Gotham Chamber Opera, Music-Theatre Group and the Opera Company of Philadelphia announced the commission of a new American opera, DARK SISTERS, composed by Nico Muhly with libretto by Stephen Karam, conducted by Neal Goren, and directed by Rebecca Taichman at The Chelsea Art Museum on Thursday, October 28. The three organizations have co-commissioned and will co-produce the opera, which will have its World Premiere in November 2011 at the Gerald W. Lynch Theater at John Jay College, 899 Tenth Avenue, NYC, one of the first works to be presented at the Theater following the creation of a new lobby at the space. The cast will be headed by Caitlin Lynch and Kevin Burdette, with Kristina Bachrach, Jennifer Check, Eve Gigliotti, Brenda Harris, and Jennifer Zetlan. Dark Sisters will also be presented in June 2012 as part of the Opera Company of Philadelphia's chamber opera series at the Perelman Theater.
by Gabrielle Sierra -
Gotham Chamber Opera, Music-Theatre Group and the Opera Company of Philadelphia announce the commission of a new American opera, DARK SISTERS, composed by Nico Muhly with libretto by Stephen Karam, conducted by Neal Goren, and directed by Rebecca Taichman.
by BWW News Desk -
Gotham Chamber Opera, Music-Theatre Group and The Opera Company of Philadelphia will announce the commission of a new opera composed by Nico Muhly.
by Lauren Wolman -
La Jolla Playhouse announces the first four plays of its 2011/12 Season, including the Playhouse co-commissioned Milk Like Sugar, by Kirsten Greenidge, directed by Rebecca Taichman; the world-premiere of A Dram of Drumchhicit, by Arthur Kopit and Anton Dudley, directed by Playhouse Artistic Director Christopher Ashley; Peer Gynt, by Henrik Ibsen, adapted and directed by David Schweizer; and American Night: The Ballad of Juan José by Richard Montoya for Culture Clash, directed by Jo Bonney. The final two subscription shows of the 2011/12 season - both musicals - will be announced shortly.
by BWW News Desk -
Philadelphia Theatre Company kicks off its 35th Anniversary Season with PTC@PLAY, a new play festival running October 5-21 at the Suzanne Roberts Theatre (Broad and Lombard Streets). The Festival, with staged readings of works by established playwrights as well as new voices, features Casa Cushman, by Leigh Fondakowski in conjunction with the Tectonic Theater Project, Strongman's Ghost by Jeffrey Hatcher, What We're Up Against by Theresa Rebeck, How To Write A New Book For The Bible by Bill Cain and Milk Like Sugar by Kirsten Greenidge. All readings are free with curtain time at 7:00 PM.
by BWW News Desk -
Philadelphia Theatre Company kicks off its 35th Anniversary Season with PTC@PLAY, a new play festival running October 5-21 at the Suzanne Roberts Theatre (Broad and Lombard Streets). The Festival, with staged readings of works by established playwrights as well as new voices, features Casa Cushman, by Leigh Fondakowski in conjunction with the Tectonic Theater Project, Strongman's Ghost by Jeffrey Hatcher, What We're Up Against by Theresa Rebeck, How To Write A New Book For The Bible by Bill Cain and Milk Like Sugar by Kirsten Greenidge. All readings are free with curtain time at 7:00 PM.
by Ben Peltz -
While Sarah Ruhl and director Rebecca Taichman haven't exactly made children's theatre out of Virginia Woolf's transgendering 1928 novel, Orlando (unless you approve of full adult nudity in your kiddie matinees), there are generous doses of playful whimsy in this well-mounted CSC production; though the playwright's approach seems to dilute the material's effectiveness a bit.
by Monica Simoes -
Last night, September 23, Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, began its 44th season with the New York premiere of ORLANDO, written by Pulitzer & Tony nominated playwright Sarah Ruhl (In the Next Room, Clean House), adapted from the work of Virginia Woolf, directed by Rebecca Taichman, with choreography by Annie-B Parson. ORLANDO will play a limited engagement at CSC (136 East 13th Street) through Sunday, October 17. BroadwayWorld was on hand for the opening and brings you photo coverage below.
by BWW News Desk -
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
by BWW News Desk -
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
by Gabrielle Sierra -
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
by Lauren Wolman -
Philadelphia Theatre Company kicks off its 35th Anniversary Season with PTC@PLAY, a new play festival running October 5-21 at the Suzanne Roberts Theatre (Broad and Lombard Streets). The Festival, with staged readings of works by established playwrights as well as new voices, features Casa Cushman, by Leigh Fondakowski in conjunction with the Tectonic Theater Project, Strongman's Ghost by Jeffrey Hatcher, What We're Up Against by Theresa Rebeck, How To Write A New Book For The Bible by Bill Cain and Milk Like Sugar by Kirsten Greenidge. All readings are free with curtain time at 7:00 PM.
by Jenn Waterman -
Classic Stage Company presents the New York premiere of Sarah Ruhl's ORLANDO, adapted from the work of Virgina Woolf and directed by Rebecca Taichman. Performances begin September 8, 2010.
by BWW News Desk -
The Tony Award-winning Oregon Shakespeare Festival will celebrate its 75th anniversary this season, and while patrons will notice celebratory signs and banners as well as opportunities to sit in on historical lectures and talks throughout the season, the primary celebration is onstage. OSF has promised its audiences, to whom it has dedicated this milestone season that it will continue to focus energies on producing great plays this year.
by BWW News Desk -
The League of Professional Theatre Women (LPTW), a non-profit organization committed to promoting visibility and increasing opportunities for women in the professional theatre, is pleased to recognize the talents of two outstanding women: the Ruth Morley Design Award will be given to Tony Award-winning costume designer Susan Hilferty, and the LPTW Lucille Lortel Award and accompanying grant will be presented to director and actor Rebecca Patterson.
by Gabrielle Sierra -
The League of Professional Theatre Women (LPTW), a non-profit organization committed to promoting visibility and increasing opportunities for women in the professional theatre, is pleased to recognize the talents of two outstanding women: the Ruth Morley Design Award will be given to Tony Award-winning costume designer Susan Hilferty, and the LPTW Lucille Lortel Award and accompanying grant will be presented to director and actor Rebecca Patterson.
by Jessica Lewis -
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, has announced details for their upcoming 2010-11 season, the esteemed downtown theater company's 44th, which will include five Mainstage productions, as well as their popular Special Series.
by BWW News Desk -
Signature Theatre presents Doug Wright's I Am My Own Wife, winner of the 2004 Pulitzer Prize and Tony Award®, starring Helen Hayes Award-winner Andrew Long and directed by Alan Paul, January 12 through March 7, 2010 in the company's intimate ARK Theatre.
by BWW News Desk -
The Tony Award-winning Oregon Shakespeare Festival will celebrate its 75th anniversary this season, and while patrons will notice celebratory signs and banners as well as opportunities to sit in on historical lectures and talks throughout the season, the primary celebration is onstage. OSF has promised its audiences, to whom it has dedicated this milestone season that it will continue to focus energies on producing great plays this year.
by BWW News Desk -
The Tony Award-winning Oregon Shakespeare Festival will celebrate its 75th anniversary this season, and while patrons will notice celebratory signs and banners as well as opportunities to sit in on historical lectures and talks throughout the season, the primary celebration is onstage. OSF has promised its audiences, to whom it has dedicated this milestone season that it will continue to focus energies on producing great plays this year.
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