According to the Washington Post, the national touring cast of ANNIE got heckled this week at DC's National Theatre. The heckler attended the show Tuesday night, and is said to have yelled, 'That was terrible!' from his seat, following the number 'We'd Like to Thank You Herbert Hoover.' There were no reported reactions from the cast or the other audience members during the incident.
Leapin' lizards! With more than 400 performances under her belt, the new U.S. National Tour of ANNIE will play the National Theatre for one week only, March 15 - 20, 2016. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic 1977 Tony Award-winning original.
Houston Ballet offers up its Winter Mixed Repertory Program which introduces three masterpieces into the company's repertory in a thrilling evening of dance.
Broadway In Chicago has announced that the U.S. National Tour of ANNIE, now in its second smash year, returns to the Cadillac Palace Theatre (151 W. Randolph) for a limited one-week engagement, November 9-13, 2016. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award-winning original.
Leapin' lizards! With more than 400 performances under her belt, the new U.S. National Tour of ANNIE will play the National Theatre for one week only, March 15 - 20, 2016. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic 1977 Tony Award-winning original.
BroadwayWorld has just learned that after touring ANNIE to 41 cities across the nation, Troika Entertainment, LLC has announced select new lead cast members for the 2016 leg of the tour.
The iconic 1977 Charles Strouse musical ANNIE opened last night at Shea's Buffalo to a large, appreciative audience. After the most recent Broadway revival that failed mostly due to a poor heavy handed directorial concept, Annie's original lyricist, Martin Charnin, chose to direct his version of this new National tour.
The new U.S. National Tour of ANNIE will play the Providence Performing Arts Center (PPAC) in Providence December 29, 2015 - January 3, 2016. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award-winning original.
Brooklyn's newly restored Kings Theatre (1027 Flatbush Ave, Brooklyn, NY) will present the all-new U.S. tour of the beloved musical Annie in a limited 16 performance only engagement at the venue this holiday season, December 15 - 27, 2015. Tickets are on sale now. Directed by original lyricist and director Martin Charnin for the 19th time, this production of Annie is a brand new physical incarnation of the iconic Tony Award®-winning original.
Brooklyn's newly restored Kings Theatre (1027 Flatbush Ave, Brooklyn, NY) will present the all-new U.S. tour of the beloved musical Annie in a limited 16 performance only engagement at the venue this holiday season, December 15 - 27, 2015. Tickets are on sale now. Directed by original lyricist and director Martin Charnin for the 19th time, this production of Annie is a brand new physical incarnation of the iconic Tony Award®-winning original.
The Playhouse on Rodney Square will kick off its new Broadway in Wilmington series with the new U.S. National Tour of ANNIE this week, December 1-6, 2015.
The Playhouse on Rodney Square will kick off its new Broadway in Wilmington series with the new U.S. National Tour of ANNIE December 1-6, 2015. Directed by original lyricist and director Martin Charnin for the 19th time, this production is a brand new physical incarnation of the iconic Tony Award-winning original. Tickets are $40-$90 and may be purchased by calling The Playhouse Box Office at 302.888.0200 or online at ThePlayhouseDE.org. Discounts are available to children ages 12 and under.
Brooklyn's newly restored Kings Theatre (1027 Flatbush Ave, Brooklyn, NY) will present the all-new U.S. tour of the beloved musical Annie in a limited 16 performance only engagement at the venue this holiday season, December 15 - 27, 2015. Tickets are on sale now. Directed by original lyricist and director Martin Charnin for the 19th time, this production of Annie is a brand new physical incarnation of the iconic Tony Award®-winning original.
KeyBank Broadway at The Paramount is proud to announce that the new U.S. National Tour of ANNIE will play Seattle's Paramount Theatre from September 20-26, 2015. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award-winning original. Tickets for the engagement are available on-line at stgpresents.org and tickets.com, by calling 877-STG-4TIX (784-4849) or in person at select Ticketmaster locations and at The Paramount Theatre Box Office (Monday through Friday, 10am to 6pm).
Brooklyn's newly restored Kings Theatre (1027 Flatbush Ave, Brooklyn, NY) has announced that the all-new U.S. tour of the beloved musical Annie will play a limited 16 performance only engagement at the venue this holiday season, December 15 - 27, 2015. Tickets are on sale now. Directed by original lyricist and director Martin Charnin for the 19th time, this production of Annie is a brand new physical incarnation of the iconic Tony Award-winning original.
Jerome Robbins choreographic masterpiece, Goldberg Variations, to Johan Sebastian Bach's musical masterpiece of the same name, was first on New York City Ballet's program on Wednesday evening, May 13, replete with many stars of the company. Pianist Susan Walters sat far left on stage level, playing beautifully. The curtain opened on Faye Arthurs and Zachary Catazaro, in Baroque costume, dancing the Theme. Catazaro, a soloist with NYCB, showed himself to be an ideal classical danseur noble. He is handsome, debonair, confident, and secure, dancing with subtle nuances to his movement, which enriches the experience for the audience, as well, no doubt, for his own pleasure. Part I Variations featured dancers wearing contemporary leotards and dance skirts. With a distinctly Robbins flair, they became a painting in motion, exuding feeling. Emilie Gerrity, corps de ballet, and Lauren Lovette, soloist, were captivating in their duet. Part II Variations offered several gems. Tiler Peck and Gonzalo Garcia were playful and fun to see. Amar Ramasar, who joined NYCB in 2001 and became principal dancer in 2009, continues to grow as he matures, with fully developed expression and superb partnering. Maria Kowroski's long lines filled the stage. There was a cornucopia of beauty and joy via this coupling of dancers and choreography. Only the second group of corps de ballet in blue seemed to misunderstand the Robbins' spirit, particularly in their runs with knees bent, kicking back. Towards the end of Part II, the dancers changed into Baroque style costumes. Arthurs and Catazaro then returned in contemporary costumes. Finally, there was a group salute to the pianist, unusual and fitting.