The American Repertory Theater (Diane Paulus, Artistic Director) continues its landmark season with its production of Clifford Odets's drama Paradise Lost, directed by Daniel Fish, beginning performances on Saturday, February 27 and scheduled to run through Saturday, March 20 at the Loeb Drama Center (64 Brattle Street, Cambridge, MA).
American Repertory Theater presents Clifford Odets's drama Paradise Lost directed by Daniel Fish February 27 - March 20, 2010 at the Loeb Drama Center.
American Repertory Theater presents Clifford Odets's drama Paradise Lost directed by Daniel Fish February 27 - March 20, 2010 at the Loeb Drama Center.
American Repertory Theater presents Clifford Odets's drama Paradise Lost directed by Daniel Fish February 27 - March 20, 2010 at the Loeb Drama Center.
Stars from Broadway's Jersey Boys and Wicked will join the distinctive cast of comedic and dance talent in the brand new theatrical production, Banana Shpeel, presented by Cirque du Soleil and MSG Entertainment. Banana Shpeel will perform at The Beacon Theatre for a limited engagement from February 4 through April 30, 2010.
Local favorites propel colorful and diverse outings as Boston area theaters wind down their 2008-2009 seasons in style
If you think you know David Mamet, think again. This famously terse playwright is a master of biting comedy. The A.R.T. - producer of the world premieres of Mamet's Oleanna, Cryptogram, The Old Neighborhood, and Boston Marriage - is pleased to present Mamet's wildest and most politically incorrect farce - Romance.
If you think you know David Mamet, think again. This famously terse playwright is a master of biting comedy. The A.R.T. - producer of the world premieres of Mamet's Oleanna, Cryptogram, The Old Neighborhood, and Boston Marriage - is pleased to present Sex, Satire, Romance, and Ducks - a celebration of comic work spanning Mamet's career.
If you think you know David Mamet, think again. This famously terse playwright is a master of biting comedy. The A.R.T. - producer of the world premieres of Mamet's Oleanna, Cryptogram, The Old Neighborhood, and Boston Marriage - is pleased to present Mamet's wildest and most politically incorrect farce - Romance.
If you think you know David Mamet, think again. This famously terse playwright is a master of biting comedy. The A.R.T. - producer of the world premieres of Mamet's Oleanna, Cryptogram, The Old Neighborhood, and Boston Marriage - is pleased to present Sex, Satire, Romance, and Ducks - a celebration of comic work spanning Mamet's career.
The American Repertory Theatre (A.R.T.) presents the fifth production of its 2008-09 Season: Samuel Beckett?s iconic masterpiece Endgame, directed by Marcus Stern, at the A.R.T.?s Loeb Drama Center, 64 Brattle Street, Cambridge. The production begins performances on Saturday, February 14 and runs through Sunday, March 15; it will be available for press viewing from Wednesday, February 18 at 7:30pm.
Cole Porter's effervescent music and lyrics fizzle rather than sizzle at Zero Arrow Club Cabaret in Cambridge
Les Waters, the associate artistic director of Berkeley Repertory Theatre, heads east again this week to open the world premiere of Cardenio in Cambridge.
I'm Mad About the Boy, but If Love Were All I needn't worry There Are Bad Times Just Around the Corner - I'll Sail Away -Has Anybody Seen Our Ship?
Neil Bartlett's reimagined 'Oliver Twist' abducts Charles Dickens' classic tale, sends it through the meat-grinder, and spits it back onto its feet in a fantastic and grimy work of art.
Berkeley Repertory Theatre ends its 2006/07 Season with a dark and delightful new adaptation of Charles Dickens' 'Oliver Twist' staged by one of Britain's most innovative theatre artists, beginning previews in the Roda Theatre on May 11, opens May 16, and closes June 24.
The Independent Reviewers of New England (IRNE) Awards for 2006 took place on Monday March 19, 2007, at the Boston Center for the Arts (BCA).
The most difficult aspect of dramatizing a well-known and well-loved work of literature is finding the correct balance between maintaining the integrity of the original work and adding elements to justify the adaptation. The recent Broadway revival of A Chorus Line was criticized for being a carbon copy of the original production, while the short-lived, musicalized version of The Wedding Singer film was criticized for changing key plot points. How, then, can an adaptation to the stage do justice to the original work as well as bring the material to life in a new and innovative way? Neil Bartlett seems to know the secret. In his adaptation of 'Oliver Twist,' the classic novel by Charles Dickens, Bartlett captures the dark, dank world of the young orphan in a way that Lionel Bart's musical Oliver! fails to do. There are no upbeat songs about 'Oom-Pah-Pah!' or considering yourself part of the family; Bartlett's Oliver Twist is no musical comedy.
Patti LuPone and The 25th Annual Putnam Spelling Bee stars Jared Gertner and Jenni Barber are among the nominees of the 2006 Independent Reviewers of New England's (IRNE) Awards.
Is it a play? A rock musical? A cabaret? A series of overlapping vignettes set to a Dresden Dolls score? A performance piece? I'm not quite sure what to call The Onion Cellar, but I do know that I absolutely loved every minute of it...
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