Australia's man of musicals Rob Mills is giving Adelaide audiences a chance to hear him up close and personal this October long weekend, and discover that he is, as the critics say 'surprisingly good'. Mills will present his highly acclaimed one-man show at La Boheme, Adelaide's premiere cabaret venue, for two intimate performances.
Newcomer to the Cabaret stage, Rob Mills proves that he is just as suited to the intimate genre as the big musical stages and television with his cabaret ROB MILLS IS 'SURPRISINGLY GOOD'.
The Cabaret stage provides the perfect home for ROB MILLS is ... 'SURPRISINGLY GOOD', presented as part of the Hayes Theatre Co 2015 Cabaret Season today 23 & tomorrow 24 June 2015.
The Program Launch for the second half of 2015 shows that the Independent Music Theatre team comprising Luckiest Productions (David Campbell, Lisa Campbell and Richard Carroll), Neglected Musicals (Michelle Guthrie), and Neil Gooding Productions, the driving force behind Hayes Theatre Company, have no intention of slowing down are staying true to their vision to provide a permanent home for small-scale musical theatre and cabaret.
Creative City Sydney's Cabaret stage provides the perfect home for ROB MILLS is ... 'SURPRISINGLY GOOD,' presented as part of the Hayes Theatre Co's 2015 cabaret season, Tuesday 23 & Wednesday 24 June.
The show will play Mackay (Friday 12 June), Brisbane Powerhouse (Sunday 14 June) and the Noosa Long Weekend Festival (Thursday 23 July) and feature an eclectic array of hits from Taylor Swift to Gavin DeGraw and show tunes from several of the celebrated musicals in which Mills has appeared in, including Legally Blonde and Wicked.
The Cabaret stage provides the perfect home for ROB MILLS is ... 'SURPRISINGLY GOOD', presented as part of the Hayes Theatre Co 2015 Cabaret Season on Tuesday 23 & Wednesday 24 June 2015.
More performers have been announced to take part in the 10th and final LIGHT THE NIGHT. The concert, which raises much need funds for The Arrow Bone Marrow Transplant Foundation, will be hosted by international musical therapist and hilarious YouTube sensation, Jan van de Stool and will be held at the City Recital Hall Angel Place on Monday October 27.
Musical theatre's leading man Josh Piterman opens Australia's first fitness centre PITFIT specialising in creative functional fitness for performers, dancers and actors. Everyday Australians wanting achieve great results in an energized and fun environment can also get involved and visit the studio on PITFIT Open Day from 8am - 1pm, Saturday 15 November, 2014.
Over a decade after it first opened on Broadway, hit musical Wicked still continues to make audiences rise to their feet in standing ovation all around the world. Last night, Thursday the 25th of September marked Wicked's return to Sydney after a few years absence and it was as though it never left. The streets surrounding the Capitol Theatre have embraced Wicked just as they did when it first arrived, everything is green. No, everything is positively emerald and the scene was set for a spectacular opening night. Noone was disappointed.
After electrifying sold out seasons in Brisbane, Sydney and Melbourne, and soon to open in Perth and Adelaide, producer John Frost today announced that Australia's Number One Party Musical GREASE is coming to Hobart with the full professional cast. Tasmanian audiences will have the opportunity to experience the high-energy, smash hit musical that has taken the rest of the country by storm and includes such unforgettable songs as You're The One That I Want, Grease Is The Word, Summer Nights, Hopelessly Devoted To You, Sandy, Greased Lightnin' and many more.
It was announced today that LIGHT THE NIGHT will celebrate 10 years with a final benefit concert at the City Recital Hall Angel Place on Monday October 27. The annual benefit has been raising money and awareness for leukaemia research over the past decade. To date, over $400,000 has been donated to The Arrow Bone Marrow Transplant Foundation, targeting a cure for leukaemia.
Leading Australian theatre producer John Frost today announced new cast members for his multi-million dollar sell-out production of GREASE for the Perth and Adelaide seasons.
Adelaide-born theatre producer John Frost has announced that the final tickets for the Adelaide season of his multi-million dollar production of GREASE will go on sale through BASS on Monday 26 May.
After electrifying sold out seasons in Brisbane, Sydney and Melbourne, and soon to open in Perth and Adelaide, producer John Frost today announced that Australia's Number One Party Musical GREASE is coming to Hobart with the full professional cast. Tasmanian audiences will have the opportunity to experience the high-energy, smash hit musical that has taken the rest of the country by storm and includes such unforgettable songs as You're The One That I Want, Grease Is The Word, Summer Nights, Hopelessly Devoted To You, Sandy, Greased Lightnin' and many more.
A week before the three month season of GREASE closes in Melbourne on March 30, the entire season has sold out. Over 400,000 Australians, including more than 160,000 people in Melbourne, have enjoyed the production since it opened on January 2 this year. Producer John Frost is thrilled, saying, "GREASE is one of the most successful shows ever staged in Melbourne; the entire three month season has sold out. It's one of the highest selling productions ever at Her Majesty's Theatre, and one of the fastest selling shows to play in Melbourne. Rarely have I seen audience reaction like the one we get every night for GREASE, with everyone in the aisles dancing and singing along. GREASE truly is Melbourne's Number One Party Musical!"
Leading Australian theatre producer John Frost today announced new cast members for his multi-million dollar sell-out production of GREASE for the Perth and Adelaide seasons.
Neil Gooding Productions, Marika Aubrey and Hayes Theatre Co presents, The Last of the Red Hot Mamas, starring Marika Aubrey as part of its Cabaret in Residence at the Hayes Theatre Co on every Sunday from February 16 - March 2.
It's hard to know where to start with this production of Grease. So much is right, even more is wrong. It is a combination of product and treatment of the product that impacts on the overall aesthetic of this show. The audience participation section at the beginning of the show is particularly laboured and drawn out and it takes an almighty burst of energy from the ensemble in Grease is the Word to recapture our waning attention. This energy level is never matched through the rest of the show leaving it feeling slow, clunky and particularly cheesy. Grease is an almighty movie, a classic that spans generations and has some of the more iconic characters of our time. While independently Rob Mills as Danny and Gretel Scarlett as Sandy do admirable jobs, collectively there in an apathetic connection between them. Their relationship, like a lot of the show, is underwhelming.