GOOD MORNING, THEATERATI! This morning (which according to our watch is Friday, April 28) we come to you to pose this musical question: What have they done to poor Heather Morris on Dancing With the Stars? Seriously, what did they do? We don't watch that show but have picked up some rumblings on the mean streets of Music City that intrigue is afoot among the over-teased and body-glittered cast of the ABC Monday night juggernaut - please fill us in, theaterati. Inquiring minds want to know.
The Takeover of @BWW_Nashville's Twitter account continues unabated. Today, Matthew Hayes Hunter, the 2012 First Night Most Promising Actor who tonight takes to the stage of Murfreesboro's Center for the Arts to play Seymour Krelbourn, the geeky shopboy who brings the monstrous Audrey II to life in the musical Little Shop of Horrors, wrests control from Lipscomb University's Hunter Martin who kept things moving on Thursday in anticipation of LU's Senior Theatre Showcase on Saturday.
Over 500 guests honored Wimberly Award recipients Mayor Martin J. Walsh and Tony and Grammy Award winner Billy Porter, while raising over $1,000,000 (with additional gifts still coming in) to support the Huntington and its programs, including its renowned education and community initiatives at the Spotlight Spectacular on Monday, April 24. "Thousands of young people come to the Huntington to see productions each year through our student matinee program either at no charge or for a nominal fee," said Managing Director Michael Maso. "This program is the centerpiece of all our education programs, the place where opportunity begins and lives are changed."
1930s movie musicals about show business serve as the muse for Seattle Shakespeare Company's final production of the 2016-2017 season - A Midsummer Night's Dream. Seattle Shakespeare Company's Artistic Director George Mount directs Shakespeare's funniest comedy at the Cornish Playhouse which runs May 3-21, 2107.
Love it or hate it, Shit-faced Shakespeare still three sheets to the wind and bouncing in a bacchic revel from one success to another. 2017 marks the 7th anniversary of the brand and sees their longest run in London with Much Ado About Nothing, coupled with the opening of their 4th market in the USA, Romeo and Juliet at the Brighton and Edinburgh Fringe festivals, plus dates at the London Wonderground, Udderbelly Southbank for both Shit-faced Shakespeare and Shit-faced Showtime. Around 30,000 people saw Shit-faced Shakespeare in the UK last year, 35,000 in the USA. BroadwayWorld has a sneak peek at the company in rehearsal below!
The theme for the MCNY 8th Annual International Short Film Festival this year is "Think Globally, Film Locally" highlighting local films and stories from around the world. The event includes a moderated movie industry and filmmakers panel, followed by the screening of the selected short films.
The seven originating theaters of the Women's Voices Theater Festival - Arena Stage, Ford's Theatre, Round House Theatre, Shakespeare Theatre Company, Signature Theatre, Studio Theatre and Woolly Mammoth Theatre Company - have announced preliminary details for the second installment of the Women's Voices Theater Festival, January 15 - February 15, 2018.
She is known as The Empress of Real R&B. With a vocal range that cause listeners to jump to their feet in awe Natasha C. Coward's amazing voice has been compared to the likes of Patti Labelle, Yolanda Adams, Aretha Franklin and the late Whitney Houston. From the moment you listen to her, you're captivated by a voice that stimulates the mind, body and soul. Natasha C. Coward is awakening musical souls throughout the music industry with her style and grace.
The Drama Book Shop welcomes acclaimed playwright Greg Pierce (Slowgirl, Her Requiem) and three-time Tony Award-winning composer John Kander (Chicago, Cabaret, Kiss of the Spiderwoman, The Visit) for a discussion with playwright and Drama Book Shop Events Manager Steven Carl McCasland (Little Wars) about their new musical, Kid Victory, opening at The Vineyard Theatre this month.
The Mad Butcher of Kingsbury Run is hunting his next victim while severed limbs lay in the streets. Nearby, drinks are flowing, bets are placed, and morals are slipping. Can you keep your wits until Detective Eliot Ness can catch the killer?
The Drama Book Shop will welcome acclaimed playwright Greg Pierce (Slowgirl, Her Requiem) and three-time Tony Award-winning composer John Kander (Chicago, Cabaret, Kiss of the Spiderwoman, The Visit) for a discussion with playwright and Drama Book Shop Events Manager Steven Carl McCasland (Little Wars) about their new musical, Kid Victory, opening at The Vineyard Theatre in February.
Asolo Rep continues its winter rep season and the fifth and final year of its American Character Project with THE ORIGINALIST, Charles MacArthur Award-winner John Strand's gripping political masterpiece that spotlights the late polarizing judicial titan, Justice Antonin Scalia.
Don't Dress for Dinner, presented by the acclaimed Adelaide Repertory Theatre, opens at the Art Theatre, Angas Street, Adelaide 17 - 26 November, 2016.
Arena Stage at the Mead Center for American Theater presents Carousel, directed by Artistic Director Molly Smith, with music by Richard Rodgers and book and lyrics by Oscar Hammerstein II.
This fall, Boulevard Theatre raises the curtain once again (metaphorically speaking, yes!) at Plymouth Church with a nostalgic, noteworthy collaboration between Boulevard and Plymouth Chorale along with inspiration from Milwaukee Opera Theatre. Artistic Director Mark Bucher produces an original production in the church sanctuary creating the charming and kitschy Where the Streetcar Bends the Corner, Down by the Zoo!
Amid an intense political battle raging in Washington, where nasty behavior towards women has been the focus of recent news, NextStop Theatre Company in Herndon, Virginia, just 20 miles west of the political capital, is honoring women center stage.
Broadway producer Jenna Segal joins forces with the Tony Award-winning Signature Theatre in their continued effort to highlight the work of exciting female playwrights.
Ibsen's simmering, shimmering tale of a woman too large for her destiny gets a fresh adaptation, streamlined into a gilded juggernaut of secrecy and manipulation. Wandering Bark creates a collision of past and present to build a Hedda where the story's the same, but the devil's in the details.
Ibsen's simmering, shimmering tale of a woman too large for her destiny gets a fresh adaptation, streamlined into a gilded juggernaut of secrecy and manipulation. Wandering Bark creates a collision of past and present to build a Hedda where the story's the same, but the devil's in the details.
