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BWW Review: MERRILY WE ROLL ALONG - BACKWARDS, TO UNDERSTAND THE IRONY at The Colony Theatre

Presented by a brand new Production group, 4 Leaf Music Productions, in Association with Golden Performing Arts Center, and based on a 1934 Kaufman and Hart play of the same name, this musical tells the story of three friends, Franklin, Charley, and Mary, and the progressive decadence of their bonds and their dreams. The story is told in reverse. When it begins, in 1980, they're in their 40's: Franklin, is a rich, successful, conceited and confused noted songwriter; Charley, the lyricist in the duo, has cut off ties with his partner after a nervous breakdown and Mary is a lonely alcoholic still secretly in love with Franklin from when they first met, years and years ago. As we move forward in the play but backwards in time, we see how their friendships disintegrate, along with their aspirations and Franklin's many whirlwind marriages. Rewinding through the '70s and '60s, we end up in 1957, when the three of them meet for the first time, on a rooftop in the city, all hopeful young talents per-chance gathering to watch Sputnik go by in the pre-dawn sky. The song they sing, 'Our Time' ('We're the movers, we're the shapers/ the names in tomorrow's papers'), is undercut by some very keen irony, since we've already seen how it all turns out, at the beginning.

Photo Flash: Hillcrest Center For The Arts Presents NEXT TO NORMAL

NEXT TO NORMAL officially opened Saturday night, June 2nd, 2018.  A multi-award and Pulitzer Prize winningmusical by Brian Yorkey and music by Tom Kitt. The acclaimed rock musical opened to a sold out house and standing ovation. An unflinching look at a suburban family struggling with the effects of mental illness.

PANIC! Productions Announces Cast For NEXT TO NORMAL

Producer Paul Panico, along with Panic! Productions and well-known Casting Director Kymberli McKanna announce the complete cast of their season opening musical production of 2018.  The multi-award and Pulitzer Prize winning "NEXT TO NORMAL" by Brian Yorkey, with music by Tom Kitt.  They are thrilled to have an exceptionally talented team in place.  The acclaimed rock musical will open June 2nd, 2018 at Hillcrest Center For The Arts.  Tickets & info at:  www.panicproductions.org

Crown City Theatre Presents Agatha Christie's THE MOUSETRAP

A group of strangers is stranded in a boarding house during a snow storm, one of whom is a murderer. Suspects include the newly married couple who run the house, a spinster with a curious background, an architect who seems better equipped to be a chef, a retired Army major, a strange little man who claims his car has overturned in a drift, and a jurist who makes life miserable for everyone. Into their midst comes a policeman, traveling on skis. He probes the background of everyone present, and rattles a lot of skeletons. 

BWW Review: Audiences at Crown City Theatre Are JUST WILD ABOUT HARRY

Think the zaniness of Oscar Wilde's The Importance of Being Earnest and Brandon Thomas' Charlie's Aunt and then those crazy American stage musical parodies like Little Mary Sunshine and The Boy Friend, and you've nailed the nonstop comical antics of  I'm Just Wild About Harry adapted by Gary Lamb and William A. Reilly at Crown City Theatre in NoHo. With slick direction and choreography from Lisaun Whittingham and a superior cast, this musical is perfect holiday entertainment.

BWW Review: Art-In-Relation Ups Its Production Ante with THE WILD PARTY

Art-In-Relation (A.I.R.) is an innovative production company focusing on breathing new life into lesser-known plays and musical theater. I have seen their productions at other locations throughout the city, but unfortunately the facilities and cast talent in past productions has been less than stellar. So I am very pleased to announce A.I.R. has upped its production ante with their latest production staged at the Dorie Theater in the Complex on Theater Row in Hollywood: Andrew Lippa's musical THE WILD PARTY, based on the poem by Joseph Moncure.

BWW Review: Crown City Theatre Produces Exultant NUNSENSE for the Holidays

Resourceful Dan Goggin designed a line of greeting cards to honor the nun, then turned the project into a cabaret which finally became a full-fledged musical comedy in 1985. Now Nunsense plays in several languages all over the world. Everyone has a peculiar fascination with nuns. Why? Well, number one, they dress oddly and apart from that, they live out their daily lives praying and doing things uncommon to the average person. Say you are or grew up a Catholic, you still have difficulty figuring them out. Are they really that stern and block-headed? Well, Dan Goggin takes you behind the scenes, so-to-speak, in this tongue -in-cheek look at the Little Sisters of Hoboken at Mt. Saint Helen's School - you will see them do things, irreverent things, you never imagined in your wildest dreams - who are about to put on a benefit show to raise funds to...Oh, Saints preserve us... to bury four nuns who died from botulism. Currently onstage at Crown City Theatre in NoHo, Nunsense is receiving a nifty revival directed by the terrific Kristin

Photo Flash: First Look at DOMA Theatre's AMERICAN IDIOT, Beginning Tonight

Three lifelong friends are forced to choose between their dreams and the safety of suburbia in American Idiot, the smash Broadway hit based onGreen Day's multi-platinum, GRAMMY Award-winning album of the same name. Now director Marco Gomez, musical director Chris Raymond and choreographer Angela Todaro, the team behind recent critically acclaimed productions of Young Frankenstein and Jesus Christ Superstar, bring this explosive, iconic story to theDOMA stage beginning tonight, June 5 at the MET Theatre. BroadwayWorld has a first look at the cast in action below!

DOMA Rocks It with Green Day's AMERICAN IDIOT This Summer

Three lifelong friends are forced to choose between their dreams and the safety of suburbia in American Idiot, the smash Broadway hit based on Green Day's multi-platinum, GRAMMY Award-winning album of the same name. Now director Marco Gomez, musical director Chris Raymond and choreographer Angela Todaro, the team behind recent critically acclaimed productions of Young Frankenstein and Jesus Christ Superstar, bring this explosive, iconic story to the DOMA stage beginning tonight, June 5 at the MET Theatre.

DOMA to Rock It with Green Day's AMERICAN IDIOT This Summer

Three lifelong friends are forced to choose between their dreams and the safety of suburbia in American Idiot, the smash Broadway hit based on Green Day's multi-platinum, GRAMMY Award-winning album of the same name. Now director Marco Gomez, musical director Chris Raymond and choreographer Angela Todaro, the team behind recent critically acclaimed productions of Young Frankenstein and Jesus Christ Superstar, bring this explosive, iconic story to the DOMA stage beginning June 5 at the MET Theatre.

BWW Reviews: DOMA Scores Again with JESUS CHRIST SUPERSTAR

Back in the early 70s I was enthralled by the majestic overture of Jesus Christ Superstar and by the gripping power of the lyrics.This is operetta at its best, where the entire story must come to fruition through the singing. When done well, these Bibilical characters come off the pages as real human beings with raw emotions; because of this musical endeavor, we more clearly understand the motivations of Christ, the adoration of his disciples and Mary Magdalene, the bewilderment of Pontius Pilate and Herod and try to see how one friend may betray another. I was so moved that as a Catechism teacher, I played the Webber/Rice score for my classes to stimulate their critical thinking. Ted Neeley, Carl Anderson and Yvonne Elliman provided sterling vocal interpretations that made the whole process so richly rewarding. But, religious or not, audiences across the board are deeply moved by the elegant score, and DOMA's re-envisioned production now onstage at the MET is splendiferous with a terrific cast that can all really sing and move.

DOMA Presents JESUS CHRIST SUPERSTAR, Now thru 3/22

The musical that launched the careers of composer Andrew Lloyd Webber and lyricist Tim Rice and ushered in a new era in musical theater will open DOMA Theatre Company's 2015 season. Helmed by director Marco Gomez and musical director Chris Raymond, the duo behind DOMA productions of Dreamgirls (Los Angeles Drama Critics Circle and LA Weekly Awards, L.A. Times 'Critic's Choice') and Young Frankenstein (L.A. Times 'Critic's Choice,' BroadwayWorld 'Best of 2014'), Jesus Christ Superstar opens Feb. 13 for a 6-week run at the MET Theatre in Hollywood.

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