On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Thursday, February 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
New York Festival of Song (NYFOS, www.nyfos.org), who 'redefined the song recital with daring and dramatic programming' (The New Yorker), presents its fifth annual program with the Department of Vocal Arts at The Juilliard School on Wednesday January 13, 2010 at 8 PM, Killer B's-American Song From Amy Beach to the Beach Boys.
On Tuesday and Thursday, February 16 and 18 at 8 PM, Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org) present The Voluptuous Muse, a celebration of the lush tonality and decadent Romanticism of late 19th- and early 20th- century song.
New York Festival of Song (NYFOS, www.nyfos.org), who 'redefined the song recital with daring and dramatic programming' (The New Yorker), presents its fifth annual program with the Department of Vocal Arts at The Juilliard School on Wednesday January 13, 2010 at 8 PM, Killer B's-American Song From Amy Beach to the Beach Boys.
New York Festival of Song (NYFOS, www.nyfos.org), who 'redefined the song recital with daring and dramatic programming' (The New Yorker), presents its fifth annual program with the Department of Vocal Arts at The Juilliard School on Wednesday January 13, 2010 at 8 PM, Killer B's-American Song From Amy Beach to the Beach Boys.
Lorin Maazel?s final weeks as Music Director of the New York Philharmonic will culminate with wide-ranging repertoire that includes a new work, and large-scale masterpieces that represent Mr. Maazel?s myriad interests, influences, and personal passions while also showcasing the artistry of the New York Philharmonic. Highlights include a World Premiere?New York Philharmonic Co-Commission; works by Bach and Copland that feature soloists from the Orchestra; Britten?s War Requiem; Mahler?s rarely performed Symphony No. 8, Symphony of a Thousand; and performances of two of Mr. Maazel?s own works ? Monaco Fanfares and Farewells.
David Zinman will conduct the New York Philharmonic in programs May 13?16, 2009, replacing Esa-Pekka Salonen, who has withdrawn due to back trouble. Mr. Zinman will lead the Rush Hour Concert on Wednesday, May 13, at 6:45 p.m., which will now comprise Mussorgsky?s Night on Bald Mountain and Shostakovich?s Violin Concerto No. 1, with Christian Tetzlaff as soloist. On Thursday, May 14, at 7:30 p.m. and Saturday, May 16, at 8:00 p.m., he will conduct the Mussorgsky and Shostakovich works, concluding with the previously announced Sibelius Symphony No. 5. On Friday, May 15, at 8:00 p.m., the stories behind the Sibelius symphony will be explored during a multimedia Inside the Music program, narrated by Gerard McBurney, followed by a complete performance of the work conducted by Mr. Zinman.
Alan Gilbert, who will become Music Director of the New York Philharmonic in September 2009, returns to New York to lead two weeks of programs with the Orchestra. The first series of concerts ? Thursday, April 30, 2009, at 7:30 p.m., Friday and Saturday, May 1 and 2, and 8:00 p.m., and Tuesday, May 5, at 7:30 p.m. will comprise Dvorák?s The Golden Spinning Wheel; Saint-Saëns?s Violin Concerto No. 3, with Joshua Bell as soloist; and Martin's Symphony No. 4.
Lorin Maazel?s final weeks as Music Director of the New York Philharmonic will culminate with wide-ranging repertoire that includes a new work, and large-scale masterpieces that represent Mr. Maazel?s myriad interests, influences, and personal passions while also showcasing the artistry of the New York Philharmonic. Highlights include a World Premiere?New York Philharmonic Co-Commission; works by Bach and Copland that feature soloists from the Orchestra; Britten?s War Requiem; Mahler?s rarely performed Symphony No. 8, Symphony of a Thousand; and performances of two of Mr. Maazel?s own works ? Monaco Fanfares and Farewells.
Alan Gilbert, who will become Music Director of the New York Philharmonic in September 2009, returns to New York to lead two weeks of programs with the Orchestra. The first series of concerts ? Thursday, April 30, 2009, at 7:30 p.m., Friday and Saturday, May 1 and 2, and 8:00 p.m., and Tuesday, May 5, at 7:30 p.m. will comprise Dvorák?s The Golden Spinning Wheel; Saint-Saëns?s Violin Concerto No. 3, with Joshua Bell as soloist; and Martin's Symphony No. 4.
New York Festival Of Song (NYFOS) founders Steven Blier and Michael Barrett and the students of The Juilliard School's Vocal Arts Department will present 'A Modern Person's Guide to Hooking Up and Breaking Up,' a free evening of song on Wednesday, January 16, 2008 at 8PM at The Juilliard School, Peter Jay Sharp Auditorium
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