Justin Peck's newest work, 'The Decalogue,' was placed at the far end of a daunting program this past Thursday as part of New York City Ballet's expansive 'Here/Now' festival. Following Lynne Taylor-Corbett's resonate 'Chiaroscuro,' Jorma Elo's sublime 'Slice to Sharp,' and Peter Martins' transportive, if overlong, 'Stabat Mater,' the sting of anticlimax would have been difficult to avoid for even the most robust work. The evening's narrative was moving to an aesthetic statement, but riding these pieces was also a burden of archaic catharsis which 'The Decalogue' is not equipped to shoulder. However, if dislodged from the context of the program, Justin Peck's newest work represents his most mature excavation of dance form and gives hope that ballet can be not simply dressed up in new fashion, but have its soil tilled for invigorating innovation.
New York City Ballet has just released a teaser trailer for their 2017-2018 season: Escape. Explore. Embrace. The video is directed by Bon Duke, with music by Valgeir Sigurðsson.
New York City Ballet continues to include new choreographies in its repertoire, billed this season as the Here and Now Festival. On May 12, 2017 NYCB performed four newer works created in 1994, 1998, 2006, and a world premiere.
Lincoln Center Festival Director Nigel Redden today announced casting for the unprecedented, international presentation of George Balanchine's Jewels . The Bolshoi Ballet, New York City Ballet, and Paris Opera Ballet will share the stage where the masterpiece first premiered on April 13, 1967, for five historic performances celebrating one of the greatest creative artists of the 20th century and the global recognition the work has received.
Returning to the Opera House stage for their annual engagement, New York City Ballet (NYCB) brings two dynamic and vibrant programs of repertory, June 6–11, including four D.C. premieres by some of today's most innovative choreographers—Justin Peck, Alexei Ratmansky, and Christopher Wheeldon—along with classic works by George Balanchine. All performances will be accompanied by the New York City Ballet Orchestra.
The Juilliard School announced today that it has selected Damian Woetzel, director of the Aspen Institute Arts Program, artistic director of Vail Dance Festival, and former principal dancer at New York City Ballet, to serve as its seventh president beginning July 2018.
The 2017 Jacob's Pillow Dance Festival 2017, the first programmed exclusively by new Director Pamela Tatge, is full of exciting programming featuring world premieres, commissions, site-specific work, international artists, live music, and Pillow-exclusive engagements, all to celebrate a momentous 85th Anniversary Season. Running June 21-August 27, Festival 2017 includes more than 200 free events, performances, exhibits, and talks, as well as many new offerings and initiatives launched under Tatge's leadership. In keeping with the Jacob's Pillow mission to engage and educate the community through the depth and breadth of dance, the genres and styles presented as part of the 85th Anniversary Season are far-reaching and inclusive, encompassing modern, contemporary, ballet, hip-hop, improvisation, flex, tap dance, step, Brazilian social dance, dance theater, traditional Native American, Bharatanatyam, musical theater dance, classical Cambodian, Latin ballroom, capoeira, and traditional Korean movement styles.
Born in Sioux Falls, SD, Mr. Boos relocated himself to NY at 15 to study dance on full scholarship at the Harkness House. Following this, he studied on scholarship at the American Ballet Theater School, and finally the School of American Ballet. It was at SAB, while working extensively with both George Balanchine and Jerome Robbins, that Mr. Boos developed an intimate understanding of the connection between music and movement.
New York City Ballet will open its 2017-18 Season at Lincoln Center on Tuesday, September 19, and will continue with 21 weeks of performances, through Sunday, June 3, featuring 61 ballets by 15 different choreographers.
New York City Ballet will open its 2017-18 Season at Lincoln Center on Tuesday, September 19, and will continue with 21 weeks of performances, through Sunday, June 3, featuring 61 ballets by 15 different choreographers.
On Sunday, April 23, 2017 at 7:30pm, Works & Process at the Guggenheim presents New York City Ballet's Music Director Andrew Litton, a longtime conductor of symphony orchestras around the world who recently added ballet orchestra maestro to his achievements with his appointment at NYCB.
On Sunday, April 23, 2017 at 7:30pm, Works & Process at the Guggenheim presents New York City Ballet's Music Director Andrew Litton, a longtime conductor of symphony orchestras around the world who recently added ballet orchestra maestro to his achievements with his appointment at NYCB. Litton will share his unique perspective on the similarities and differences between these two experiences, and will illuminate the intricacies of NYCB's vast musical repertory prior to the Company's upcoming Here/Now Festival, featuring 43 ballets created for NYCB since 1988, which will take place from April 25 through May 21 at the David H. Koch Theater at Lincoln Center.
Brooklyn Center for the Performing Arts at Brooklyn College continues its 2016-17 season with The Beauty of Ballet, a free lecture demonstration presented by the School of American Ballet (SAB), today, March 11, 2017 at 2pm.
New York Theatre Ballet (NYTB) returns to New York Live Arts with its new Uptown/Downtown/Dance series from March 1-4, 2017 at 7:30pm with an additional 2pm matinee on Saturday.
Parisian culture, Polish politics, and the piano are the focus of this summer's annual Bard SummerScape festival, with seven weeks of music, opera, theater, dance, film, and cabaret keyed to the theme of the 28th Bard Music Festival, 'Chopin and His World.'
New York City Ballet announced today the promotion of eight of the Company's dancers. Soloist Russell Janzen has been promoted to the rank of principal dancer, and corps de ballet members Sara Adams, Harrison Ball, Emilie Gerrity, Joseph Gordon, Unity Phelan, Troy Schumacher, and Indiana Woodward have been promoted to Soloist.
New York Theatre Ballet (NYTB) returns to New York Live Arts with its new Uptown/Downtown/Dance series from March 1-4, 2017 at 7:30pm with an additional 2pm matinee on Saturday.
New York Theatre Ballet (NYTB) returns to New York Live Arts with its new Uptown/Downtown/Dance series from March 1-4, 2017 at 7:30pm with an additional 2pm matinee on Saturday. This year's program features a revival of Nijinsky's L'Apres-Midi d'un Faune staged by the 98-year-old Ann Hutchinson Guest, a new and as-of-yet untitled pas de trois by Pam Tanowitz, Frederick Ashton's La Chatte métamorphoses en femme, and Antonia Franceschi's She Holds Out Her Hand which premiered at Danspace in Fall 2016. All pieces will be performed to live music. A post-show celebration with wine, hors d'oeuvres, and music will be held after the opening night performance for which tickets are $75. Tickets for the performances are $30 ($15 for Students & Seniors) and can be purchased at http://newyorklivearts.org/event/spring-concerts/.
NYC Ballet announces their winter program, with two programs paying tribute to NYCB Founder George Balanchine, including the return of Prodigal Son and Swan Lake, as well as a reprise of his tragic narrative work La Sonnambula.
