The Encores! production of Do I Hear a Waltz?, the romantic, rarely-seen 1965 musical that marked the only collaboration of Richard Rodgers and Stephen Sondheim, stars Claybourne Elder, Melissa Errico, Sarah Hunt, Zachary Infante,Cass Morgan, Richard Poe, Michael Rosen, Sarah Stiles, and Richard Troxell.
DO I HEAR A WALTZ? will run for seven performances at City Center, now through May 15. Let's see what the critics had to say...
The Encores! production of DO I HEAR A WALTZ?, the romantic, rarely-seen 1965 musical that marked the only collaboration of Richard Rodgers and Stephen Sondheim, stars Claybourne Elder, Melissa Errico, Sarah Hunt, Zachary Infante, Cass Morgan, Richard Poe, Michael Rosen, Sarah Stiles, and Richard Troxell.
The 1965 musical version of Arthur Laurents' THE TIME OF THE CUCKOO is the only Rodgers and Sondheim musical.
The Encores! production of DO I HEAR A WALTZ?, the romantic, rarely-seen 1965 musical that marked the only collaboration of Richard Rodgers and Stephen Sondheim, opens tonight.
Today's big news: The 2016 Tony nominations will be announced bright and early this morning, and we're streaming them live!
Next up in the Encores! season is Do I Hear a Waltz?, the romantic, rarely-seen 1965 musical that marked the only collaboration of Richard Rodgers and Stephen Sondheim. Do I Hear a Waltz? will star Claybourne Elder, Melissa Errico, Sarah Hunt, Zachary Infante, Cass Morgan, Richard Poe, Michael Rosen, Sarah Stiles, and Richard Troxell. The ensemble includes Kristine Bendul, Paloma Garcia-Lee, Jenny Laroche, Jennifer Locke, Nathan Madden, Skye Mattox, Devin Roberts, Manny Stark, and Alex Wong.
Encores! Artistic Director Jack Viertel today announced casting for the Encores! production of Do I Hear a Waltz?, the romantic, rarely-seen 1965 musical that marked the only collaboration of Richard Rodgers and Stephen Sondheim. Do I Hear a Waltz? will star Claybourne Elder, Melissa Errico, Sarah Hunt, Zachary Infante, Cass Morgan, Richard Poe, Michael Rosen, Sarah Stiles, and Richard Troxell. The ensemble includes Kristine Bendul, Paloma Garcia-Lee, Jenny Laroche, Jennifer Locke, Nathan Madden, Skye Mattox, Devin Roberts, Manny Stark, and Alex Wong.
Nashville Opera presents Johann Strauss' Die Fledermaus at the Tennessee Performing Arts Center's Andrew Jackson Hall located at 505 Deaderick Street in Downtown Nashville: Thursday, April 7th at 7 PM and Saturday, April 9th at 8 PM. John Hoomes, Nashville Opera's Chief Executive Officer and Artistic Director, directs the production with Maestro Dean Williamson conducting the Nashville Opera Orchestra. Amy Tate Williams, accompanist and chorusmaster, leads the 24-member Nashville Opera Ensemble. John Hoomes will present the popular Opera Insights discussion one-hour prior to curtain on the Orchestra Level and admission is free to all ticket holders.
Vancouver, BC ~ Demand is high for Vancouver Opera's upcoming production of Giacomo Puccini's beautiful story of honour, love, heartbreak and sacrifice: Madama Butterfly.
Lawrence Edelson, Artistic and General Director of Opera Saratoga, announced the program for the 2016 Summer Festival, which will run from May 28th through July 17, 2016.
Vancouver, BC ~ Demand is high for Vancouver Opera's upcoming production of Giacomo Puccini's beautiful story of honour, love, heartbreak and sacrifice: Madama Butterfly.
Lawrence Edelson, Artistic and General Director of Opera Saratoga, announced today the program for the 2016 Summer Festival, which will run from May 28th through July 17, 2016. The season will feature three new productions, along with a diverse slate of recitals, concerts and master classes at multiple locations in Saratoga Springs, New York. Included in the lineup is Italian opera, WITCHES OF VENICE, which will make its U.S. premiere next summer as part of the festival.
Philadelphia's Academy of Vocal Arts is regarded as one of the premiere opera training schools in the world. Every year over 200 singers audition to become one of the school's roster of Resident Artists – 28 of the most talented and promising opera singers from around the world. This year, AVA features Resident Artists from Armenia, Austria, Australia, Canada, China, Mexico, Serbia, and the United States.
Five years ago, box office records were shattered when Carmen became the fastest-selling production in Vancouver Opera history. Vancouverites will be seduced again when the fiery gypsy returns to the Queen Elizabeth Theatre stage this September/October. The passion, the colour, the sensuality and, of course, the unforgettable music of the world's sexiest opera will come alive for 6 performances only.
Five years ago, box office records were shattered when Carmen became the fastest-selling production in Vancouver Opera history. Vancouverites will be seduced again when the fiery gypsy returns to the Queen Elizabeth Theatre stage this September/October. The passion, the colour, the sensuality and, of course, the unforgettable music of the world's sexiest opera will come alive for 6 performances only.
Vancouver Opera unveils its bold, new look and feel - the first major rebranding of the company since 1985. The fresh contemporary look is part of the company's new long-term strategy aimed at broadening and deepening its connection with the communities it serves, while building a new generation of operagoers.
In response to the devastation caused in the Philippines by Typhoon Haiyan earlier this month, which has left 1.9 million homeless and more than 600,000 people displaced, the Academy of Vocal Arts has joined forces with the First Presbyterian Church to co-present two evenings of arias that will benefit victims of the storm.
In response to the devastation caused in the Philippines by Typhoon Haiyan earlier this month, which has left 1.9 million homeless and more than 600,000 people displaced, the Academy of Vocal Arts has joined forces with the First Presbyterian Church to co-present two evenings of arias that will benefit victims of the storm.
In response to the devastation caused in the Philippines by Typhoon Haiyan earlier this month, which has left 1.9 million homeless and more than 600,000 people displaced, the Academy of Vocal Arts has joined forces with the First Presbyterian Church to co-present two evenings of arias that will benefit victims of the storm.
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