Eli and Edythe Broad General Director Pl cido Domingo has announced the repertory and artist roster for the company's 2018/19 season, planned by Mr. Domingo in collaboration with Richard Seaver Music Director James Conlon and Sebastian Paul and Marybelle Musco President and CEO Christopher Koelsch. The season will include six mainstage productions presented at the Dorothy Chandler Pavilion, with additional performances presented elsewhere through the company's Off Grand initiative.
Simone Dinnerstein returns to Miller Theatre after her Bach concerts this fall with a second concert featuring the music of Philip Glass in his 80th birthday year. This time Simone pairs Glass with Schubert, a composer he not only shares a birthday with-but also a harmonic and spiritual connection.
The Winnipeg New Music Festival's (WNMF) unique relationship with Iceland its innovative composers and their uniquely evocative music has evolved over a number of seasons. This year is the 100th anniversary of an important milestone in Icelandic history: the Danish Icelandic Act, a pivotal point in Iceland's history and journey to independence. In celebration of that event, the 2018 Festival (running Jan. 27-Feb. 2, 2018) presents multiple world premieres by Icelandic composers including a major new work for orchestra and choir by Hilmar rn Hilmarsson on January 31.
The San Francisco Conservatory of Music (SFCM) will be represented by faculty and student musicians in two uniquely compelling concerts at Carnegie Hall this February. Founded in November 1917, SFCM marks its centennial this season as the oldest and most prestigious stand-alone conservatory in the American West.
The New York Philharmonic announces Foreign Bodies, a one-night-only multidisciplinary event conducted and hosted by Esa-Pekka Salonen, concluding his tenure as The Marie-Jos e Kravis Composer-in-Residence. The concert, Friday, June 8, 2018, at 8:00 p.m., will feature Esa-Pekka Salonen's Foreign Bodies, accompanied by the World Premiere of a live video installation by Tal Rosner; Dan el Bjarnason's Violin Concerto, with Pekka Kuusisto in his New York Philharmonic debut; and Obsidian Tear, a dance work choreographed by Wayne McGregor performed by members of the Boston Ballet (Philharmonic debut) and set to Mr. Salonen's Nyx and Lachen verlernt. Foreign Bodies will be casual and multi-sensory; drinks and conversation will flow as attendees mingle with the performers, who will give additional impromptu performances throughout the event.
The Fairfax Symphony Orchestra (FSO) salutes the next generation of classical musicians with a special performance by string virtuoso, In Mo Yang and the premiere of the 2018 Fairfax County All-Stars Youth Orchestra, featuring outstanding student musicians from across Fairfax County.
Nashville Ballet will premiere Light / The Holocaust & Humanity Project this February, an internationally acclaimed contemporary ballet that journeys through one of history's darkest hours to ultimately shine a spotlight on the triumph of the human spirit. Presented as part of Nashville Ballet's annual Attitude series, Light / The Holocaust & Humanity Project comes to Music City from Ballet Austin Artistic Director Stephen Mills February 9-11, 2018, at TPAC's Polk Theater.
National Geographic has set the premiere dates for its 2018 winter/spring series and specials; they were announced at the network's Winter TCA presentation in Pasadena, California.
For its annual winter engagement, The Joffrey Ballet presents Modern Masters, a mixed repertory program showcasing works by ballet's most celebrated contemporary icons along with today's top emerging choreographers, including the world premiere of Beyond the Shore by Joffrey Ballet Master Nicolas Blanc, the Chicago premiere of Glass Pieces by Jerome Robbins in honor of the 100th anniversary of his birth, the Joffrey premiere of The Four Temperaments by George Balanchine, plus the return of Body of Your Dreams by Myles Thatcher. Modern Masters is presented in 10 performances only, February 7 18, 2018.
Grammy Award winners for their Steve Reich Cedille Records debut, Third Coast Percussion launches listeners on an imaginative water-borne adventure with their new album, Paddle to the Sea, available February 9, 2018.
Pacific Symphony today announced the details of its first-ever tour to China and first international tour since the Symphony toured European capitals in 2006. The five-city tour launches May 9, 2018 with a concert at the Shanghai Poly Grand Theatre, followed by performances in Hefei (capital of Anhui province), Wuxi (Jiangsu province), Chongqing (a major city in southwest China) and Beijing. The final concert takes place at the National Centre for the Performing Arts, colloquially known as The Giant Egg due to its distinctive dome-shaped, titanium and glass architecture. The Symphony's tour will include works by Leonard Bernstein in celebration of his centennial, as well as Ravel's Daphnis and Chloe, Suite No. 2; Pictures at an Exhibition by Mussorgsky (arranged by Ravel); and Mozart's Violin Concerto No. 3, featuring soloist Pinchas Zukerman. The visit to China follows another important tour this season to New York City for the Orchestra's Carnegie Hall debut on April 21, 2018.
The Minneapolis Institute of Art (Mia) is collaborating with celebrated theatre director and visual artist Robert Wilson to organize a first-of-its-kind exhibition highlighting the drama, rituals, and opulence of the Qing Empire, the last imperial dynasty of China. The exhibition will present objects from Mia's renowned collection of Chinese art, including rare court costumes, jades, lacquers, bronzes, gold ornaments, paintings, and sculpture, displayed in an immersive, experiential environment conceived of by Wilson. 'Power and Beauty in China's Last Dynasty: Concept and Design by Robert Wilson, presented by Sit Investment Associates, is curated by Liu Yang, Mia's Curator of Chinese Art, and will be on view February 4 through May 27, 2018.
On Thursday, February 15, 2018 at 7:30pm, Bang on a Can will present the 2018 Bang on a Can People's Commissioning Fund concert, one of the most anticipated and reliable launching pads for composers in New York and beyond, as part of Kaufman Music Center's Ecstatic Music Festival at Merkin Concert Hall (Kaufman Music Center, 129 W. 67th St.).
The YIDDISH KING LEAR, written by Jacob Gordin (aka the Jewish Shakespeare), is without a doubt one of the most famous Yiddish plays of all time. Starring David Serero in the title role of King Lear, this unique play will be performed on January 30th and February 1st 2018 at 8pm at the Orensanz Foundation located in the heart of the Lower East Side, New York.
A gentleman caller, a collection of fragile glass animals, and Isaac Lamb as a Southern Belle in a big dress! Elements of silent film, physical comedy, and the music of Philip Glass highlight this poignant, hilarious and whimsical telling of Tennessee Williams' story of family facades, dreams of escape, and the reality of the everyday.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce that prot g s and mentors have been selected for the organization's new Mentorship Program for Women.
Berkeley Repertory Theatre today announced the full cast and creative team for Tony Kushner's Angels in America: A Gay Fantasia on National Themes, Part One: Millennium Approaches and Part Two: Perestroika.
Very few works of art retain the power to shock and disturb that they showed on their opening night decades earlier. One of those is Richard Strauss's 1905 operaSalome. When it first appeared, this steamy brew of eroticism and religion so unnerved audiences that it was banned in Vienna and London. The opera's troubles didn't end there. In 1907, at New York's Metropolitan Opera, it was yanked from the company's repertoire just days after its premiere. At a semipublic dress rehearsal, the way in which the company's Salome, soprano Olive Fremstad, planted a passionate kiss on the severed head of John the Baptist, proved too disturbing for many of the timid Met patrons. The board revolted, demanding that General Manager Heinrich Conried bring Salome'srun to a halt. A statement was issued declaring that the work itself was objectionable and detrimental to the best interests of the Metropolitan Opera House.
On Sunday, January 28 at 4 pm, renowned pianist Simone Dinnerstein performs J.S. Bach's Keyboard Concerto No. 7 in G Minor, BWV 1058 with Princeton Symphony Orchestra (PSO), juxtaposed with a new concerto written for her by Philip Glass and co-commissioned by the PSO.
