Patrick Kramer News

Myth, an original musical by Blackbird Theater co-founders Wes Driver and Greg Greene and composer Michael Slayton, will be presented in front of an audience for the first time on Saturday, November 12, at Lipscomb University's Shamblin Theater.

Myth, an original musical by Blackbird Theater co-founders Wes Driver and Greg Greene and composer Michael Slayton, will be presented in front of an audience for the first time on Saturday, November 12, at Lipscomb University's Shamblin Theater.

Nashville audiences will be treated to a stage adaptation of one of the internet's biggest pop-culture phenomenon as ACT 1 presents a Fann-made, Permission Granted, Unofficial production of Dr. Horrible's Sing-Along Blog, running November 18-December 3 at The Darkhorse Theatre.

With spirited campiness in abundance - and the sumptuous physical trappings provided by designers Anthony Popolo and Billy Ditty - The Rocky Horror Show takes over the Boiler Room Theatre for the month of October, giving audiences a rose-tinted view of a fantastical world full of transsexuals, transvestites and other-worldly aliens. In short, it's just another night over at the Frankenstein place.

The Boiler Room Theatre (at The Factory at Franklin, 230 Franklin Rd, Bldg 6) brings the cult favorite stage show to Franklin for the first time.

The Boiler Room Theatre (at The Factory at Franklin, 230 Franklin Rd, Bldg 6) brings the cult favorite stage show to Franklin for the first time.

In honor of Valentine's Day (and in a blatant rip-off of BroadwayWorld.com's similar query to the denizens of the Great White Way), we posed that very question to some of our favorite theater community-dwellers in yet another not-so-scientific survey. So, if you're thinking about putting together a playlist of favorite love songs - or if you're searching for the perfect tunes to play in the background while you set the scene for a romantic evening with your own Valentine, here are some suggestions...

Dedicated to her craft, she is an endearing blend of serious actress and sweet young woman. During her time on the Nashville stage, she's played a wide range of roles for a variety of companies, including Circle Players' production of Noises Off, Towne Centre Theatre's Moon Over Buffalo and Steel Magnolias, and Blackbird Theatre Company's Twilight of the Gods. And in each of those roles, she's epitomized 'versatility' with an exceptional performance every time she steps onto the stage.

The Nashville Dinner Theatre in Printers Alley presents Neil Simon's classic American comedy, THE ODD COUPLE, starring Richard Moll of TV's Night Court, Patrick Kramer, Jaime Dudney (daughter of Barbara Mandrell and star of As the World Turns), Sandra Denise Baxter, Dennis Moser, Vance Nichols, Alex Lee and Jonathan Hayes. Directed by Joyce DeWitt and Kaine Riggan, the show runs thru March 5. Call 615-889-4000 for tickets or visit nashvilledinnertheatre.com.

If Neil Simon were writing The Odd Couple in the 21st century, I suspect he'd write Oscar and Felix as gay men just coming out of the closet and make a lot of references about online dating, Twitter and Facebook, and the weekly poker game that is featured prominently during the onstage action would be - well, probably, it would still be a poker game (and to ensure that his characters sound hip, he would, of course, make some odd Sex and the City references, which would render it ridiculously un-hip).

Mining the depths and heights of their own life experiences to bring to life onstage a plethora of challening and compelling characters, dramatic actresses in Nashville were at the pinnacle of their talents in 2010. Thoroughly captivating their audiences night after night, they put their tremendous talents on display with no-holds-barred performances that have raised the bar for actresses who follow in their wake in the coming seasons. And these ten women gave what we considered to be the most noteworthy performances of the 2010 season...

Nashville actors displayed an astonishing range in 2010, playing some of the most coveted roles in theater with imagination and creativity and exhibiting new stage personas for characters making their initial debuts in new, original works. It was a memorable year, to say the least, and Nashville men stepped up to the plate with vigor and conviction, showing greater promise for the new season now under way in 2011. These ten actors led the way for their peers during the season just past and we're proud to recognize their onstage achievements...

'There are no small parts, only small actors,' goes the old theatrical saw that's tossed about willy-nilly to encourage budding thespians to take on roles they suspect might be beneath them and their lofty stature. But, of course, there's much truth to be found in the axiom and you will certainly see it brought to life in the efforts of the members of many acting ensembles, particularly those considered among the best in Nashville's 2010 theater season:

As Nashville's summer theater season continues to heat up, anticipation continues to grow for September's First Night Nashville Theatre Honors, the revival of the Music City theater gala that will benefit Reading is Fundamental (RIF) and sponsored by Macy's and BroadwayWorld.com. Set for Sunday, September 19, at Belmont University's Troutt Theatre, First Night 2010 will honor eight individuals for their sustained and continued commitment to theater in Nashville.

The company's mission, according to its co-founders, is 'To create entertaining, enlightening stage productions that reawaken audiences to the thrill of theater. Our shows will be intellectually challenging and imaginatively rendered, focusing on inventive original works, rarely produced plays by renowned playwrights, and one-of-a-kind special events-all of which celebrate the vitality and immediacy of the live theater experience.'

Blackbird Theater, the newest member of Nashville's burgeoning community of theater companies, makes an auspicious debut with the premiere of Wes Driver and Greg Greene's smartly written new script - Twilight of the Gods - now onstage at David Lipscomb University's Shamblin Theatre. Featuring a truly outstanding ensemble performance from the 13-member cast (with particularly impressive turns by Britt Byrd and Patrick Kramer), Twilight of the Gods might best be described as a murder mystery cum drawing room comedy cum intellectual discussion.

The company's mission, according to its co-founders, is 'To create entertaining, enlightening stage productions that reawaken audiences to the thrill of theater. Our shows will be intellectually challenging and imaginatively rendered, focusing on inventive original works, rarely produced plays by renowned playwrights, and one-of-a-kind special events-all of which celebrate the vitality and immediacy of the live theater experience.'

The company's mission, according to its co-founders, is 'To create entertaining, enlightening stage productions that reawaken audiences to the thrill of theater. Our shows will be intellectually challenging and imaginatively rendered, focusing on inventive original works, rarely produced plays by renowned playwrights, and one-of-a-kind special events-all of which celebrate the vitality and immediacy of the live theater experience.'

As Nashville's summer theater season continues to heat up, anticipation continues to grow for September's First Night Nashville Theatre Honors, the revival of the Music City theater gala that will benefit Reading is Fundamental (RIF) and sponsored by Macy's and BroadwayWorld.com. Set for Sunday, September 19, at Belmont University's Troutt Theatre, First Night 2010 will honor eight individuals for their sustained and continued commitment to theater in Nashville.

Thanks to Street Theatre Company's stellar production of the William Finn-Rachel Sheinkin-Rebecca Feldman musical comedy, I'll be wallowing in self-pity (or maybe I'll be just a little melancholy and sanguine) until I find better ways to occupy my time and better memories to fill my mind - or a bright, shiny object catches my eye. But for now I am happy to reflect on the joyous and frivolous fun that is director Lauren Shouse's superb and sparkling staging of the musical that somehow manages to be both completely contemporary and gloriously traditional in a musical-comedy-sort-of-way. Shouse's exceptional cast of actors, accompanied by music director Rollie Mains' talented musicians and featuring the sprightly choreography of Paul Cook, are sheer perfection as The Bee's crew of over-achieving - sometimes cringeworthy, yet always lovable - middle school spelling phenoms. You'd be hard-pressed to experience a more satisfying night at the theatre.