Paula Vogel News

The Rainbow Theatre Project presents Say You Love Satan by D.C.-native Roberto Aguirre-Sacasa in the third slot of their inaugural season of concert readings. Directed by John Moletress, Satan plays at Source in D.C. on Monday, February 24, 2014 at 7:30 p.m., and will be preceded by a reading of Frank Anthony Polito's short play, White Room w/ Red Door, directed by The Rainbow Theatre Project's Producing Artistic Director, H. Lee Gable.

Arena Stage at the Mead Center for American Theater announces the full company for the world-premiere historical drama Camp David, penned by Pulitzer Prize-winning author Lawrence Wright and directed by Artistic Director Molly Smith. Based on true events surrounding the 1978 Camp David Accords, the play follows the 13-day meeting between President Jimmy Carter, Israeli Prime Minister Menachem Begin and Egyptian President Anwar Sadat as they attempted to create the impossible: peace in the Middle East. The production features Tony Award nominee Hallie Foote (Broadway's Dividing the Estate) as Rosalynn Carter, Egyptian actor and activist Khaled Nabawy (Kingdom of Heaven, Fair Game) as Anwar Sadat, Tony Award winner Ron Rifkin (Alias, Broadway's Cabaret) as Menachem Begin and Emmy Award winner Richard Thomas (The Waltons) as President Jimmy Carter. Camp David runs March 21-May 4, 2014 in the Kreeger Theater.

The Dramatists Guild of America has announced the recipients of their annual awards, which will be presented at an awards ceremony hosted by Robert Lopez and Kristen Anderson Lopez on Monday, February 24, 2014, at The Lambs Club in New York.

tend to prefer Shakespeare's comic heroines to his tragic ones. Beatrice, Katherine, and Viola always seemed more lively, active, and interesting, while Juliet, Ophelia, and Desdemona mostly made pretty speeches while waiting for fate to buffet them towards their inevitable messy ends.

Playwrights Horizons presents the New York premiere production of STAGE KISS, a new play marking the eagerly-awaited return of two-time Pulitzer Prize finalist Sarah Ruhl (Dead Man's Cell Phone at PH; The Clean House, In the Next Room...) to the theater company. Directed by Rebecca Taichman (Milk Like Sugar at PH; the current Marie Antoinette, Orlando, The Scene, Luck of the Irish), the production begins previews this evening, February 7 at 8PM with an Opening Night set for Sunday, March 2 at 7PM. The limited engagement will play through Sunday evening, March 23 at Playwrights Horizons' Mainstage Theater (416 West 42nd Street).

Perseverance Theatre (PT) has been awarded $50,000 from the Paul G. Allen Family Foundation and $25,000 from the Rasmuson Foundation to continue work on the pre-development phase of the Willoughby Arts Complex(WAC). Perseverance Theatre and the Juneau Arts and Humanities Council(JAHC) are partnering to build the new theatre complex for Alaska's capital city.

On March 31st at New York City's Pierre Hotel, the National Corporate Theatre Fund (NCTF) will honor Tony and Emmy Award Winning singer and actress Kristin Chenoweth, and the Edgerton Foundation for their leadership in the arts at the NCTF 2014 Chairman's Awards Gala. The evening will be chaired by Chairman James S. Turley, Cisco Systems, Inc, Wells Fargo/Joseph F. Kirk and world-renowned playwright David Henry Hwang.

Interrobang Theatre Project is pleased to conclude its 2013-14 season with Calamity West's world premiere THE DOLL'S HOUSE PROJECT: IBSEN IS DEAD, based on Henrik Ibsen's classic drama A Doll's House, directed by Co-Artistic Director James Yost, playing May 8 - June 8, 2014 at The Athenaeum Theatre, 2936 N. Southport in Chicago. Curtain times are Thursdays, Fridays, and Saturdays at 8pm and Sundays at 3pm. There will be added 3pm performances on Saturday, May 25 and Saturday, June 7. Tickets for THE DOLL'S HOUSE PROJECT: IBSEN IS DEAD are $20 general admission, $10 for previews, and students or industry members with ID and are available at www.athenaeumtheatre.org, in person at The Athenaeum Theatre Box office or by calling (773) 935-6875.

The University of Texas Department of Theatre and Dance at Austin presents UTNT (UT New Theatre), February 27 - March 9 at the Lab Theatre. This annual showcase presents new plays from the Master of Fine Arts Playwriting Program.

Roundabout Theatre Company has announced the third annual Roundabout Underground Reading Series. The series will celebrate seven critically-acclaimed seasons of Roundabout Underground productions. Roundabout Underground Reading Series is a five night event that will include a nightly reading of a new play written and directed by an emerging artist.

Adjmi claims that his work does not infringe on THREE'S COMPANY's copyright, with his lawyers 'citing the First Amendment and the legal doctrine of fair use, argue that '3C' is an original parody that only borrows some elements from the sitcom to examine its premise, character types, and homophobia and sexism in that era.' The compaint includes support from Tony Kushner, Stephen Sondheim and others.

The Susan Smith Blackburn Prize has announced 10 Finalists for its prestigious playwriting award, now celebrating its thirty-sixth year. Chosen from over 100 submitted plays, the Finalists are

Colt Coeur's Play Hotel reading series will present a free staged reading of She Rode Horses Like the Stock Exchange by Amelia Roper, directed by Adrienne Campbell-Holt, January 28th at 7pm at SoHo House in Manhattan. The cast for the reading includes McCaleb Burnett (Scarcity, Rattlestick), Katya Campbell (How to Make Friends and then Kill Them, Rattlestick), Zuzanna Szadkowski ('Gossip Girl'), and Matt Stadelmann (The Grown-Up, Humana). The event is hosted by Sam Goldberg and Julia Jones.

SINCE AFRICA, a new play by Mia McCullough about a Lost Boy of Sudan-- both lost in his native land and lost as he attempts to adjust to his new home in America - will be given its NY premiere following successful productions at San Diego's Old Globe, Philadelphia's InterAct, and Chicago Dramatists theatres with performances starting February 20 and an official press opening on February 23 in a production by New York's Red Fern Theatre Company at The Theater at the 14th Street Y (344 E. 14 St. between 1st and 2nd Ave. in NYC). The play is directed by Nancy Robillard.

Chart-topping hit-maker Sara Bareilles discusses her multiple 2014 Grammy Award nominations as well as her current work on the screen-to-stage adaptation of cult indie film WAITRESS as part of a new interview.

The Boston College Theatre Department continues its 2013-2014 season with acclaimed playwright Sarah Ruhl's quirky and touching comedy, The Clean House. Performances of this Workshop Production, directed by Theatre Arts major Billy McEntee '14, will take place in the Bonn Studio Theater of the Robsham Theater Arts Center January 23-25.

The Vineyard Theatre will celebrate the songs of Dory Previn - the late pop/folk singer-songwriter whose numerous hits include "Come SaturdayMorning" and the theme from "Valley of the Dolls" - at its annual Gala Fundraiser on Monday, February 24th beginning at 6:30pm at the Edison Ballroom (240 W. 47 St in Manhattan), it has been announced by Douglas Aibel, Vineyard Theatre's Artistic Director and Sarah Stern, Co-Artistic Director. The Vineyard Gala will not only celebrate Ms. Previn's witty, heartbreaking and provocative songs, but will feature selections from her poems, plays and memoirs, as well.

Theatre at St. Clement's hosts the World Premiere of The Clearing, written by Jake Jeppson (Jerome Fellowship recipient) and directed by Josh Hecht (Drama Desk Award winner for Christine Jorgensen Reveals). The Clearing runs Off-Broadway now through February 9, 2014. Previews began January 15 for a January 19 opening. Theatre at St. Clement's is located at 423 West 46th Street between 9th and 10th Avenues in New York City. BroadwayWorld has photos from the opening night festivities below!

Opening the programme in the Park200 is Charles Court's production of the seldom performed Rogers/Sondheim musical Do I Hear A Waltz?. The seasons continues with Engine House's production of Bomber's Moon, written by celebrated screenwriter William Ivory (Made in Dagenham, Burton and Taylor), and is completed by the world premiere of The Man Who Shot Liberty Valance, a tale of revenge set in the Wild West, adapted by Jethro Compton from the short story by Dorothy M. Johnson.

Columbia University School of the Arts is proud to announce the 2014 Columbia Stages season of director and playwright Thesis Productions at Cloud City, The Connelly Theater, and The Pershing Square Signature Center. Columbia Stages has expanded its season to a variety of venues throughout the city in order to provide third-year students with high-quality presentation spaces that meet the needs of their individual visions.