Due to high ticket demand, American Conservatory Theater (A.C.T.) has added a performance of the world-premiere theatrical adaptation of Khaled Hosseini's international best-selling novel, A Thousand Splendid Suns.
American Conservatory Theater (A.C.T.), currently celebrating its 50th anniversary subscription season, presents the world-premiere theatrical adaptation of Khaled Hosseini's international best-selling novel, A Thousand Splendid Suns (February 1-26, 2017). BroadwayWorld has a first look at the cast in action below!
American Conservatory Theater (A.C.T.), currently celebrating its 50th anniversary subscription season, presents the world-premiere theatrical adaptation of Khaled Hosseini's international best-selling novel, A Thousand Splendid Suns (tonight, February 1, through February 26, 2017).
It's a story most of us have heard or witnessed before. Crotchety and greedy old Ebenezer Scrooge, complaining about the poor, turning down the invitation of his nephew to Christmas dinner, and begrudgingly giving Bob Cratchit the day off for Christmas. We fondly remember past portrayals of Scrooge face to face with the ghost of his ex-partner Jacob Marley, flying through the past and present with amiable spirits and having a change of heart after coming face to face with his own death. At Hartford Stage this season, the story comes to life with renewed excitement and joy in the form of A CHRISTMAS CAROL - A GHOST STORY OF CHRISTMAS. The classic story by Charles Dickens and as adapted and originally directed by Michael Wilson is an annual tradition for Hartford Stage, but one that will be not be the same after this year's production.
American Conservatory Theater (A.C.T.), currently celebrating its 50th anniversary subscription season, presents the world-premiere theatrical adaptation of Khaled Hosseini's international best-selling novel, A Thousand Splendid Suns (February 1-26, 2017).
If "satire is what closes on Saturday night" (according to the great playwright and wit George S. Kaufman), then contemporary opera is usually not far behind. That is, unless it's Kevin Puts' and Mark Campbell's prize-winning SILENT NIGHT, which actually opened on Saturday night (this past weekend) at Atlanta's Cobb Energy Performing Arts Center, in a moving new production by the company's General and Artistic Director Tomer Zvulun that doesn't go for the heart strings but gets there anyway.
"Art isn't easy," Stephen Sondheim wrote famously in SUNDAY IN THE PARK WITH GEORGE. Some artists, however, make it look simpler than others--like composer Kevin Puts, who won the Pulitzer Prize for Music for SILENT NIGHT, with Mark Campbell's libretto, for his first try at the notoriously difficult art form. (The Southeast premiere is opening at Atlanta Opera on November 5.) Easy? Well, looks can be deceiving.
Classic tale reimagined.Alan Jay Lerner and Frederick Loewe's Camelot is being presented in a 'reimagined' way at the Westport Country Playhouse.
Boston Lyric Opera (BLO) opens its 40th season with Calixto Bieito's bold staging of Georges Bizet's Carmen, the largest production the company has mounted in its four decades. Set in the arid earthiness of post-Franco Spanish North Africa, Carmen is a powerful account of a defiantly free-spirited woman and her obsessive lover. With the familiar story and iconic score that opera buffs and casual opera-goers alike know and love, BLO's Carmen opens September 23 for four performances through October 2. The run marks the company's debut at the Boston Opera House whereCarmen will be the first professional opera produced at the venerable theater since 1991.
A freshly inventive and intimate take on the classic Lerner and Loewe musical "Camelot" will be staged by Westport Country Playhouse,October 4 - 30, featuring Tony Award winner Robert Sean Leonard as King Arthur, directed by Mark Lamos, Playhouse artistic director.
Pittsburgh Opera announces its 2016-2017 season. The season includes the very first world premiere in our 78 year history and two Pennsylvania premieres. The season will encompass four operas produced at the Benedum Center and two Resident Artist operas - the annual production at Pittsburgh CAPA Theater and the Second Stage Project at Pittsburgh Opera Headquarters.
Boston Lyric Opera (BLO) opens its 40th season with Calixto Bieito's bold staging of Georges Bizet's Carmen, the largest production the company has mounted in its four decades. Set in the arid earthiness of post-Franco Spanish North Africa, Carmen is a powerful account of a defiantly free-spirited woman and her obsessive lover. With the familiar story and iconic score that opera buffs and casual opera-goers alike know and love, BLO's Carmen opens September 23 for four performances through October 2. The run marks the company's debut at the Boston Opera House whereCarmen will be the first professional opera produced at the venerable theater since 1991.
The Public Theater recently announced that Louis Cancelmi, last seen as Caliban in the Shakespeare in the Park production of The Tempest, had stepped into the company of Troilus and Cressida as Achilles, replacing David Harbour, who suffered an injury during previews and will be unable to complete the run. The play celebrates its opening tonight, August 9, after a short delay.
The Public Theater announced today that Louis Cancelmi, last seen as Caliban in the Shakespeare in the Park production of The Tempest, has joined the company of TROILUS AND CRESSIDA as Achilles. He is replacing David Harbour who suffered an injury during previews and will be unable to complete the run. The new press opening will now be Tuesday, August 9.
Doug Varone and Company impress at Bates Dance Fest with new and classic work.
The Glimmerglass Festival, which presents four mainstage productions of opera and musical theater as well as many events every summer, has released the details of its 2017 schedule.
The Public Theater announced complete casting today for TROILUS AND CRESSIDA, the second show of The Public's 2016 Free Shakespeare in the Park season. Directed by Daniel Sullivan, TROILUS AND CRESSIDA begins performances on Tuesday, July 19 and runs through Sunday, August 14, with an official press opening on Wednesday, August 3.
The Dance Center of Columbia College Chicago announces its 43rd season of presenting diverse international, national and regional contemporary dance. All performances, except where noted, take place at The Dance Center, 1306 S. Michigan Ave., Chicago. Subscriptions go on sale June 20, and single tickets go on sale July 16 at The Dance Center, 312-369-8330 and online atcolum.edu/dancecenterpresents.
Relationships are complicated because people are complicated. Take Jason Robert Brown's 'Last Five Years,' which opened Wednesday evening at American Conservatory Theater. The 85-minute, two-person musical is simple. A couple recounts the rise and fall of their love. But just when you think you know to whom fault really belongs, Brown gives his audience another heart wrenching song to balance the scales. That Cathy and Jamie play out their stories with close to no interaction at all, and in opposite chronological order, only makes it all the more curious. And then there's the fact that the show is somewhat autobiographical and you have to wonder if Brown is living proof that we are our own worst critics. Simple, but complicated.
Boston, MA – April 7, 2016 – Boston Lyric Opera closes its 2015/16 Season with composer Franz Lehár's classic comic operetta The Merry Widow, whose light-hearted fun within the fictional Pontevedrian Embassy in Paris plays out among international diplomats as the dark clouds of World War I gather on the horizon. This new BLO production of The Merry Widowopens April 29 for a five-performance run through May 8 at the Citi Performing Arts CenterSMShubert Theatre in Boston.
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