The Guthrie Theater presents the 7th House Theater production of Jonah and the Whale: A New Musical, a reimagining of the familiar Old Testament tale, set to original bluegrass and folk music.
Dorset Theatre Festival will present Travels with Mark Twain, from September 18th through the 20th at the Dorset Playhouse. Travels with Mark Twain stars Tony Award winner Ron Crawford as the renowned American author and satirist in a one-man show based on Twain's famous traveling lecture series, and will feature readings from some of his most beloved works including Tom Sawyer, Huck Finn and Adam and Eve. Travels re-creates Twain's lectures from a hundred years ago, his adventures as a steamboat pilot on the Mississippi, his mining days out West, the Hawaiian Islands, and his first tour of Europe along with his caustic, humorous observations (and a few tall stories).
LGBT stars, The Box Scene Project, and BAYCAT are celebrating LGBT media representation with a benefit commemorating BAYCAT's 10 Years Bold Anniversary and launching The Box Scene Project's Mirror Scholarship and Fellowship.
Amy Herzog's family drama (albeit a drama with a number of very funny moments) 4000 MILES is unobtrusively generating a thoughtful, low-key alternative to the outsized HAIRSPRAY (already a sellout at 'Big Sister' Playhouse on the Square just a block or so away); and it's a safe bet that a number of theatre-going Memphians are already trekking south to DeSoto Family Theatre's epic presentation of LES MISERABLES. However, this intelligent, intimate little piece is currently providing a rewarding alternative at Theatre Works, quietly nestled across from the parking garage at Overton Square.
The great thing about the Twin Cities theater community is that not only can you see big lavish productions at the Orpheum, Ordway, or Guthrie, but you can also see small low-tech productions in odd or tiny spaces that will surprise and delight you every bit as much as those big productions, or even moreso. 7th House Theater Collective's 7-person stripped-down version of the cult horror movie turned off-Broadway musical Little Shop of Horrors is just such a show.
BroadwayWorld is pleased to share an interview with James Brownlee and Bill Claussen regarding The Wimberley Players' production of Thornton Wilder's The Skin of Our Teeth. Bill Claussen stars in the production in the leading role of Antrobus. The production is directed by James Brownlee.
A great poet named Robert Frost once said, 'poetry is when an emotion has found its thought and the thought has found words.' WarHorse, in much the same way, is a play that found its words in moments full of 'naysaying' and silence.
He's never acted in the theater he helped to build, but Douglas Anderson will come out of retirement as an actor to perform an evening of Robert Frost poems at Town Hall Theater.
Dorset Theatre Festival has announced the line-up for its Summer 2014 Season which will include the 6 time Tony Award-winning play RED by John Logan starring Tim Daly, a World Premiere of the summer comedy Out of the City by renowned playwright Leslie Ayvazian, the 20th Year Anniversary revival of the smash comedy All in the Timing by Tony Award-winner David Ives, and the 60th Anniversary revival of the Agatha Christie classic The Mousetrap.
Her performance February a year ago was a sold-out smash. So, the Ware Center & the Lancaster Literary Guild decided to bring Christine Longenecker back in an all new night of poetry.
Dorset Theatre Festival is about to kick off its fourth annual Jean E. Miller Young Playwrights Competition, which provides free playwriting instruction to area schools, and invites students to submit their work to be judged by a panel of nationally recognized playwrights. This year, with new underwriting of the educational programming, DTF will offer a cash prize for the winners, as well as a staged reading of the winning plays performed at the Dorset Playhouse and open to the public. Interested educators should contact Ashley Connell (ashley@dorsettheatrefestival.org) to get involved with the program. Submissions will open for student work in the late spring and winners will be announced at the end of the summer. Entries are accepted in middle school (grades 5-8) and high school (grades 9-12) categories.
Most theater companies try to mount something during the holiday season. And so it is that the powers that be at Theo Ubique Cabaret Theatre, that most storefront of all of the Chicago area non-Equity musical theater companies, has mounted a clever idea and unique holiday entertainment called "A Very Merry Madrigal," directed by David Heimann.
The fourth annual United Solo Theatre Festival concluded its run on November 24, 2013 at Theatre Row on 42nd Street in New York City. An awards ceremony was held that night, following the eight-week-long lineup of the world's largest solo theatre festival, which offered more than 120 productions this season.
Chicago's selection of seasonal shows this winter will include the exciting addition of Theo Ubique's updating of the Madrigal Dinner tradition for all audiences. Song, food, poetry and variety acts will combine into a most festive feast for A Very Merry Madrigal. Weekend matinee performances plus reduced ticket prices for children under12 will make the event accessible and affordable for families as well as adults. Conceived by David Heimann and Fred Anzevino, A Very Merry Madrigal will offer yuletide folk music from the 15th Century to the 21st, with a cast of six singers and instrumentalists performing new arrangements by Aaron Benham. A wassail (non-alcoholic hot mulled cider) and a figgy pudding dessert will be served to all and an optional dinner entree will be available for an additional charge. Mixed in between the songs, food, and drink will be readings of poems by Shakespeare, Dante and Robert Frost as well as variety acts and selection of a King and Queen from the audience.
Off-Broadway's award-winning Irish Repertory Theatre announces that it will pay tribute to Nobel Prize-winning Irish poet, playwright and lecturer Seamus Heaney (April 13, 1939 - August 30, 2013) with REMEMBERING SEAMUS: A CELEBRATION OF THE LIFE AND WORK OF SEAMUS HEANEY which will take place today, November 4th at 7 PM at the Irish Repertory Theatre (132 West 22nd Street).
Chicago's selection of seasonal shows this winter will include the exciting addition of Theo Ubique's updating of the Madrigal Dinner tradition for all audiences. Song, food, poetry and variety acts will combine into a most festive feast for A Very Merry Madrigal. Weekend matinee performances plus reduced ticket prices for children under12 will make the event accessible and affordable for families as well as adults.
Today we are talking to a three-time Laurence Olivier Award-winning actress who has made a major mark on the West End with her peerless string of richly varied performances - ranging from premiere UK productions of MERRILY WE ROLL ALONG, SUNDAY IN THE PARK WITH GEORGE and PASSION to LADY IN THE DARK, RAGTIME and THE WOMAN IN WHITE, as well as her various solo engagements, who now also excels as a director of theatre and opera, as well - the gifted Maria Friedman. Discussing all aspects of the recent West End production of Stephen Sondheim and George Furth's anomalous musical experiment MERRILY WE ROLL ALONG - cited by the master himself as the best production of the show to date - and now the fantastic Fathom film presentation of it arriving in movie theaters nationwide (and around the world) on October 23. Detailing the finer points of the reverse-chronological tale of show business ambition and its effects on friendships and relationships, Friedman paints a vivid portrait of her process in bringing the emotionally bracing and musically thrilling stage show to the big screen byway of this passionately played, dramatically captivating and incredibly detailed film preservation. Additionally, Friedman also sheds some light on participating in the Haymarket Theatre production of MERRILY WE ROLL ALONG herself as an actress nearly twenty years ago and the effect, if any, that experience has had on her perception of the dense and fiercely idiosyncratic musical now, as a director of the piece. Plus, Friedman also touches upon some of her most celebrated roles to date in other Sondheim shows as well as abundantly imparts her deeply held appreciation and affection for his work and personal friendship in her own life, citing his elemental influence on MERRILY WE ROLL ALONG as well as her career in general. All of that and much, much more awaits!