From the company that redefined dinner theater, Nordo's Room Service: Do Not Disturb is a deliciously entertaining pivot from live events. Do Not Disturb is a cocktail kit and dessert; it's one-part escape room and one-part treasure chest; best of all, it's all in one box.
Taproot Theatre breathes some fresh air into the holiday season with their production of THE BISHOP'S WIFE: A LIVE RADIO PLAY. While other theater leans on the old standards, Taproot is rolling the dice and presents a new adaptation of a lesser-known work. Their gamble is already paying off with smiles, cheer, and holiday spirit. THE BISHOP'S WIFE is a perfect blend of nostalgia and freshness.
ARSENIC AND OLD LACE at Taproot Theater is what Aunt Abby would call a 'fine howdy doo.' This production proves why Joseph Kesselring's play is considered a classic. The play contains not only great humor but also smarts. The talented cast has a great rapport and will take you on an adventurous ride full of surprises.
Seattle Shakespeare's ARMS & THE MAN visits the past and finds the present. With wit, humor, and richness of production, the show presents a classic tale of a chance encounter that changes everything. From the pithy dialogue to the talented cast, Seattle Shakespeare has chosen well for its second show of the season.
Lady Windermere's Fan at Taproot Theatre is a tapestry of tightly woven threads in which all are needed to tell the story. This show, an Oscar Wilde classic, is often produced in such a way that the humor overshadows the heart. Co-directors, Karen Lund and Marianne Savell, have instead chosen to explore the genuine fears and dilemmas that women of society faced in the late nineteenth century. With little power and few choices, these women struggled to uphold the ideals imposed by their society. Lady Windermere reminds us how easily a single decision can forever change the trajectory of a life. When authenticity is the cornerstone of a show, especially one with as strong a script as this, there is no need for a circus of distractions.
Seattle Shakespeare Company has never been one to shy away from a challenge and with their current production of "The Merchant of Venice" they certainly seem to have a challenge on their hands. As I see it they have one challenge they can, and hopefully will overcome as the production continues, the pace of the show, and one challenge inherit to the piece that they can never defeat but only embrace, the overt antisemitism.
The wealthy heiress Portia is forced to set her suitors a challenge for her hand in marriage. In order to woo her, Bassanio finances his plan with money borrowed from his friend Antonio. All would be fine except Antonio has taken out a loan from the moneylender Shylock on the assurance that his ships will make it back to the city. They don't, and Shylock demands repayment with a pound of Antonio's flesh.
Seattle theatre company Azeotrope is pleased to announce the Seattle premiere of Building the Wall, by Tony Award winning playwright Robert Schenkkan (All The Way, The Great Society, The Kentucky Cycle), directed by Desdemona Chiang. Building the Wall begins opens Friday, December 1, 2017 and plays through December 23, 2017 at 12th Ave Arts Studio Theatre in Capitol Hill, Seattle.
Onerus, written by Terry Podgorski, will make its World Premiere, directed by Erin Brindley, at Cafe Nordo, playing now through November 19, 2017.
The intensely immersive experience of dining at ONERUS is perfect for fans who love and respect well-written sci-fi. Directed by Opal Peachey, this thoughtful, thought-provoking cautionary tale is science fiction at its finest (and the food ain't half bad either).
There's a well-known TV and Film writer who has a reputation for those quick witted, fast paced banter conversations (sometimes in the halls of the White House and sometimes while creating a social media platform. You know who I mean). And it's fun to listen to these people be more eloquent and quick than any of us could ever be in real life without a script. Now take those quick banter scenes, expand them to the length of an entire play, and pack them full to the brim with enough numbers and financial lingo that anyone outside Goldman Sachs would feel lost and what you have is Sarah Burgess' play "Dry Powder" currently playing at the Seattle Rep.
Ladies and Gentlemen, please fasten your seatbelts, put your tray tables and seat backs in the upright position and hang on as Cafe Nordo presents an evening of fun and food with their 60's spy send up, "To Savor Tomorrow". And as usual with the Cafe Nordo shows, if the laughs weren't enough for you then the delectable food will be.
? Cafe Nordo takes flight with To Savor Tomorrow, an immersive comedy that parodies the 007 spy genre, set in the airplane lounge of a swank 1960's Boeing Stratocruiser with craft-cocktails and retro-modernist cuisine woven into the experience.
As hearing people we may think that the advancement and availability of cochlear implants would be welcomed with open arms by the deaf community. But what Don Nguyen's play "Sound", getting its world premiere production from Azeotrope at ACT, points out to us, the cultural effects of suddenly being able to hear can be far greater than the medical ones. But while the plight of those in the story was impactful I didn't feel the play itself offered much in the way of a resolution and thereby much of a message.
Romantics the world over have loved the works of Jane Austen for centuries with her tales of loves lost and then found. And one of her best beloved is now on stage from Book-It Repertory Theatre with "Pride and Prejudice". And not only is it a wonderful adaptation filled with superb performances but, guys, take your dates to this one and you're bound to get lucky.
When physical comedy is done well it can be a beautiful thing. I still marvel at a seven-minute bit David Hyde Pierce did with an ironing board on the show Frasier (seriously, go look it up). But good physical comedy is not easy. Fortunately for us the cast of Strawberry Theatre Workshop's production of "Black Comedy" are more than up to the task as they presented one of the funniest displays of physical comedy I've seen in town since "Boeing Boeing" a few years back.
Seattle Theater Writers, a critics' circle of local theater writers and reviewers, today announces the 2013 slate of nominees of the third annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters.
There are some aspects of life that most of us don't delve into. Dark aspects that are all too common in the world but we've been fortunate enough to avoid. But it seems as dark and unseemly as these areas of life are, Azeotrope is determined to pull back the rug and take a good look at what skitters out whether it be prostitutes and infidelity or meth and murder, as is evident in their current offerings in repertory over at ACT, "Red Light Winter" and "25 Saints". And while we may not want to look straight into the maw of these seedy underbellies, what results are two stirring and intense bits of theater put on with Azeotrope's usual intelligence and power.
Following the success of their critically acclaimed production ofJesus Hopped the A Train (2012 Gregory Award and Gypsy Lee Rose Award winners), Seattle theatre company Azeotrope is excited to bring two powerful shows in repertory: Red Light Winter by Adam Rapp and 25 Saints by Joshua Rollins, directed by Artistic Associate Desdemona Chiang. Both shows open Today, October 26, and play through November 24; produced in association with Central Heating Lab at A Contemporary Theatre.
Following the success of their critically acclaimed production ofJesus Hopped the A Train (2012 Gregory Award and Gypsy Lee Rose Award winners), Seattle theatre company Azeotrope is excited to bring two powerful shows in repertory: Red Light Winter by Adam Rapp and 25 Saints by Joshua Rollins, directed by Artistic Associate Desdemona Chiang. Both shows open Saturday, October 26, and play through November 24; produced in association with Central Heating Lab at A Contemporary Theatre.
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