Following its world premiere at The Lowry, Salford, in May and a sold-out run at as part of Traverse Festival 2018 at the Edinburgh Festival Fringe, casting is today announced for the critically acclaimed stage adaption of Nigel Slater's best-selling memoirs Toast as the show prepares to make its London transfer. Toast opens at The Other Palace on 4th April 2019, with Giles Cooper cast in the role of Nigel Slater.
Artistic Director Tom Morris today announced the completion of the 2019 programme and reflected on the impact and legacy of Bristol Old Vic's Year of Change in 2018.
BroadwayHD is inviting subscribers this month to run away to the circus, kick-up their heels and dance along with some of the most elite Irish dancers, and enjoy some of their favorite moments from the cannon of Oscar Wilde! In March, BroadwayHD, the premier streaming service for live theater, will be adding a number of standout performances to their service including the West End production of family favorite Hetty Feather directed by the Olivier award-nominated Sally Cookson. March will also mark a celebration of the legendary Irish playwright Oscar Wilde with four of his plays filmed from West End performances that made up Classic Spring's Oscar Wilde Season. Finally, BroadwayHD's line-up will be rounded out with a special St. Patrick's Day playlist debuting on March 13th featuring some of the most exciting Riverdance performances from around the globe.
This February half-term, over 130 drama teachers from across the UK will be congregating at the National Theatre for the annual Drama Teacher Conference 2019.
Inspired by her family becoming involved in hosting asylum seekers in their homes and Rob Lawrie, the former soldier arrested at the Calais border trying to smuggle a child refugee in his van, writer Grace Chapman started developing Don't Look Away in 2017, the same year it was longlisted for the Papatango playwriting award. Through further development the play now makes its production debut in this small UK tour, culminating in a run as part of the Pleasance Islington's flagship new writing season.
Rose Theatre Kingston today announce Melly Still as an Associate Artist. Still takes on the role having previously directed the world premiere stage adaptation of Elena Ferrante's My Brilliant Friend for the company. She is currently directing the UK tour and first stage adaptation of Louis de Bernieres' best-selling novel Captain Corelli's Mandolin, a co-production between Rose Theatre Kingston, Neil Laidlaw and Birmingham Repertory Theatre.
Rose Theatre Kingston today announce Fay Lomas as the winner of the inaugural Peter Hall Emerging Artist Fellowship (PHEAF), an award introduced to commemorate the legacy of Sir Peter Hall, founding Artistic Director of the theatre.
Final casting is announced today for the return of SIX, the hit musical by recent Cambridge grads Toby Marlow and Lucy Moss. SIX returns to the Arts Theatre in the West End, where it ran for a short, sold out season in 2018.
Sometimes the smallest of spaces can tell the biggest of stories and that's the case with this perfectly judged adaptation of the much-loved fairytale.
The National Theatre announces today that The Curious Incident of the Dog in the Night-Time, adapted by Simon Stephens from the novel by Mark Haddon, and directed by Marianne Elliott (War Horse, Angels in America, Company) will return to the West End in November 2018 for a limited season. The Curious Incident of the Dog in the Night-Time begins previews at the Piccadilly Theatre on 29 November, with an opening night on 11 December.
The Spooky Ship is returning to Bristol this Halloween for its fifth year, taking inspiration from the SS Great Britain's history and bringing the ship vividly to life as professional actors roam the decks and ghostly figures stalk the corridors. The performance will centre on the true story of long-serving and well-loved Captain Gray who disappeared from his ship in the dead of night leaving a bereft crew and an abandoned family waiting in vain for his return.
Today, the shortlist is announced for the 2018 BroadwayWorld UK Awards, celebrating the best long-running West End productions and best new productions from around the country. CLICK HERE TO VOTE!
Hamilton's Olivier Award-winning actor Giles Terera will present his new play The Meaning of Zong on Bristol Old Vic's stage this Thursday (11 Oct) for a one-night-only workshop performance. The piece examines the massacre aboard the slave ship Zong in 1781 and the repercussions of these events, which influenced the growing abolition movement in the UK. This rehearsed reading will be followed by a free post-show talk with Giles Terera, Tom Morris and the cast.
The National Theatre announces today that The Curious Incident of the Dog in the Night-Time, adapted by Simon Stephens from the novel by Mark Haddon, and directed by Marianne Elliott (War Horse, Angels in America, Company) will return to the West End in November 2018 for a limited season. The Curious Incident of the Dog in the Night-Time begins previews at the Piccadilly Theatre on 29 November, with an opening night on 11 December.
Matthew Warchus' fourth season as Artistic Director of The Old Vic completes with an Arthur Miller double-bill, a World Premiere by Lucy Prebble and a special One Voice performance. These productions form Part 2 of the season, and follow the previously announced Part 1 consisting of ZooNation: The Kate Prince Company's production of SYLVIA; Annie-B Parson's 17c; Emma Rice's Wise Children; and A Christmas Carol - for which today we also announce further casting.
Freckle Productions are delighted to announce that Stick Man, based on the book by Julia Donaldson with illustrations by Axel Scheffler, will return to London in 2018 for its eighth annual West End season. Playing at Leicester Square Theatre from Saturday 20 October 2018 to Sunday 6 January 2019, the run will coincide with the 10th Anniversary of the book.
The Old Vic is currently hosting the stage adaptation of Patrick Ness' piercing novel A Monster Calls, directed by Sally Cookson. Let's see what the critics had to say.