Thanks to the French online service, France.tv, opera-goers in New York have had a chance to see what lies ahead with the new production of Mozart's DON GIOVANNI by Ivo van Hove, that, health crisis be willing, will make its debut at the Met next March.
Music Director Elisa Citterio unveiled Tafelmusik Baroque Orchestra's 2020/21 season, Passions of the Soul, inviting audiences to experience the range of feelings music can inspire. For her third season, Citterio has curated a selection of music that spans more than four centuries a?" from early baroque to contemporary composers a?" with the ultimate goal of touching the heart of the listener.
Canadian violinist Emmanuel Vukovich has been fascinated by Wolfram von Eschenbach's Parzival story for over twenty years. This 13th-Century medieval poem about the search for the Holy Grail was the inspiration for Richard Wagner's final opera Parsifal. Wagner, however, chose to omit a critical element in Eschenbach's story - the encounter between Parzival and an unknown dark-skinned knight who reveals himself to be Parzival's half-brother and whose name - Fierefiz - means 'he of many colours.' This 'hidden' brother of a mixed race opens the grail myth to a wide range of narratives and symbolic interpretations.
The nominees for the 49th Annual JUNO Awards were announced today by The Canadian Academy of Recording Arts and Sciences (CARAS) at a press conference attended by media and industry notables at the Canadian Broadcasting Centre (CBC), in downtown Toronto. JUNO Week 2020, hosted in Saskatoon, SK, will culminate with Canada's biggest night in music - The 2020 JUNO Awards - broadcast live from the SaskTel Centre on Sunday, March 15 on CBC, CBC Gem, CBC Radio One, CBC Music, the CBC Listen app and globally at cbcmusic.ca/junos.
In the dead of winter, 92Y's February concert programs promise intimacy and warmth, along with some new sounds: world premieres by John Zorn, Natacha Diels, and Marcos Balter form the basis of cellist Jay Campbell's program with pianist Conor Hanick (February 14). Alexi Kenney's solo violin recital includes scores by Du Yun, Kaija Saariaho, Reich, Kurtág, Enescu, and others, interspersed with movements of Bach (February 7).
January concerts at The Royal Conservatory of Music: 21C Music Festival Against the Grain Theatre's Ayre and other works by Osvaldo Golijov Saturday, January 11, 2020 at 8pm | Artist Talk at 7pm | Koerner Hall Osvaldo Golijov has been awarded Guggenheim and MacArthur Fellowships, has won two Grammy Awards for composition, and was Musical America's Composer of the Year in 2006. 21C goes deep into his catalogue with Ayre, a thrill to experience with its lush fusion of Middle Eastern and Mediterranean folk melodies. Starring Canadian soprano Miriam Khalil and staged by AtG's Joel Ivany, Juno-nominated Ayre is presented along with other works such as Mariel, K'vakarat, and Tenebrae. An all-star roster of musicians includes Jamey Haddad (percussion), Barry Shiffman (violin and viola), Michael Ward-Bergman (accordion), Juan Gabriel Olivares (clarinet) Beverley Johnston (percussion), Jeremy Flower (laptop and electronics), Roberto Occhipinti (bass), and Cantor Alex Stein.
The seventh edition of the 21C Music Festival will include eight concerts over three weekends, from Saturday, January 11 to Saturday, January 25, 2020. Two additional events celebrate Grammy Award-winning composer and one of America's most renowned creative pioneers, Laurie Anderson. Anderson's presentation of The Art of Falling in Koerner Hall is already sold out, but audiences can experience her work performed by students of The Glenn Gould School in Temerty Theatre, at the Royal Ontario Museum's virtual reality installation, To the Moon, and in a film screening of her documentary, Heart of a Dog at Hot Docs Ted Rogers Cinema.
Dr. Peter Simon, Michael and Sonja Koerner President & CEO of The Royal Conservatory of Music, Mervon Mehta, Executive Director of Performing Arts, and James Anagnoson, Dean of The Glenn Gould School, today revealed details of the diverse concerts that will make up the 11th concert season, during which Koerner Hall turns 10 years old.
Spend the holiday season on the Kimmel Center Cultural Campus, with themed programming and family-friendly activities, including: returning favorites spanning rock, Gospel, jazz, and brass; treasured traditions from various Kimmel Center Resident Companies like the Pennsylvania Ballet, The Philadelphia Orchestra, and The Philly POPS; and opportunities for holiday community service and city-wide celebrations.
For his inaugural season as Principal Conductor of Orchestra of St. Luke's, Bernard Labadie has curated a three-concert residency at Carnegie Hall's Stern Auditorium / Perelman Stage-marking the 32nd year of the OSL series at Carnegie Hall-with a focus on the music and influence of Joseph Haydn. The first concert today, October 25 at 8:00 p.m., which pairs Haydn's "Nelson Mass" with Mozart's Requiem, K. 626 (revised and completed by Robert Levin), marks OSL's first collaboration with La Chapelle de Quebec, the choir founded and directed by Maestro Labadie. Soloists joining the ensembles on stage include soprano Lauren Snouffer, mezzo-soprano Susan Graham, tenor Lothar Odinius, and bass-baritone Philippe Sly.
Orchestra of St. Luke's Carnegie Hall 32nd-annual series concerts commences this season on October 25 in Stern Auditorium / Perelman Stage, marking the official start of Bernard Labadie's tenure as Principal Conductor of the Orchestra. Bernard Labadie and OSL have chosen Haydn as the theme for his inaugural season, showcasing the Ensemble's strong affinity for this composer. Curated with an eye to interesting musical juxtapositions, the series will offer a variety of perspectives on Haydn's music and influence.
Orchestra of St. Luke's Carnegie Hall 32nd-annual series concerts commences this season on October 25 in Stern Auditorium / Perelman Stage, marking the official start of Bernard Labadie's tenure as Principal Conductor of the Orchestra. Bernard Labadie and OSL have chosen Haydn as the theme for his inaugural season, showcasing the Ensemble's strong affinity for this composer. Curated with an eye to interesting musical juxtapositions, the series will offer a variety of perspectives on Haydn's music and influence.
For his inaugural season as Principal Conductor of Orchestra of St. Luke's, Bernard Labadie has curated a three-concert residency at Carnegie Hall's Stern Auditorium / Perelman Stage-marking the 32nd year of the OSL series at Carnegie Hall-with a focus on the music and influence of Joseph Haydn. The first concert on Thursday, October 25 at 8:00 p.m., which pairs Haydn's "Nelson Mass" with Mozart's Requiem, K. 626 (revised and completed by Robert Levin), marks OSL's first collaboration with La Chapelle de Quebec, the choir founded and directed by Maestro Labadie. Soloists joining the ensembles on stage include soprano Lauren Snouffer, mezzo-soprano Susan Graham, tenor Lothar Odinius, and bass-baritone Philippe Sly.
Orchestra of St. Luke's (OSL) today announced additional details of its 2018-2019 season-the Orchestra's 44th-including its signature Chamber Music Series, Music in Color, and Free School Concerts celebrating the Jerome Robbins centenary. The previously announced 32nd-annual subscription series presented by Carnegie Hall opening on October 25 will mark the official start of Bernard Labadie's tenure as Principal Conductor of the Orchestra. The series will feature a season-long focus on Haydn, a specialty of both the conductor and the Orchestra.
With 16 Handel and Haydn Society premieres, the first performance of Schubert's Symphony No. 9 by H+H since 1865, and a host of notable guest performers, the Handel and Haydn Society announces its 2018-19 season, the 204th season in its history.
Orchestra of St. Luke's (OSL) 2018-2019 Subscription Series presented by Carnegie Hall, will open on October 25, 2018, with Bernard Labadie on the podium for his official debut as Principal Conductor of the Orchestra. Works of Haydn are the thematic thread to this 32nd Carnegie Hall subscription season and the three programs will also feature works by younger contemporaries and 20th-century composers he influenced. The program, for the first of three concerts, pairs two great masterworks of the choral repertoire, Haydn's Mass in D Minor, Hob. XXII: 11, 'Nelson Mass,' and Mozart's Requiem, K. 626.La Chapelle de Quebec, the choir founded and directed by Maestro Labadie, makes its first appearance with OSL, joined by guest soloists German tenor Lothar Odinius, French-Canadian bass-baritone Philippe Sly, and acclaimed American mezzo-soprano Susan Graham.
Houston Grand Opera (HGO) will present its 2018-19 season in its creative home at Houston's Wortham Theater Center after a year of displacement due to damage to the building from Hurricane Harvey. The 64th season will open October 19, 2018, with HGO's first performances in 20 years of Wagner's romantic ghost story The Flying Dutchman, in a new production featuring baritoneAndrzej Dobber as the Dutchman and the role debut of award-winning American soprano and HGO Studio alumna Rachel Willis-S rensen as Senta. To close the season, the new Kasper Holten production of Mozart's Don Giovanni featuring the HGO debut of baritone Philippe Sly in the title role and the role debut of soprano Ailyn P rez as Donna Anna will be presented in repertory with The Phoenix, a world premiere about the colorful life of Lorenzo da Ponte, Mozart's librettist for the masterful Don Giovanni, The Marriage of Figaro, and Cos fan tutte. The new work, written by composer Tarik O'Regan and librettist John Caird, will star renowned baritone Thomas Hampson as Lorenzo da Ponte in a belated HGO debut and bass-baritone Luca Pisaroni as Da Ponte's son, Lorenzo. HGO will also present a revival of Daniel Cat n's ethereal Florencia en el Amazonas with internationally acclaimed soprano and HGO Studio alumna Ana Mar a Mart nez in the title role; the first HGO presentation of Bizet's The Pearl Fishers with the stellar tenor and baritone pairing of Lawrence Brownlee and Mariusz Kwiecien in the title roles along with soprano Andrea Carroll; and the return of HGO's 2012 production of Puccini's perennial classic La boh me, featuring the role debut of soprano and HGO Studio alumna Nicole Heaston as Mim .
Houston Grand Opera (HGO) will present its 2018 19 season in its creative home at Houston's Wortham Theater Center after a year of displacement due to damage to the building from Hurricane Harvey.
The Tucson Desert Song Festival's (TDSF) sixth season opens tomorrow (Jan. 16) and will run through February, 4th. The festival will celebrate the life and music of Leonard Bernstein, the iconic conductor, composer, pianist and educator Over the coming weeks TDSF, in partnership with Tucson's leading arts organizations, will present events honoring Bernstein at 100. The festival will provide a rich and unusual context in which to experience Bernstein's work. Highlights include a fully-staged production of Bernstein's comic operetta Candide (in partnership with Arizona Opera); Trouble in Tahiti (in partnership with the Tucson Symphony Orchestra) featuring mezzo-soprano Sasha Cooke and bass-baritone Kelly Markgraf; Mass, in a chamber version (in partnership with True Concord Voices & Orchestra) featuring Jubilant Sykes; the Kaddish symphony, narrated by Jamie Bernstein, and an evening with Broadway star Chita Rivera.
Nothing beats sitting in the opera house for the thrill of hearing singers giving their all. But the new recording of Berlioz's LES TROYENS (THE TROJANS), conducted by John Nelson, comes pretty close. Taken from a couple of live concert performances in Strasbourg, France, at the Salle Erasme, with a cast headed by mezzo Joyce DiDonato as Dido (Didon, en francais), tenor Michael Spyres as Aeneas (Enee) and Marie-Nicole Lemieux as Cassandra (Cassandre) plus that famed Trojan horse--brings us all the chills and thrills we could want, short of being there.
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