The Royal Shakespeare Company, Louise Withers, Michael Coppel and Michael Watt announced today that Lucy Maunder will join the Australian company as Miss Honey for the Brisbane and Perth seasons of MATILDA THE MUSICAL.
Full casting is today announced for the world premiere of the new musical GROUNDHOG DAY, which previews at the Old Vic from July 11 with a press night on August 16. Carlyss Peer will play Rita Hanson, alongside the previously announced Andy Karl in the role of Phil Connors. Eugene McCoy plays cameraman Larry, and the ensemble cast includes Leo Andrew, David Birch, Ste Clough, Roger Dipper, Georgina Hagen, Kieran Jae, Julie Jupp, Andrew Langtree, Vicki Lee Taylor, Emma Lindars, Antonio Magro, Carolyn Maitland, Kirsty Malpass, Lisa Mathieson, Jenny O'Leary, Leanne Pinder, Mark Pollard, Damien Poole, Jack Shalloo, Andrew Spillett and Spencer Stafford.
The Old Vic today announces Artistic Director Matthew Warchus' second season, continuing a wide-ranging programme that includes world premieres, new writing, musicals, classic revivals and The Old Vic Variety Nights. There will also be a new strand of children's programming to engage the next generation of theatregoers, demonstrating Matthew's 'something for everyone' approach.
Due to popular demand, David Mirvish has announced that the Canadian premiere production of The Royal Shakespeare Company and The Dodgers production of MATILDA THE MUSICAL has extended its run through October 16, 2016.
Phil Connors has found his Rita! Andy Karl will woo Carlyss Peer in the Old Vic's world premiere of GROUNDHOG DAY, a new musical directed by Old Vic Artistic Director Matthew Warchus.
BroadwayWorld has just learned that Hannah Levinson, Jaime MacLean, and Jenna Weir will share the title role of Matilda. The rest of the cast will include: Paula Brancati (Miss Honey), Dan Chameroy (Miss Trunchbull), Keisha T. Fraser (Mrs. Phelps), Brandon McGibbon (Mr. Wormwood), and Darcy Stewart (Mrs. Wormwood).
The Tony Award® winning MATILDA THE MUSICAL will close on January 1, 2017, it was announced today. By then, it will have played 37 previews, 1,555 regular performances, and one Actors Fund performance. The production opened on April 11, 2013 (previews began March 4) at the Shubert Theatre (225 West 44th Street). MATILDA THE MUSICAL has paid back its $16 million investment on Broadway, making the show a rare hit simultaneously on Broadway and in London's West End.
Tickets will go on priority sale today for the world premiere of Groundhog Day, a new musical directed by Old Vic Artistic Director Matthew Warchus. General begins April 12, 2016.
Kristine Opolais and Roberto Alagna star as the ill-fated lovers at the center of Manon Lescaut, Puccini's passionate adaptation of the classic novel about a free-spirited country girl who becomes the toast of Paris. Sir Richard Eyre's new production, set in the 1940s, reunites him with set designer Rob Howell, his collaborator on recent Met productions of Le Nozze di Figaro, Werther, and Carmen. Met Principal Conductor Fabio Luisi conducts the new staging, which also stars Massimo Cavalletti as Manon's cousin, Lescaut, and Brindley Sherratt as Geronte, her wealthy older lover. The production will be presented in HD at the Peterborough Players on Saturday, March 5th at 1pm.
TIME Magazine's #1 Show of the Year, the Royal Shakespeare Company's production of MATILDA THE MUSICAL, is coming to Canada! Produced by the Royal Shakespeare Company and the Dodgers, MATILDA THE MUSICAL is presented in Toronto by David Mirvish as part of his 2015-16 Main Subscription Season. Performances begin Tuesday July 5 at the Ed Mirvish Theatre, with the media night scheduled for Thursday, July 7 at 6:45 PM. Tickets will be available for performances until September 4, 2016.
Take one part “Casablanca,” a taste of Bernstein's CANDIDE, some Alfred Hitchcock and you get Sir Richard Eyre's film noir concept for the Met's new MANON LESCAUT, now set in France in the 1940s, complete with Nazis. Tack on that behind-the-scenes drama of “Roberto Alagna to the rescue”--when tenor Jonas Kaufmann cancelled at the last minute--and add the visual and vocal glamour of soprano Kristine Opolais and you have, well, a messy-but-enjoyable evening at the opera.
MATILDA THE MUSICAL, is coming to West Palm Beach as part of the Kravis On Broadway series. Produced by the Royal Shakespeare Company and the Dodgers, the first national tour of MATILDA THE MUSICAL will be coming to The Raymond F. Kravis Center for the Performing Arts March 1 - 6.
The Met's new production of Puccini's MANON LESCAUT opens February 12 with Kristine Opolais as the seductive, tragic heroine and Roberto Alagna in a role debut as her ardent lover, the Chevalier des Grieux.
TIME Magazine's #1 Show of the Year, the Royal Shakespeare Company's production of MATILDA THE MUSICAL, is coming to Canada! Produced by the Royal Shakespeare Company and the Dodgers, MATILDA THE MUSICAL is presented in Toronto by David Mirvish as part of his 2015-16 Main Subscription Season. Performances begin Tuesday July 5 at the Ed Mirvish Theatre, with the media night scheduled for Thursday, July 7 at 6:45 PM. Tickets will be available for performances until September 4, 2016.
Following the sold-out success of the first two relaxed performances of Matilda The Musical in 2014 and 2015, the Royal Shakespeare Company will present a third relaxed performance at the Cambridge Theatre on Sunday 12th June at 3pm. This will be the seventh performance that the Royal Shakespeare Company has staged to date. The National Autistic Society and Mousetrap Theatre Projects will again work closely with the RSC, offering full access to the theatre for people with autism and learning disabilities.
The Met's new production of Puccini's MANON LESCAUT opens February 12 with Kristine Opolais as the seductive, tragic heroine and Roberto Alagna in a role debut as her ardent lover, the Chevalier des Grieux.
Can there be a better way to capture Matilda's spirit so evocatively than in a sparkling new work for the musical theater? A musical journey through which we can chart her soulful, heartfelt ascent into a literary hierarchy in which readers can live vicariously? Matilda's forays into a fictional world of devil-may-care adventure, oftentimes aided by her gift for telekinesis or her penchant for clever tricks (like switching her father's hair oil with her mother's peroxide) - which is at once darker than other offerings of like ilk, yet somehow rather more confectionary than even the fluffiest of musical comedies - lend themselves exquisitely to Matilda the Musical, the critically lauded stage extravaganza that is somehow effervescently uplifting while remaining grounded.