The Bickford Theatre at the Morris Museum, 6 Normandy Heights Road in Morristown, NJ, brings its 16th Season to a swash-buckling end with Paul Rudnick's comedy hit, I Hate Hamlet, running April 28 through May 22, 2011.
The Bickford Theatre at the Morris Museum, 6 Normandy Heights Road in Morristown, NJ, brings its 16th Season to a swash-buckling end with Paul Rudnick's comedy hit, I Hate Hamlet, running April 28 through May 22, 2011.
Veteran actor George Lee Miles, known for his roles in Spike Lee's Malcolm X, the original Fort Apache The Bronx and The Taking of Pelham 1-2-3, and Broadway's 1991 revival of Mule Bone, joins the cast in the title role of Metropolitan Playhouse'e Uncle Tom's Cabin.
Veteran actor George Lee Miles, known for his roles in Spike Lee's Malcolm X, the original Fort Apache The Bronx and The Taking of Pelham 1-2-3, and Broadway's 1991 revival of Mule Bone, joins the cast in the title role of Metropolitan Playhouse'e Uncle Tom's Cabin.
Veteran actor George Lee Miles, known for his roles in Spike Lee's Malcolm X, the original Fort Apache The Bronx and The Taking of Pelham 1-2-3, and Broadway's 1991 revival of Mule Bone, joins the cast in the title role of Metropolitan Playhouse'e Uncle Tom's Cabin.
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
John Osborne's Look Back In Anger is a ground-breaking, classic story of two grief-stricken individuals learning how to love one another. Presented by The Seeing Place Theater October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. For tickets, please visit www.smarttix.com or call 212-868-4444
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
John Osborne's Look Back In Anger is a ground-breaking, classic story of two grief-stricken individuals learning how to love one another. Presented by The Seeing Place Theater October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. For tickets, please visit www.smarttix.com or call 212-868-4444