MCC Theater today announced casting and full creative team for its thrilling New York City premiere of the new musical Ride the Cyclone, which marks just the third musical in MCC's now-iconic 30-year history of producing new works for the American theater.
A private reading of Lempicka, a new musical about the tumultuous life of art deco artist Tamara de Lempicka, will be presented today and tomorrow, July 24th and 25th in Manhattan.
A private reading of Lempicka, a new musical about the tumultuous life of art deco artist Tamara de Lempicka, will be presented July 24th and 25th in Manhattan.
Coming up this week, 54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.
WITNESS UGANDA explores the American impulse to change the world. It is an electrifying production that combines stellar design elements, breathtaking choreography, and an ensemble of energetic young artists committed to telling their story. Artistic Director Diane Paulus again shows her flair for guiding a complex production and getting the best from her performers.
The American Repertory Theater (A.R.T.) at Harvard University presents the world premiere of Witness Uganda, created by Matt Gould and Griffin Matthews, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Darrell Grand Moultrie and Music Director, Remy Kurs. The production begins performances at the Loeb Drama Center at 64 Brattle Street, Cambridge tonight, February 4, and will run through March 16. Check out a first look at the production shots below!
The American Repertory Theater (A.R.T.) at Harvard University presents the world premiere production of Witness Uganda, created by Matt Gould and Griffin Matthews, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Darrell Grand Moultrie and Music Director, Remy Kurs. The production begins performances at the Loeb Drama Center at 64 Brattle Street, Cambridge tonight, February 4, and will run through March 16.
The American Repertory Theater (A.R.T.) at Harvard University has released a sneak peek at the world premiere of Witness Uganda, created by Matt Gould and Griffin Matthews, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Darrell Grand Moultrie and Music Director, Remy Kurs. The production begins performances at the Loeb Drama Center at 64 Brattle Street, Cambridge on February 4, and will run through March 16. Below, check out a very first look at the cast, including Matthews and Emma Hunton, in rehearsal!
The American Repertory Theater (A.R.T.) at Harvard University announced today the cast and creative team for the world premiere production of Witness Uganda, created by Matt Gould and Griffin Matthews, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Darrell Grand Moultrie. The production begins performances at the Loeb Drama Center at 64 Brattle Street, Cambridge on February 4, and will run through March 16. It is available for press viewing from Wednesday, February 12, at 7:30pm.
The electricity in Carol Morsani Hall, at the Straz Center in Tampa, for the opening performance of the National Tour of 'THE BOOK OF MORMON', was the closest I have experienced here, to the excitement of a Broadway opening night yet! The SOLD-OUT house was simply percolating, in anticipation of the 9 time Tony Award winning musical's Tampa debut.
Rocket Science, the new musical based on the HBO film of the same name, will enjoy a fresh look at its musical selections in concert at the upcoming NYTB in the D-Lounge, New York Theatre Barn's popular platform for up-and-coming new writers and musical projects, on Monday, September 10 at 7:30pm in the D-Lounge of the Daryl Roth Theatre.
Rocket Science, the new musical based on the HBO film of the same name, will enjoy a fresh look at its musical selections in concert at the upcoming NYTB in the D-Lounge, New York Theatre Barn's popular platform for up-and-coming new writers and musical projects, on Monday, September 10 at 7:30pm in the D-Lounge of the Daryl Roth Theatre.
Rocket Science, the new musical based on the HBO film of the same name, will enjoy a fresh look at its musical selections in concert at the upcoming NYTB in the D-Lounge, New York Theatre Barn's popular platform for up-and-coming new writers and musical projects, on Monday, September 10 at 7:30pm in the D-Lounge of the Daryl Roth Theatre.
Amas Musical Theatre will present MARRY HARRY, April 26-28, at the Foodwood Rehearsal Studios, 214 West 43rd Street. For tickets, email: boxoffice@amasmusical.org or call 212.563.2565. Reservations are required and space is limited. For more information, visit: http://www.amasmusical.org
Prospect Theater Company's critically-acclaimed Off Broadway production of Iron Curtain, originally scheduled to run through November 27, 2011, will instead play through December 4. A post-performance talkback with members of the creative team and cast will be held at the theater following the Wednesday, November 30 matinee.
Prospect Theater Company's critically-acclaimed Off Broadway production of Iron Curtain, originally scheduled to run through November 27, 2011, will instead play through December 4. A post-performance talkback with members of the creative team and cast will be held at the theater following the Wednesday, November 30 matinee.
Two time Tony nominated actress Mary Testa is reprising her role as Hilda Chester in a concert/reading of award winning musical theater writer Anne Berlin, and Andrew Bleckner's new solo musical, to be directed by Valentina Fratti, former artistic director of the Miranda Theatre. Remy Kurs will be the musical director. Howling Hilda and the Broolyn Dodgers will play Monday, November 21st at 9:30pm at Joe's Pub. Tickets are $18.00 with a $12.00 food or drink minimum.
Known primarily for their excellent work with the Prospect Theatre Company (of which she is Producing Artistic Director and he is Resident Writer), the husband and wife team of director/bookwriter Cara Reichel and composer/lyricist/bookwriter Peter Mills are responsible for some of the most exciting and innovative musical theatre New York has seen since the company was founded in 1998. And I daresay that with Iron Curtain, they and their inspired cohorts fully succeed in presenting one of their most difficult and risk-taking concepts yet; a fast, loud and funny 1950s-style musical comedy.