AND THEN THERE WERE NONE, also published under the title, 'Ten Little Indians', is Agatha Christie's best selling novel and the 7th most popular book of all time with over 100 million copies sold. Eight strangers and two servants are invited to a mansion off the coast of Devon. Once the arrive, statuettes of little soldier boys on the mantel fall to the ground in conjunction with a nursery rhyme telling how each of the ten 'soldiers' met his death until there were none. A mysterious voice accuses each of having gotten away with murder and then one drops dead---poisoned. One down and nine to go! The excitement never lets up in this remarkable thriller!
Lyceum alums Harold L. Hynick and Peggy Billo play the two servants, Thomas and Ethel Rogers. Both were seen on the Lyceum stage earlier this season in My Fair Lady and The Man Who Came To Dinner.
AND THEN THERE WERE NONE, also published under the title, 'Ten Little Indians', is Agatha Christie's best selling novel and the 7th most popular book of all time with over 100 million copies sold. Eight strangers and two servants are invited to a mansion off the coast of Devon. Once the arrive, statuettes of little soldier boys on the mantel fall to the ground in conjunction with a nursery rhyme telling how each of the ten 'soldiers' met his death until there were none. A mysterious voice accuses each of having gotten away with murder and then one drops dead---poisoned. One down and nine to go! The excitement never lets up in this remarkable thriller!
The Lerner and Loewe masterpiece MY FAIR LADY brings to life Eliza Doolittle, an uncommon Cockney flower girl who is taken under the tutelage of the arrogant Henry Higgins as he attempts to teach her proper diction and pass her off as a lady. According to the show's director Michael Rothhaar 'MY FAIR LADY is the gold standard of Broadway musicals and an honest to goodness fairy tale.' The delightful score includes audience favorites 'I Could Have Danced All Night,' 'On the Street Where You Live,' 'I've Grown Accustomed to Her Face,' 'Get Me to the Church on Time,' and so many others.
Written by the incomparable team of George S. Kaufman and Moss Hart, The Man Who Came To Dinner tells the story of Sheridan Whiteside, a theatre critic/lecturer and radio personality, arriving to dine at the home of the prominent Stanley family in a small Midwestern town. Whiteside slips and falls at the doorstep of his hosts and injures his hip. For six weeks Sheridan is confined to the Stanley home where he monopolizes the entire household! Featuring one of the largest Lyceum casts ever assembled, this stylish and funny production will keep audiences laughing as the outrageous becomes commonplace!
The Lerner and Loewe masterpiece MY FAIR LADY brings to life Eliza Doolittle, an uncommon Cockney flower girl who is taken under the tutelage of the arrogant Henry Higgins as he attempts to teach her proper diction and pass her off as a lady. According to the show's director Michael Rothhaar 'MY FAIR LADY is the gold standard of Broadway musicals and an honest to goodness fairy tale.' The delightful score includes audience favorites 'I Could Have Danced All Night,' 'On the Street Where You Live,' 'I've Grown Accustomed to Her Face,' 'Get Me to the Church on Time,' and so many others.
The Lerner and Loewe masterpiece My Fair Lady brings to life Eliza Doolittle, an uncommon Cockney flower girl who is taken under the tutelage of the arrogant Henry Higgins as he attempts to teach her proper diction and pass her off as a lady. According to the show's director Michael Rothhaar 'My Fair Lady is the gold standard of Broadway musicals and an honest to goodness fairy tale.' The delightful score includes audience favorites 'I Could Have Danced All Night,' 'On the Street Where You Live,' 'I've Grown Accustomed to Her Face,' 'Get Me to the Church on Time,' and so many others.
Mustard Seed Theatre will present Moliere's TARTUFFE April 23-May 9, 2010. Translated from Moliere's French by Richard Wilbur, the witty rhyming couplets keep the action moving as the plots swirl and power is stolen. Join Mariane, Elmire and their maid Dorine as they try to convince Orgon that Tartuffe is an imposter and not a saint.
Some people cannot be convinced of something unless they see it with their own two eyes, and even then they can be skeptical. This is a problem that Orgon, a character from Moliere's classic comedy TARTUFFE faces. Everyone around him, except his Mother, seems to understand that the man that Orgon has taken in has a less than stellar past, and that he's up to no good. But Orgon's blindness, even in the face of being confronted with eyewitness accounts, works against him taking any action against a man he sees as being perfectly pious. Mustard Seed Theatre has produced a funny and extremely well cast version of this play, and it's required viewing for anyone looking for something a little light and easy to take.
Mustard Seed Theatre will present Moliere's TARTUFFE April 23-May 9, 2010. Translated from Moliere's French by Richard Wilbur, the witty rhyming couplets keep the action moving as the plots swirl and power is stolen. Join Mariane, Elmire and their maid Dorine as they try to convince Orgon that Tartuffe is an imposter and not a saint.
Mustard Seed Theatre will present Moliere's TARTUFFE April 23-May 9, 2010. Translated from Moliere's French by Richard Wilbur, the witty rhyming couplets keep the action moving as the plots swirl and power is stolen. Join Mariane, Elmire and their maid Dorine as they try to convince Orgon that Tartuffe is an imposter and not a saint.
The Repertory Theatre of St. Louis (The Rep) continues its 2009-2010 Mainstage series with Wendy Kesselman's adaptation of The Diary of Anne Frank by Frances Goodrich and Albert Hackett.
Playwright Wendy Kesselman has referred to her current adaptation of THE DIARY OF ANNE FRANK as the definitive version, and considering the fact that newly available passages of Anne's diary were incorporated into the text, it's certainly more eye opening in a lot of respects. Kesselman gives us a more thorough understanding of Anne, while also enhancing some of the darker aspects of her story, packing this episode in history with considerable emotional weight. The Repertory Theatre of St. Louis is presenting a superb staging of this fresh adaptation (February 10 - March 7), featuring a stellar ensemble that breathes new life into this tragic tale.
The Repertory Theatre of St. Louis (The Rep) continues its 2009-2010 Mainstage series with Wendy Kesselman's adaptation of The Diary of Anne Frank by Frances Goodrich and Albert Hackett.
The Repertory Theatre of St. Louis (The Rep) continues its 2009-2010 Mainstage series with Wendy Kesselman's adaptation of The Diary of Anne Frank by Frances Goodrich and Albert Hackett.
The Repertory Theatre of St. Louis and Webster University will co-host the St. Louis premiere reading of the epilogue to the acclaimed play The Laramie Project which, since its debut in 2000, has been one of the most performed plays in America.
The Repertory Theatre of St. Louis and Webster University will co-host the St. Louis premiere reading of the epilogue to the acclaimed play The Laramie Project which, since its debut in 2000, has been one of the most performed plays in America.
George S. Kaufman and Moss Hart's perennial favorite, You Can't Take It With You, is given a pleasant and breezy staging in the Lyceum Theatre's current production. This venerable comedy classic comes to life in splendid fashion, with a fine cast proving that Kaufman and Hart's punchlines still stand up over 70 years after they were written.
The 18 member cast of the Arrow Rock Lyceum Theatre's first play of the 2009 season, You Can't Take It With You, under the direction of Michael Evan Haney, opens Saturday July 25th and runs through August 1st.
The 18 member cast of the Arrow Rock Lyceum Theatre's first play of the 2009 season, You Can't Take It With You, under the direction of Michael Evan Haney, opens Saturday July 25th and runs through August 1st.
