops series. The upcoming season of the BNY Mellon Grand Classics marks its 10th season under the musical leadership of Music Director Manfred Honeck and the orchestra's 122nd year since its founding.
The Pittsburgh Symphony Orchestra announces the 2017-2018 season programming for its BNY Mellon Grand Classics and PNC Pops series. The upcoming season of the BNY Mellon Grand Classics marks its 10th season under the musical leadership of Music Director Manfred Honeck and the orchestra's 122nd year since its founding.
Pittsburgh Opera is proud and privileged to present the world premiere of Daniel Sonenberg's opera, The Summer King, the story of baseball legend Josh Gibson. This very first world premiere in Pittsburgh Opera's distinguished 78 year history hits close to home as Josh went from the sandlots of Pittsburgh's North Side to the pinnacle of greatness in the Negro Leagues, before ultimately being enshrined in the National Baseball Hall of Fame in Cooperstown, NY. Featuring Alfred Walker in the title role, Denyce Graves, Sean Pannikar, Kenneth Kellogg, Norman Shankle, Jacqueline Echols and many more, led by Maestro Antony Walker and directed by Sam Helfrich. Sonenberg collaborated on the libretto with Daniel Nester and Mark Campbell provided additional lyrics. The Summer King runs Saturday, April 29th (8pm), Tuesday, May 2nd (7pm), Friday, May 5th (7:30pm) and Sunday, May 7th (3pm) at the Benedum Center for the Performing Arts.
On Friday, January 22, 2017, Palm Beach Opera Board of Directors, Board of Governors, as well as dedicated supporters and friends gathered at The Kravis Center for Performing Arts in West Palm Beach for the Opening Night Dinner and opera performance of Madama Butterfly by Giacomo Puccini.
Palm Beach Opera presents Giacomo Puccini's Madama Butterfly for one weekend only, January 27-29, at the Kravis Center for the Performing Arts in West Palm Beach. One of the most popular operas in the repertoire, Madama Butterfly is filled with recognizable melodies and passionate drama.
Palm Beach Opera presents Giacomo Puccini's Madama Butterfly for one weekend only, January 27-29, at the Kravis Center for the Performing Arts in West Palm Beach. One of the most popular operas in the repertoire, Madama Butterfly is filled with recognizable melodies and passionate drama.
Pittsburgh Opera announces its 2016-2017 season. The season includes the very first world premiere in our 78 year history and two Pennsylvania premieres. The season will encompass four operas produced at the Benedum Center and two Resident Artist operas - the annual production at Pittsburgh CAPA Theater and the Second Stage Project at Pittsburgh Opera Headquarters.
Under the umbrella of the New York Opera Fest, The Center for Contemporary Opera presented an hour's worth of excerpts from THE WILD BEAST OF THE BUNGALOW, an episodic opera still in development by composer Rachel J. Peters and (the omnipresent) librettist Royce Vavrek. It was, frankly, spellbinding.
“Park and bark” is a term usually used derogatively when speaking about opera--a kind of old-style singing that involves standing still and bursting forth in song, with little or no acting skills involved. There certainly wasn't anything old-fashioned about the operas or the group of young singers who performed them at NYU's black box theatre on May 7 (except perhaps their good training) in “Park and Bark--6 Mini-Operas about Brooklyn's Fort Greene Park.”
Boston Lyric Opera's Stanford Calderwood General and Artistic Director Esther Nelson announced today that each of the company's 40th anniversary season productions will be presented on a different, iconic Boston stage, starting with its largest-ever undertaking—a spectacular international production of the beloved Georges Bizet opera Carmen in a provocative staging by director Calixto Bieito, co-produced with San Francisco Opera and making its American East Coast premiere at the Boston Opera House on September 23, 2016.
Music director Manfred Honeck leads the Pittsburgh Symphony Orchestra, guest vocalists and the Mendelssohn Choir of Pittsburgh in a BNY Mellon Grand Classics program featuring the Pittsburgh Symphony Orchestra premiere of Bach's St. John Passion oratorio tonight, March 4, and March 6 at Heinz Hall.
Music director Manfred Honeck leads the Pittsburgh Symphony Orchestra, guest vocalists and the Mendelssohn Choir of Pittsburgh in a BNY Mellon Grand Classics program featuring the Pittsburgh Symphony Orchestra premiere of Bach's St. John Passion oratorio on March 4 and 6 at Heinz Hall.
American Lyric Theater (ALT) has announced that three operas programmed in Forth Worth Opera's 2016 Season, announced earlier today by the company, are works commissioned and developed by ALT in New York City.
Tonight, February 20 the Palm Beach Opera will present the first world premiere in its 53-year history with Ben Moore's Enemies, A Love Story. Hailed as “one of the most eagerly anticipated premieres of the season” (WQXR), the unprecedented new production is one of several original projects designed to bring opera to a wider audience at the Florida house, which remains one of American opera's most inspirational recent success stories. Highlighting the company's creative audience engagement initiatives, ticket prices have been substantially lowered on more than 600 seats per performance this season, and tickets for family concerts reduced to a single flat fee of just $5, giving an unprecedented level of accessibility to Palm Beach Opera's current offerings.
